Charity singles galore

A trio of charity singles supporting some great causes over Christmas

Martin Dickinson is releasing a cover of ‘You Raise Me Up’  as a charity single for Shooting Star Children’s Hospice. The track is released on Friday 11th December and features an introduction from the marvellous Brenda Edwards and a choir featuring Kimberley Ensor, Charlotte O’Rourke, Louise Young, Jordan Lee Davies and Danny Whitehead.

Two versions of the single will be available – a full version/radio edit and a music video will arrive on streaming platforms including iTunes, Amazon and Spotify.


West End star Alice Fearn, Britain’s Got Talent winner Jai McDowell, performers and musicians from London’s musical theatre scene have come together to release a Christmas Charity single to generate awareness of heart failure, along with raising funds for the Pumping Marvellous Foundation, the UK’s only patient-led heart failure charity.

‘Music will live in our Hearts’ was written by award-winning musical theatre composer and songwriter Pippa Cleary (The Secret Diary of Adrian Mole Aged 13¾), lyrics by Mark Nathan, and a choir of West End performersand musicians who donated their time to appear on the single, including Flora Spencer-Longhurst, Laura Barnard, Lee Van Geeleen, Adam Hepworth, Sam Oladeinde, Stephenson Ardern-Sodje, Meesha Turner, Natalie Dunne, Nick Lautman and Ellie Ann Lowe.

You can find at the links below: Amazon Music – https://amzn.to/36PppGi; iTunes – https://apple.co/39MiLT3; Spotify – https://spoti.fi/39JviGZ; and YouTube – https://youtu.be/bFOzpn1LqKk.


And last but by no means least, ‘Christmas Again’ is a new song written by Anna Hale, Joe McNeice and Matthew Spalding and from which all profits will go to Theatre Support Fund+ and will then be distributed to Acting For Others, The Fleabag Support Fund and the NHS COVID-19 Urgent Appeal.

The track features, Mark Anderson, Marc Antolin, Luke Bayer, Tracie Bennett, Norman Bowman, Alex Cardall, Oscar Conlon-Morrey, Matthew Croke, Adam Davidson, Janie Dee, Alice Fearn, Tyrone Huntley, Rachel John, Ryan Kopel, Rebecca Lock, Jack Loxton, Robert Madge, Rebecca McKinnis, Claire Moore, Martha Pothen, Joanna Riding, Clive Rowe, Savannah Stevenson, Noah Thomas, Harriet Thorpe, Sally Ann Triplett and Lauren Ward.

You can buy the song via Apple Music and iTunes, and stream it via Spotify.

News: November news aplenty

An unnecessary amount of theatre news exploded forth today, maybe everyone was just too busy watching CNN all of last week…  I’m just going to rattle through it all quickly to save everyone time.

Jason Robert Brown’s Songs From A New World will play the Vaudeville Theatre for a month from 5th February. David Hunter, Rachel John, Cedric Neal , Rachel Tucker and Shem Omari James, who all reprise their roles from the London Palladium gigs in October.

The previously announced Lynn Ahrens and Mike Ockrent’s A Christmas Carol has revealed its supporting cast around Brian Conley’s Scrooge. Lucie Jones, Sandra Marvin, Martyn Ellis, Cedric Neal, Jeremy Secomb, Matt Jay-Willis and Jacqueline Jossa will join him at the Dominion Theatre from 7th December. Continue reading “News: November news aplenty”

News: casting for the Watermill’s summer season of Camelot and The Hound of the Baskervilles

Artistic Director Paul Hart and the team at Newbury’s The Watermill Theatre are thrilled to announce that their summer season of outdoor performances of Camelot and The Hound of the Baskervilles has been extended, now booking until Sunday 6 September.

When tickets first went on sale in late July, following progress with the government’s phased roadmap towards theatres re-opening to the public, demand was so high that the entire season sold out within 24 hours. Audiences from far and wide have been enjoying performances from socially distanced tables, seating up to 4 people maximum, in the idyllic setting of The Watermill’s glorious gardens. Continue reading “News: casting for the Watermill’s summer season of Camelot and The Hound of the Baskervilles”

Review: Romantics Anonymous, Bristol Old Vic

Gorgeous chocolate-based musical Romantics Anonymous works another coup de foudre as it briefly returns to the Bristol Old Vic before a US tour

“What if we try and take a chance?
Whit if we simply shift our stance?
I’ll admit that just the thought of change terrifies me too.
But what if we try something new?”

In this remounting, Romantics Anonymous proves that rare thing – a show that can survive losing Joanna Riding from its cast. It’s a good couple of years since this musical adaptation of the French-Belgian film Les Émotifs Anonymes took the Sam Wanamaker Playhouse by storm and in the meantime, it has reached an almost mythic status among its devotees calling for a revival. This might not be what they had in mind but it’ll certainly do for now.

Wise Children and Plush Theatricals are taking the show on the road in the US, so this short opening stop at the Bristol Old Vic feels like a bit of a treat. For its new outing, Romantics Anonymous has been spruced up a bit – composer Michael Kooman and lyricist Christopher Dimond have added a couple of new songs and director and book writer Emma Rice has rejigged here and there too, whilst necessarily recasting some of her ensemble. Continue reading “Review: Romantics Anonymous, Bristol Old Vic”

20 shows to look forward to in 2020

I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK 

Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…

1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL! 

2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective. 

3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.


4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.

5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge?
Continue reading “20 shows to look forward to in 2020”

Review: Cry Havoc, Park Theatre

Cry Havoc proves a rather slight look at contemporary international gay relationships at the Park Theatre

“I threw up in the back of a taxi once in Chipping Sodbury”

I wanted to love Cry Havoc but it didn’t quite do it for me. Set in present-day Cairo, Egyptian Mohammed is being comforted by his lover Nicholas, a British academic after being imprisoned and tortured by the authorities for his sexuality. Their relationship is of course a secret but as Mohammed’s family and community turn against him, Nick is determined to ‘save’ him.

But it isn’t just as simple as upping sticks to the UK and playwright Tom Coash attempts to portray the worlds of difference between gay life in these two spheres. Nick is the embodiment of Western liberalism and Mohammed is the firebrand revolutionary who wants to provoke change from within. With such a cultural divide between them, does love stand a chance? Continue reading “Review: Cry Havoc, Park Theatre”

2019 Laurence Olivier Awards nominations

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”

2018 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre

Best Actor in a New Production of a Play
Aidan Turner, The Lieutenant of Inishmore, Noël Coward Theatre
Ben Batt, The York Realist, Donmar Warehouse/Crucible Theatre, Sheffield
Ian McKellen, King Lear, Chichester Festival Theatre
Matthew Tennyson, A Monster Calls, Old Vic
Reed Birney, The Humans, Hampstead Theatre
Tyrone Huntley, Homos, Or Everyone in America, Finborough Theatre Continue reading “2018 BroadwayWorld UK Awards Shortlist”