An all-star cast has assembled for an online reading of William Wycherley’s 1671 comedy Love in a Wood, presented by Jermyn Street Theatre, conceived and directed by Hermione Gulliford, and performed in aid of Equity Charitable Trust.
Word spreads fast in Restoration England. When romantic idealist Valentine makes a secret return from exile in France, he hears whispers that his lover Christina has been untrue. The thing is, Valentine is only jealous because his friend Vincent said that the hapless rogue Ranger had taken a liking to Christina. So, while Vincent and Ranger run amok, Valentine takes it upon himself to discover the truth. But can he see the wood from the trees…? Continue reading “News: Jermyn Street Theatre reveals all-star cast for Restoration comedy reading”
Rafe Spall and Esther Smith impress in British comedy Trying, helped by the likes of Imelda Staunton and Cush Jumbo
Just a quickie for this, as I’ve only just started to actually have a look at what is on AppleTV since they decided to extend my free trial. Created and written by Andy Wolton, Trying is a rather sweet and very typically British sitcom that follows Jason and Nikki, a 30-something couple as they struggle to conceive naturally and decide that they would like to adopt. Led by Rafe Spall and Esther Smith, the show is lots of fun and is blessed with some wonderful supporting performances.
Forever skirting that comedy/drama line, Trying is unafraid of tackling some rather meaty issues. Infertility and what that does to a couple, the inequities of the adoption system, funding for ESOL classes… And even the simplest idea of how relationships grow and are tested by the act of self-reflection – how do you measure achievement when London property prices lock you into renting forever and opportunities to climb the job ladder are way too few and far between. Continue reading “TV Review: Trying (Apple TV)”
The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
Showing some impeccable taste, the Guardian spotlights one of our most impressive, and arguably undersung, actors – Lucian Msamati:
Photos: Tristram Kenton
Series 2 of Chewing Gum sees Michaela Coel nail the ‘two series and out’ trajectory of some of the best British sitcoms
“I’m not 17, I’m a grown-up woman. I just…regularly make childlike mistakes”
I belatedly came to Chewing Gum just now and watched both the first series and this second one in a single sitting each, their addictive nature and too-easily bingeable lengths giving me two fine nights in front of the TV.
Writer and creator Michaela Coel rarely let her imagination get in the way of the first six episodes but here, the expansion of Tracey’s world beyond her Tower Hamlets estate is quite simply fucking hilarious. Plus, the marvellous Sinéad Matthews appears in this series too. Continue reading “TV Review: Chewing Gum (Series 2)”
A pleasure to see Zoë Wanamaker and Zrinka Cvitešić onstage but they deserve a much better play than Two Ladies at the Bridge Theatre
“I could wipe the floor with the whole fucking lot of them”
You might well cross your arms and look as grumpy as Zoë Wanamaker here. Ultimately, Nancy Harris’ new play Two Ladies proves to be symptomatic of the Bridge Theatre as a whole – brimming with quality and superficially appealing but frustrating in the end and one really is left questioning what is being brought to London’s theatre ecology here.
On the one hand,it is great that plays putting women front and centre like this are being produced in such a high profile way. And as this pair of presidential first ladies, Wanamaker and Zrinka Cvitešić (a welcome returnee after Once) both bring a powerful sense of personality to the stage as their unique political perspective is given room to flourish. Continue reading “Review: Two Ladies, Bridge Theatre”
Mike Bartlett’s Press has a fantastic company and big ambitions but is probably best enjoyed as feisty entertainment than an accurate portrayal of the world of journalism
“We do it through the most outrageous storytelling in the world, not statistics”
A lot of the chat around Mike Bartlett’s new series Press, as written by journalists at least, was around how the show fails to represent life at a contemporary newspaper in an accurate manner. So I hasten to remind us all, as if it were really necessary, that Press is a drama and not a documentary, and that dramatic license and a real, and frankly essential, thing.
Soapbox done, this six parter is an interesting if simplistic look at duelling newsroom as it follows the teams at Sun-a-like The Post and Guardian-a-like The Herald as they follow stories, set the news agenda and battle for the very soul of journalism. It’s all highly watchable in a popcorn-munching kind of way but – perhaps ironically given my first paragraph – the shadow of the real world occasionally looms a little too large. Continue reading “TV Review: Press (BBC1)”
Slipping in just before it finished in a week when I have no time, you’ll have to look elsewhere for reviews of Wings, and Juliet Stevenson’s excellent performance therein.
“As soon as we have our little girl, everything will make sense. As soon as you hold her in your arms, it will all make sense.”
Between this and Yerma, theatreland would have us firmly believe that to be a childless woman in her 30s, or rather a woman wanting a child, is to be on the precipice of madness. I have liked, nay loved, much of Vivienne Franzmann’s work (Mogadishu, The Witness, Pests) but with Bodies, her sure touch in delving into the trickier aspects of human nature doesn’t quite feel as insightful.
Clem has tried several times to carry a child to term but sadly miscarried on every occasion and so, with husband Josh, has turned to surrogacy. Finding the right, white Russian egg donor and the perfect Indian surrogate womb does not come cheap and as Franzmann explores, it is a cost that is as much moral and emotional as it is financial – the ethics of this ‘business’ murky indeed. Continue reading “Review: Bodies, Royal Court”
Ahoy sailors, if what you thought the world of musical theatre was missing was the opportunity to be trapped on a boat for four days with a load of wealthy musical theatre fans, then worry no more. Stages – the Musical Theatre Festival at Sea has now been announced, a four night cruise from Southampton to Amsterdam and back, with entertainment from the likes of Michael Ball, Beverley Knight, Lee Mead, Christina Bianco, Sophie Evans, John Owen-Jones and the Showstopper guys.
It looks like it could be hilariously good fun – red carpet arrival onto the ship, masquerade balls and workshops and Q&As with the performers. But it sure ain’t cheap, prices starting at £609 with the taxes added on, though as it doesn’t set sail until 15th October 2018, there’s time to start saving those pennies. For me though, you can consider this my not-so-subtle hint to Floating Festivals
that they obviously need a blog review of their cruise and that I am the one for the job.
Continue reading “Round-up of news and treats and other interesting things”