“Reviewing it from where we sit, the facts are irrefutable”
Many of Stephen Sondheim’s musicals instantly gain the sobriquet ‘ambitious’ and so early productions suffered short runs. But where several have been revised and reworked into modern classics, 1976’s Pacific Overtures has remained one of his least produced works, languishing in relative obscurity. Which makes it ideal fodder for the musical theatre powerhouse of the Union Theatre to take on and revive, with Michael Strassen’s production garnering massive ticket sales before the run had even begun.
The show is set in mid-nineteenth century Japan where their isolationist policy has meant no visitors have been received to the country for hundreds of years. When an American ship arrives boisterously demanding an audience with the emperor and unwilling to have their colonial ambitions easily appeased, the Far Eastern nation is sucked slowly into the coils of Westernisation and opened up to ‘civilisation’. Based on John Weidman’s original play to which Sondheim added 12 melodically sophisticated songs, it isn’t too hard to see why it isn’t more often on our stages. Continue reading “Review: Pacific Overtures, Union Theatre”