August theatre round-up

I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw in August.

Joseph and the Amazing Technicolor Dreamcoat, aka the Sheridan Smith show
Queen of the Mist, aka the surprisingly affecting one
Appropriate, aka all hail Monica Dolan
Waitress, aka ZZZZZZZOMGGGGG STUNT CASTING oh wait, Joe Suggs hasn’t started yet
The Doctor, aka all hail Juliet Stevenson
A Very Expensive Poison, aka it was a preview so I shouldn’t say anything
Blues in the Night, aka all hail Broadway-bound Sharon D Clarke (and Debbie Kurup, and Clive Rowe too)
The Night of the Iguana, aka justice for Skyler Continue reading “August theatre round-up”

Review: Brighton Rock, Theatre Royal Brighton

Pilot Theatre’s touring production of Brighton Rock is visually arresting, beautifully staged and very well acted. 

“How do you know what’s right and what’s wrong?”

Where else to see Graham Greene’s classic Brighton Rock than in the beautiful surroundings of the Theatre Royal Brighton, with the sound of seagulls and smell of fish suppers lingering on the air just outside. And Pilot Theatre and York Theatre Royal’s touring production makes for a gorgeously theatrical treat as it probes deep into the darkness under the pier.

Esther Richardson’s production has a striking physicality to it, utterly eyecatching but careful not to overly glamourise this noirish world. Case in point – the opening murder may be stylishly staged as sharp-suited gangsters operate as a sinuous ensemble to ensnare and execute. But Jennifer Jackson’s movement has them rocking queasily back and forth as they move in, an ugliness that stops them from ever seeming too cool. Continue reading “Review: Brighton Rock, Theatre Royal Brighton”