Fionn Whitehead, star of Dunkirk and Black Mirror: Bandersnatch, will take on the titular role in an upcoming contemporary digital adaptation of the Oscar Wilde classic, The Picture of Dorian Gray.
The Picture of Dorian Gray, from the team behind the celebrated digital production of What a Carve Up!, is set to push the theatrical form like its predecessor; utilising elements found in radio plays, films, documentaries as well as traditional theatrical techniques.
Set in a profile pic-obsessed, filter-fixated world where online and reality blur, influencer Dorian Gray makes a deal. For his social star never to fade. For the perfect self he broadcasts to the world to always remain. But as his mental health starts to decline, as corruption and murderous depravity start to creep into his world, the true and horrific cost of his deal will soon need to be met.
The Picture of Dorian Gray, which runs for two weeks from 16-31 March, will reunite Henry Filloux-Bennett, writing the new adaptation, and director Tamara Harvey. Continue reading “Assorted January news”
A trio of charity singles supporting some great causes over Christmas
Martin Dickinson is releasing a cover of ‘You Raise Me Up’ as a charity single for Shooting Star Children’s Hospice. The track is released on Friday 11th December and features an introduction from the marvellous Brenda Edwards and a choir featuring Kimberley Ensor, Charlotte O’Rourke, Louise Young, Jordan Lee Davies andDanny Whitehead.
Two versions of the single will be available – a full version/radio edit and a music video will arrive on streaming platforms including iTunes, Amazon and Spotify. Continue reading “Charity singles galore”
An unnecessary amount of theatre news exploded forth today, maybe everyone was just too busy watching CNN all of last week… I’m just going to rattle through it all quickly to save everyone time.
Jason Robert Brown’s Songs From A New World will play the Vaudeville Theatre for a month from 5th February. David Hunter, Rachel John, Cedric Neal , Rachel Tucker and Shem Omari James, who all reprise their roles from the London Palladium gigs in October.
The previously announced Lynn Ahrens and Mike Ockrent’s A Christmas Carolhas revealed its supporting cast around Brian Conley’s Scrooge. Lucie Jones, Sandra Marvin, Martyn Ellis, Cedric Neal, Jeremy Secomb, Matt Jay-Willis and Jacqueline Jossa will join him at the Dominion Theatre from 7th December. Continue reading “News: November news aplenty”
Artistic Director Paul Hart and the team at Newbury’s The Watermill Theatre are thrilled to announce that their summer season of outdoor performances of Camelotand The Hound of the Baskervilles has been extended, now booking until Sunday 6 September.
Gorgeous chocolate-based musical Romantics Anonymous works another coup de foudre as it briefly returns to the Bristol Old Vic before a US tour
“What if we try and take a chance?
Whit if we simply shift our stance?
I’ll admit that just the thought of change terrifies me too.
But what if we try something new?”
In this remounting, Romantics Anonymous proves that rare thing – a show that can survive losing Joanna Riding from its cast. It’s a good couple of years since this musical adaptation of the French-Belgian film Les Émotifs Anonymestook the Sam Wanamaker Playhouse by storm and in the meantime, it has reached an almost mythic status among its devotees calling for a revival. This might not be what they had in mind but it’ll certainly do for now.
Wise Children and Plush Theatricals are taking the show on the road in the US, so this short opening stop at the Bristol Old Vic feels like a bit of a treat. For its new outing, Romantics Anonymous has been spruced up a bit – composer Michael Kooman and lyricist Christopher Dimond have added a couple of new songs and director and book writer Emma Rice has rejigged here and there too, whilst necessarily recasting some of her ensemble.Continue reading “Review: Romantics Anonymous, Bristol Old Vic”
I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
Cry Havoc proves a rather slight look at contemporary international gay relationships at the Park Theatre
“I threw up in the back of a taxi once in Chipping Sodbury”
I wanted to love Cry Havoc but it didn’t quite do it for me. Set in present-day Cairo, Egyptian Mohammed is being comforted by his lover Nicholas, a British academic after being imprisoned and tortured by the authorities for his sexuality. Their relationship is of course a secret but as Mohammed’s family and community turn against him, Nick is determined to ‘save’ him.
But it isn’t just as simple as upping sticks to the UK and playwright Tom Coash attempts to portray the worlds of difference between gay life in these two spheres. Nick is the embodiment of Western liberalism and Mohammed is the firebrand revolutionary who wants to provoke change from within. With such a cultural divide between them, does love stand a chance? Continue reading “Review: Cry Havoc, Park Theatre”
BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre