Kenneth Branagh’s memoir-of-sorts Belfast ends up an insufferably twee film despite the talent involved
“They just kick with the left foot”
There’s a line in the cracking TV show Community that often comes to mind, “just because something is in black and white doesn’t mean it’s good”. There’s no doubting that Kenneth Branagh’s Belfast, based in part at least on his own childhood, is entirely heartfelt but the filming style feels entirely like an affectation, bringing nothing to the storytelling itself.
This air of nostalgic indulgence is something that characterises the film as a whole. As it uses a child’s perspective to depict a slice of wholesome working-class family life, the backdrop to which just happens to be the start of the Troubles, there’s a weird sense of aimlessness here, a refusal to be drawn into any kind of meaningful comment on a conflict that must have loomed so large . Continue reading “Film Review: Belfast (2021)”
Photo © Pip
Fionn Whitehead, star of Dunkirk and Black Mirror: Bandersnatch, will take on the titular role in an upcoming contemporary digital adaptation of the Oscar Wilde classic, The Picture of Dorian Gray.
The Picture of Dorian Gray, from the team behind the celebrated digital production of What a Carve Up!, is set to push the theatrical form like its predecessor; utilising elements found in radio plays, films, documentaries as well as traditional theatrical techniques.
Set in a profile pic-obsessed, filter-fixated world where online and reality blur, influencer Dorian Gray makes a deal. For his social star never to fade. For the perfect self he broadcasts to the world to always remain. But as his mental health starts to decline, as corruption and murderous depravity start to creep into his world, the true and horrific cost of his deal will soon need to be met.
The Picture of Dorian Gray, which runs for two weeks from 16-31 March, will reunite Henry Filloux-Bennett, writing the new adaptation, and director Tamara Harvey. Continue reading “Assorted January news”