“It’s because you love him too much”
So a slightly odd position to be in, as we saw Harry Potter and the Cursed Child Parts 1 and 2 nearly 7 weeks ago at their first previews. And with the #keepthesecrets campaign already in full force then, I didn’t write up a review, opting instead for this preview of sorts. And even now, I’m loathe to write too much about it, for it really is the kind of play, and production, that benefits from the multiple elements of surprise contained within.
And it really is packed full of them, from all aspects. Based on an original new story by JK Rowling, Jack Thorne and John Tiffany, Thorne’s play revels in the richness and full depth of the Harry Potter universe to the point where the named cast are described as playing “roles include…” so as not to spoil what’s to come. This does have the knock-on effect of making this a play not really suitable for newcomers but I can’t imagine too many of them will have booked! Continue reading “Review: Harry Potter and the Cursed Child, Palace – totes spoiler free!”
“How is that even possible?!”
Well it’s finally here, Harry Potter and the Cursed Child Parts 1 and 2 have landed at the Palace Theatre in a blaze of insane publicity and media coverage desperate for a touch of that JK Rowling magic to drive web traffic. In some ways, I’m no different (hence this post!) but in one crucial way I do have the advantage – I’m one of the lucky audience members who has now seen both shows, along with the one and only scene-stealing appearance of Sprocket the owl.
It’s no secret that Rowling is asking people to #KeepTheSecrets and there’s always an interesting tension about whether or not one should observe an embargo when you’ve paid for your ticket (a whole £10 per show too, we weren’t going crazy!). So for now, I’m leaving you with this little collection of teasers about some of my favourite things from the show and be warned, they do increase in mild spoilerishness (mostly about staging, the final E is the one to avoid if you’re not sure…forgive me JK!). Continue reading “Preview: Harry Potter and the Cursed Child, Palace”
“Macbeth does murder sleep”
Immersive schimmersive. In the creation of ever-more inventive ways of approaching familiar stories, theatre companies are consistently pushing the boundaries of what makes a theatrical experience and the set-up for RIFT’s 12-hour Macbeth complete with sleepover is certainly eye-catching. The reality though is quite something else – if sharing a dorm with strangers doesn’t appeal, you can pretty much leave at 1am without missing too much, and the practicalities of dividing the audience into three small groups each with their own Macbeth and Lady M stultifies the pace rather than invigorating the show.
There’s cleverness to be sure, moments where the intimacy really sparks something thrilling whether in the subterranean meeting with the witches, guns being brandished in our faces, being an actual part of the feast that Banquo interrupts so spookily. But equally there’s a hella lot of waiting around, film work that falls flat, too much visible logistics work that saps the theatricality of the experience and snaps us out of the mindset that is needed to make such an endurance test fly. I’d say this production was a good idea but largely an unfeasible one, keeping you up for the wrong reasons.
Running time: 12 hours (or 5 hours if you’re not up for the sleepover)
Booking until 16th August