SIX reunite, The Theatre Channel switches on, The Shows Go On return and casting is revealed in Bath
The Reunion is the first stage+streaming concert performance by seven powerhouse vocalists who rose to fame as the original West End queens of the musical SIX: Aimie Atkinson,Alexia McIntosh,Grace Mouat,Jarneia Richard-Noel,Maiya Quansah-Breed,Millie O’Connell, and Natalie Paris. The show will be livestreamed by theatre platform Thespie but a lucky few will also be able to get tickets to see the concerts live on Saturday 10th and Sunday 11th October.
Performances will be held in Oval Space, a spacious and well-ventilated East London venue that has been entirely reimagined for safe, seated music and theatre performances. The seating plan is entirely flexible which allows seating to be customised to the audience that books. Audiences book for themselves and their household or support bubble only (to a maximum of six), and Thespie’s technology determines a seat plan that ensures safe spacing between households and optimises use of the space. Continue reading “More September theatre news”
Right, first things first, Marti Pellow’s name is deliberately bigger than Madalena Alberto’s on the poster. Really? He may have the greater name recognition factor, indeedPopped In Souled Outwas one of the first cassette albums I ever owned, but is the show called Che? It is not, it is called Evita. And more significantly, in the role of Eva Perón, Alberto delivers an utterly magnificent performance (one which should give Anna-Jane Casey pause for thought in the recently rewritten Forbidden Broadway, star quality indeed…) which far outshadows Pellow’s perfunctory work. Simply put, this is not a West End-standard leading man turn and so demanding higher billing than the show’s true star feels even more inexcusable.
Andrew Lloyd Webber’s show has been touring the country since May 2013 and has now turned up at the Dominion Theatre to finish its run with a seven week stint in the West End. It’s quite a successful transfer too – Matthew Wright’s design holds up well on the vast stage and directors Bob Tomson and Bill Kenwright ensure a sense of grandeur infuses this story of the rise to power of Eva Perón under the auspices of her husband Juan who became the Argentine president. Creatively, the only disappointment comes in Bill Deamer’s choreography which lacks the organic Latin spirit that so elevated the last West End revival (the explosive power of that ‘Buenos Aires’ is one of my all-time favourite theatrical memories).
“Looking back I could have played things some other way”
And so the charity shop bonanza continues: this weekend I was given Chess in Concert which cost 50p from the British Heart Foundation in Reading as it had no box! I’ve never actually seen Chess and so was mildly intrigued by the prospect of it especially as it featured Idina Menzel in the cast but the presence of Josh Groban and Marti Pellow had turned me off from previously engaging and I’m no great fan of Kerry Ellis either to be honest. But I gave the show, a concert version from the Royal Albert Hall in 2008, a try and found myself quite enjoying it despite everything.
For the uninitiated, the music for Chess was written by Björn Ulvaeus and Benny Andersson of ABBA with lyrics by Tim Rice and is based around a love triangle between two players in the Chess World Championship and Florence, a woman who manages one of them but falls in love with the other: the Cold War dramatised through chess and set to music, how else could this story have been told?! On first time viewing though, I have to admit to being quite surprised at how effective it was at telling a rather intimate story whilst simultaneously capturing much of the paranoia and ill-feeling that characterised this ideological conflict. Continue reading “DVD Review: Chess in Concert”