If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.
There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.
Fourth Wall Live and The Hippodrome Casino London are thrilled to announce a series of over 40 shows at the Hippodrome Casino this winter. The season runs from 18 November every week for 5 weeks and will include two shows nightly at 7.00pm and 9.00pm.
The series will feature stars from the world of musical theatre, comedy and magic with all tickets priced £20. Audiences will be safely socially distanced following the most up-to-date safety guidelines. There will be 130 tickets on sale per show and tickets go on sale soon. Sign up at www.fw-live.com for advance presale and further announcements. Continue reading “News: the Hippodrome to host music, magic and comedy this winter”
This may or may not have been planned as a birthday surprise for me…but the Barn Theatre have announced a new virtual concert series showcasing the works of Britain’s musical theatre composers, beginning with The Barn Theatre Presents: The Music of Daniel and Laura Curtis.
Daniel and Laura Curtis are award winning musical theatre composers and lyricists, whose work has been performed at venues such as the Royal Albert Hall and the London Palladium. The pair have been described as “a magical, formidable writing team” by Success Circuit, with Broadway World declaring their music “simply lovely to listen to”. I reviewed their album Overture a few years back too and enjoyed it. Continue reading “News: The Barn Theatre Presents – The Music of Daniel and Laura Curtis.”
This trio of musical theatre album reviews features Sleeping Beauty the Musical, 9 to 5 the Musical – West End Cast Recording and Girlfriends (London Musical Theatre Orchestra)
“When life seems uphill, remember you’re still ascending”
A bit of googling about Joel Harper-Jackson (what, you don’t do it too…?) came up with this studio cast recording of Sleeping Beauty the Musical. A musical adaptation of the fairytale with book and lyrics by Ian Curran and music by Simon Hanson and Peter Vint, it is a rather amiable treatment of the story and a perfectly serviceable set of tunes. Truth be told, this isn’t a score to really set the world alight but then not everything has to, especially when allied to as classic a tale as this. Harper-Jackson and Maria Coyne both impress as the central couple of Prince Perrault and Princess Aurora whose growing relationship is the cornerstone of the show and ultimately quite affecting here. Continue reading “Album Reviews: Sleeping Beauty the Musical / 9 to 5 the Musical / Girlfriends”
Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre
Best Actor in a New Production of a Play
Aidan Turner, The Lieutenant of Inishmore, Noël Coward Theatre
Ben Batt, The York Realist, Donmar Warehouse/Crucible Theatre, Sheffield
Ian McKellen, King Lear, Chichester Festival Theatre
Matthew Tennyson, A Monster Calls, Old Vic
Reed Birney, The Humans, Hampstead Theatre
Tyrone Huntley, Homos, Or Everyone in America, Finborough Theatre Continue reading “2018 BroadwayWorld UK Awards Shortlist”
“Where will you turn when the house of Bernarda falls”
After establishing quite the name for itself with its all-male interpretations of Gilbert and Sullivan’s work, the Union Theatre are now letting the women have their turn with Triptic’s production of Michael John LaChiusa’s chamber musical Bernarda Alba. Based on García Lorca‘s The House of Bernarda Alba set in 1930s Spain, this condensed version – directed by Katherine Hare in 90 minutes without interval – captures the claustrophobia and the knife’s-edge balance of this group of women with a score replete with Iberian influences and near-operatic intensity.
Following the death of her husband, Bernarda Alba rises to the position of head of her household of five daughters and team of female servants but her strict matriarchal rule is challenged by the arrival of a man – unseen – into their lives. In Hilary Statt’s wonderfully austere, white-washed design, we explore the repressed desires of each of these women, all bristling in their different ways under the harshness of their mother’s rule as old resentments simmer, sexuality promises to burst loose and mental fragility seriously threatened in this tale of “a happy, happy family”. Continue reading “Review: Bernarda Alba, Union Theatre”