Lia Williams is all kinds of caustic brilliance in conspiracy thriller The Capture
“Accepting you can rarely see the whole picture is part of the job”
I’m working my way through the TV shows I can watch on my free trials on various services, which has lead me to The Capture which aired on BBC1 in late 2019 and somehow completely passed me by. This is particularly egregious since it features Lia Williams the kind of amazing top boss role that makes you wonder why she isn’t better known.
Created, written and directed by Ben Chanan, The Capture takes place in a surveillance state that not too long ago would have been described as a near-future dystopia but now, is just London on a Tuesday. In a society that closely monitors CCTV, so much of justice depends on the reliability of those camera image. But what happens when that confidence is eroded? Continue reading “TV Review: The Capture”
“Just because you’ve got the emotional range of a teaspoon…”
aka the one that should have launched Helen McCrory into the stratosphere as Bellatrix
“Dark and difficult times lie ahead”
aka the one that is weirdly old-fashioned
“We have a problem with this…”
Kenneth Branagh I’ve got an idea what we can put into the March slot for the season
Branagh Theatre employee Oh yes?
KB Me and Rob Brydon did The Painkiller in Belfast a couple of years ago, we can reprise that
BTe Ok. But isn’t that another play by a dead white man in a season already populated exclusively by dead white men?
KB *checks Google* Nope, Francis Veber is still alive. He’s nearly 80 but still alive.
BTe Riiight. But you know, diversity is kind of important. Does the show at least have a decent spread of roles
KB *proudly announces* There’s part for a woman AND a black guy in it.
BTe Ok. And you’re sure they’re not the two smallest parts, almost token gestures in the end?
KB *awkward silence*
Oh wait, there’s a gay man in it too
BTe Well that’s something
KB Yes. He’ll have audiences rolling in the aisles, reminding them of the good old days of John Inman
BTe *stunned silence*
KB So contemporary audiences will find lots in this you see, the idea that two men might be shagging is just intrinsically funny.
BTe I see Sean Foley has adapted it as well as being the director
KB Oh yes, it really is very modern, right up to date. It has a joke about Laurence Llewelyn-Bowen AND one about Chris De Burgh in it. You’ll be on the floor laughing with the rest of them.
BTe I’m sure. And as for the farce, are you good with comedy
KB I am a theatrical knight, I can do EVERYTHING!
BTe Well, at least we’ve got Rob Brydon, he can…well, he can do Rob Brydon
KB And everyone loves farce. Even Sondheim says so and someone who named his blog after a lyric from such a song should know that.
BTe Maybe he just likes good farce like Noises Off
KB And One Man, Two Guv’nors?
BTe I wouldn’t go there…
What about putting something on that isn’t by a dead or nearly dead white man?
KB Oh just find something written by a BAME woman that has been successful somewhere else and plug that in, maybe no-one will notice.
Running time: 90 minutes (without interval)
Booking until 30th April