TV Review: The Good Fight Series 1

“In my experience, whenever somebody says ‘the truth is’ that usually means it’s not”

Lots to love in The Good Fight, not least its very existence as a female-led, POC-heavy US drama, unafraid to tackle the most modern of issues, as its parent show The Good Wife did in its prime. And over the 10 episodes of its first season, it has proved an engaging and entertaining watch in the midst of finding its feet about the kind of show it actually wants to be. (You can read my thoughts about Episodes 1 and 2 here).

The Good Fight tried to achieve a lot – establishing a large new ensemble, delivering enough storyline for three lead characters, paying adequate but not overbearing fan service to Good Wife devotees, and coming up with up-to-the-minute cases-of-the week. And I think we can say it did most this fairly successfully. Christine Baranski’s Diane Lockhart and her statement necklaces remaining a shining beacon of light in our cold, dark world. Continue reading “TV Review: The Good Fight Series 1”

Barely-a-Review: You Can’t Take It With You, Longacre Theatre

“I know they do rather strange things. But they’re gay and they’re fun and I don’t know there’s a kind of nobility about them”

I had a perfectly good time at George S. Kaufman and Moss Hart’s You Can’t Take It With You – surprisingly so, given its old-fashioned comedic nature and the presence of the destroyer of Shakespeare James Earl Jones. Well why did I book, you might well ask. For Rose Byrne I would tell you (the first series of Damages is one of my utmost favourite pieces of television ever) and she was indeed great. Annoyingly though, I was quite under the weather that evening (apologies to anyone who the in the vicinity of my stifled spluttering – yes, I was that guy) but when on Broadway – for the first time too – what do you do? It’s not as if you can reschedule… And there’s nothing worse than being stuck in an audience of people laughing their heads off when you’re not quite feeling the same. It’s not to say I thought this was a bad show, it just wasn’t really my cup of tea.

Running time: 2 hours 20 minutes (with interval)
Booking until 22nd February