AKA the one where they take it too far… Messiah V – The Rapture replaces the entire cast and loses its soul
“A new start is good for me…”
After four instalments over five years, it took three years for the Messiah series to return with The Rapture, a self-described ‘second chapter’ for the show written by Oliver Brown. And it has to be described thus because it is the first Messiah story not to feature Ken Stott’s DCI Red Metcalfe at its heart. And yet it doesn’t try to distinguish itself at all as it retreads the ‘serial killer following a bizarre pattern’ storyline that has been the series’ hallmark.
The core team has been entirely replaced, but baffingly with fascimiles of themself. Gruff lead detective with a haunted past, supported by young female and gruff older sergeants. Marc Warren, Marsha Thomason and Daniel Ryan are all fine in their roles but having to get to know an entirely new cast in the fifth series of a show, and with a reduced running time to boot, just makes you wonder why they thought besmirching the Messiah name in this way was an acceptable idea. Continue reading “TV Review: Messiah – The Rapture (2008)”
I get stuck into the first episodes of TV shows Van Der Valk, The Good Fight, Gangs of London and Penny Dreadful: City of Angels to see what my next must-see will be
“Who else was masturbating into plants?!”
I’m of course far too young to remember the original Van Der Valk – had I seen it before though, I might well have saved myself this couple of hours. Importing a British cast to play Dutch detectives in a crime serial set in Amsterdam seems like such a retrograde move, I still can’t get my head around it, especially in this day and age when so much quality foreign-language drama is readily available. Written by Chris Murray, this revival sees Marc Warren head up the cast as a maverick detective with a team who aid and abet his behaviour – there’s not a smack of originality about it, nor any real interest sadly…great locations though. Am already dreaming of my return to the city, but not sure I’ll be revisiting this show. Continue reading “New TV shows to get stuck into”
“Some things are worth getting your heart broken for”
David Tennant’s opening season took the template of the opening series and ran with it, Russell T Davies’ vision finding its ideal mate in the Scottish actor. The typically adventurous sweep was tempered with a more tender vision, which considerably upped our emotional investment (previous companions returning, romantic connections whether past or present).
Bringing back the Cybermen was an interesting move, as was the introduction of the notion of parallel worlds (and how important that became…). And if the series-long motif of Torchwood didn’t really pay off, especially not when one considers what Torchwood the show became, the finale to Doomsday is pretty close to perfection. Continue reading “Countdown to new Who: Doctor Who Series 2”
“Who knows what you three could achieve”
It’s lovely the way things fall together sometimes. Noel Streatfield’s book Ballet Shoes is a huge favourite in the Clowns family household – my mum enjoyed reading it as a girl and it was one of those books I loved to read and re-read in my own childhood. And whilst I was initially filled with trepidation at the prospect of a television adaptation, the cast that was announced was like something out of a fantasy dream team of dames and dames-to-be. From Eileen Atkins to Lucy Cohu, Victoria Wood, Harriet Walter and Gemma Jones, this is the kind of female cast I dream about seeing and for it to be in a story so dear to me felt just right.
That story concerns the three Fossil sisters – all adopted as young girls by Gum, a wealthy palaeontologist and adventurer, but raised by his niece Sylvia and Nana. When he fails to return from an expedition, the family are left to fend for themselves in increasingly straitened circumstances and in his absence, decide to sell off some of his extensive collections of fossils and artefacts and take in a variety of boarders. And this injection of new life into the household offers up a whole new world of opportunity for Pauline, Petrova and Posy who until now had previously been home-schooled as Posy receives the training to become the ballerina she is fated to be, Pauline is able to develop her interest in becoming an actress and Petrova can follow her passions of mechanics and following in aviator Amy Johnson’s footsteps. Continue reading “DVD Review: Ballet Shoes”
“50 hard boiled eggs…in an hour”
A random fact about me is that I am terrible when it comes to having seen classic movies. It’s a constant source of amusement in pub conversations as people can’t quite believe the list of films I’ve never seen but for whatever reason, I’ve never really been particularly minded to watching them. Consequently I have a pile of unopened DVDs* that people keep giving me as presents or loans that are, honestly, on the list of things I will one day get round to watching.
This convoluted beginning should therefore present you with no surprise when I then say that I have never seen the film of Cool Hand Luke, a stage version of which has now started previewing in the Aldwych Theatre. Adapted for the stage by Emma Reeves, from the original novel by Donn Pearce, the story revolves around Luke Jackson, a WWII vet left unsupported on his return to the US and forced into desperate measures, soon ends up in a Florida prison camp. There, he soon becomes a legend with his fellow chain gang inmates with his nonchalant swagger, his impervious refusal to be broken by the guards and his constant prison escapes. Continue reading “Review: Cool Hand Luke, Aldwych”
“You have to speak up, Little Voice”
The last time I saw Diana Vickers was in the less than salubrious surroundings of the delightful Nightingales nightclub in Birmingham and I was less than sober. Having just been evicted from The X-Factor semifinals, one might have expected the predictable slide into obscurity but she surprised many when announced as the titular character in this revival of The Rise and Fall of Little Voice.
The story is of the painfully shy LV who lives a hermit-like existence at home with her horrendous mother, Mari, and her only release is singing along to the vinyl records of female singers left to her by her deceased father. She has a prodigious talent for this which is only recognised by one of her mother’s latest pickups who then sees this as an opportunity to be exploited for his own personal gain. Despite the name of the play, this is Mari’s show. Sharp opens with a 20 minute blast of self-absorbed narcissism which exposes the full heartlessness of her character and she only becomes more vindictive as we and LV progress. It is stunning to watch, but sadly becomes a little repetitive, a fault of the play rather than Sharp though. Continue reading “Review: The Rise and Fall of Little Voice, Vaudeville Theatre”
BEST ACTRESS IN A PLAY
Rachel Weisz – A Streetcar Named Desire at the Donmar Warehouse
Alison Steadman – Enjoy at the Gielgud
Fiona Shaw – Mother Courage & Her Children at the NT Olivier
Helen Mirren – Phedre at the NT Lyttelton
Juliet Stevenson – Duet for One at the Almeida & Vaudeville
Lesley Sharp – The Rise & Fall of Little Voice at the Vaudeville
THE CAPITAL BREAKS BEST ACTOR IN A PLAY
Jude Law – Hamlet, Donmar West End at Wyndham’s
David Harewood – The Mountaintop at Theatre 503 & Trafalgar Studios 1
Dominic West – Life Is a Dream at the Donmar Warehouse
Ken Stott – A View from the Bridge at the Duke of York’s
Mark Rylance – Jerusalem at the Royal Court Downstairs
Samuel West – Enron at the Royal Court Downstairs Continue reading “2010 What’s On Stage Award nominations”