Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration

On the one hand, so much to love with such an inordinate array of talent assembled to mark Sondheim’s 90th birthday. But on the other, where’s the editor, there’s a real sense of the rambling here too. Fortunately as this has been put together in lockdown (and very well too) it is easier than ever to skip to the bits you want (in the spirit of these times, I ain’t telling you who disappointed me).

For me, I loved the unexpectedness of Katrina Lenk’ ‘Johanna’, the cuteness of Beanie Feldstein & Ben Platt’s ‘It Takes Two’, and the energy of Alexander Gemignani’s ‘Buddy’s Blues’. And of the heavy hitters in the finale, Donna Murphy and Patti LuPone nailed ‘Send in the Clowns’ and ‘Anyone Can Whistle’ respectively, and there’s huge fun (if not finesse) in Christine Baranski, Meryl Streep & Audra McDonald giving us their ‘Ladies Who Lunch’. Continue reading “Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration”

News: Sondheim’s 90th birthday concert line-up announced

Legendary Broadway composer Stephen Sondheim will be toasted with an all-star birthday concert, streaming live on Sunday 26th April. Hosted by Raúl Esparza, with musical direction by Mary-Mitchell Campbell, and coinciding with the 50th Broadway anniversary of Sondheim’s CompanyTake Me to the World: A Sondheim 90th Birthday Celebration can be seen for free on YouTube. 

This once-in-a-lifetime event, benefiting ASTEP (Artists Striving to End Poverty), will include a range of songs from the Sondheim catalogue performed by many of the artists who delivered iconic turns in his musicals, including Meryl Streep, Bernadette Peters, Patti LuPone, Mandy Patinkin, Audra McDonald, Christine Baranski, Donna Murphy, Kristin Chenoweth, Sutton Foster, Brian Stokes Mitchell, Kelli O’Hara, Aaron Tveit, Maria Friedman, Katrina Lenk, Michael Cerveris, Brandon Uranowitz, Elizabeth Stanley, Chip Zien, Alexander Gemignani, Iain Armitage, Stephen Schwartz and, from the cast of Pacific Overtures at Classic Stage Company, Ann Harada, Austin Ku, Kelvin Moon Loh and Thom Sesma.

70th Primetime Emmy Awards nominees

Outstanding Comedy Series
Atlanta (FX)
Barry (HBO)
Black-ish (ABC)
Curb Your Enthusiasm (HBO)
GLOW (Netflix)
The Marvelous Mrs. Maisel (Prime Video)
Silicon Valley (HBO)
Unbreakable Kimmy Schmidt (Netflix)

Outstanding Drama Series
The Americans (FX)
The Crown (Netflix)
Game of Thrones (HBO)
The Handmaid’s Tale (Hulu)
Stranger Things (Netflix)
This Is Us (NBC)
Westworld (HBO) Continue reading “70th Primetime Emmy Awards nominees”

22nd Screen Actors Guild Awards nominees

Film
Outstanding Performance by a Male Actor in a Leading Role
Bryan Cranston – Trumbo as Dalton Trumbo
Johnny Depp – Black Mass as James “Whitey” Bulger
Leonardo DiCaprio – The Revenant as Hugh Glass
Michael Fassbender – Steve Jobs as Steve Jobs
Eddie Redmayne – The Danish Girl as Lili Elbe / Einar Wegener

Outstanding Performance by a Female Actor in a Leading Role
Cate Blanchett – Carol as Carol Aird
Brie Larson – Room as Joy “Ma” Newsome
Helen Mirren – Woman in Gold as Maria Altmann
Saoirse Ronan – Brooklyn as Eilis Lacey
Sarah Silverman – I Smile Back as Elaine “Laney” Brooks Continue reading “22nd Screen Actors Guild Awards nominees”

21st Screen Actors Guild Awards nominees

Film
Outstanding Performance by a Male Actor in a Leading Role
Steve Carell – Foxcatcher as John du Pont
Benedict Cumberbatch – The Imitation Game as Alan Turing
Jake Gyllenhaal – Nightcrawler as Louis “Lou” Bloom
Michael Keaton – Birdman as Riggan Thomson
Eddie Redmayne – The Theory of Everything as Stephen Hawking

Outstanding Performance by a Female Actor in a Leading Role
Jennifer Aniston – Cake as Claire Bennett
Felicity Jones – The Theory of Everything as Jane Hawking
Julianne Moore – Still Alice as Dr. Alice Howland
Rosamund Pike – Gone Girl as Amy Elliott-Dunne
Reese Witherspoon – Wild as Cheryl Strayed Continue reading “21st Screen Actors Guild Awards nominees”

DVD Review: 4321

“You took my shopping and then you took my virginity”

Oh lordy, I have no idea what Noel Clarke is like as a person but on this evidence he is in desperate need of someone to tell him ‘no son, no’. Having shown promise with his earlier work, 4.3.2.1. sees Clarke moving onto what he sees as the next level , it just so happens that it is the next level down rather than up. A brash would-be comedy thriller that dreams so dreadfully of transatlantic success and yet comes off as exploitative try-hard, depressingly manipulative and a laughable vanity project.

Even at its base, it is a disappointment. The structure of the film follows four young friends as they deal with a particularly hectic time involving some gangsters and a bag of conflict diamonds they’ve nicked. Clarke retells the story from each woman’s point of view, a tried and tested device, but one which is wasted here – the narratives are kept essentially separate with no sophisticated intersection or interplay in the storytelling that would actually justify the format. Continue reading “DVD Review: 4321”

Saturday afternoon Evita treats

With Evita about to open once again in London, this edition of Saturday afternoon treats is a Perón spectacular.

First up is a collection of ‘Don’t Cry For Me’s’ – I love the newer versions of Madalena Alberto (the incumbent Eva) and Elena Roger which are more subtle (at least at first) interpretations but there’s also something thrilling about the full-on diva mode it provokes in Patti LuPone and Elaine Paige and their wardrobes.

But then I delved a little deeper and was simply blown away by the clips of LuPone’s performance in the first Broadway production so there’s a hugely charming take on ‘Buenos Aires’ and a scorching version of ‘A New Argentina’ that is breathtaking. The stirring choreography of Elena Roger’s own ‘Buenos Aires’ remains an absolute delight so I thought I’d stick that on the end too.

Continue reading “Saturday afternoon Evita treats”