The second series of Jonathan Creek continues the good form of the first, even if the writing starts to verge on the misogynistic
“There’s always an explanation”
After the success of its first season, Series 2 of Jonathan Creek followed in short order in early 1998. And having firmly established its modus operandi of impossible crimes and simmering but awkward sexual chemistry between Akan Davies’ Jonathan and Caroline Quentin’s Maddy, it carries on ploughing that same furrow.
This series sees Stuart Milligan added to the mix as Adam Klein, replacing Anthony Head who got the job as Giles on Buffy and whilst he is a vividly entertaining character, his presence seems to allow writer David Renwick to indulge in some misogynistic touches over and above what might be ‘forgiven’ for being 20 years old, just look at the way Adam and indeed Jonathan treat the majority of the women in their life… Continue reading “TV Review: Jonathan Creek, Series 2”
“It is known that the Doctor requires companions”
Right – the first season that I haven’t rewatched any of at all. Things get a bit hectic here as once again, the series got split in two, accommodating the mid-season departure of Amy and Rory and the (re-)introduction of new companion Clara Oswald, plus a pair of specials respectively marking the 50th anniversary of Doctor Who and the end of Matt Smith’s tenure as Eleven. It all adds up to a bit of a bloated mess to be honest, though not without its high points.
Amy and Rory feel a little ill-served by their final five, the introduction of Mark Williams as Rory’s dad detracts from their screen-time (yet he doesn’t feature in their farewell?), though the return of the Weeping Angels gives their noirish NY-set exit episode some real heft. And though I admire Jenna Coleman’s confident take on Clara, she’s a hard companion to warm to without any contrasting humanity to go with her intelligence and intensity.
The ‘Impossible Girl’ arc didn’t really tick my box and the grandiosity of Moffatt’s writing for the finale of The Name of…, The Day of… and The Time of the Doctor doesn’t really help (I was curiously unmoved by all the fan-service second time round). Still, Gatiss knocks it out of the park with the superb Ice Warrior tale Cold War and bringing mother and daughter Dame Diana Rigg and Rachael Stirling together on screen for the first time. Continue reading “Countdown to new Who: Doctor Who Series 7”
“If only money were not an obstacle”
With fortuitous timing, given how much Trollope I’d read and watched at the tail end of 2012, came this radio adaptation, by noted author Rose Tremain, of The Eustace Diamonds. The manipulative Lizzie Eustace claims ownership of a marvellous diamond necklace, a family heirloom which she claims was given to her by her late husband Florian. As the Eustaces close rank in an attempt to reclaim what they believe should not have left the family, Lizzie looks to find another situation to keep her in the lifestyle she has become accustomed to but finds that the case of these precious stones follows her and blights all her attempts to form new attachments.
We’re 2 episodes in, with one left, and I am really enjoying it this far. Whether the novel is simpler in terms of its dramatis personae or if Tremain has simplified the plot in her adaptation (I’ve not read the novel myself…), it feels like the easiest of Trollope’s stories to follow of the three I have encountered recently, yet it doesn’t suffer for it. Pippa Nixon’s Lizzie is a wonderfully ambiguous figure, an inveterate fibber and yet one doesn’t want to quite dismiss her as a complete liar and as she works her way through the smitten men in her life – Joseph Kloska’s Frank and Jamie Glover’s Lord Fawn, and later Adrian Scarborough’s cheeky Lord George – one can imagine exactly why they fall for her charms. Continue reading “Radio Review: The Eustace Diamonds, Radio 4”
“We’re just two professional dames doing our jobs”
Last year saw Anton Burge’s play Bette and Joan prove something of a success at the Arts Theatre and it is now heading out on a national tour with Anita Dobson and Greta Scacchi reprising their roles this year. But a radio play which played on Radio 4 back in 2010 covered similar ground first and as it was made available to download from the Audiogo website at a most reasonable price, I purchased a copy of Bette and Joan and Baby Jane. The debut radio play by Tracy-Ann Oberman, the story uses the incident-ridden filming of Whatever Happened to Baby Jane? to hang the tale of the deep-seated enmity between its stars Bette Davis and Joan Crawford, how their rivalry played out on the film set and also revisit some of the history between them.
Oberman takes on the role of Crawford herself and Catherine Tate plays Bette Davis: both give great vocal performances but Davis’ inimitable tones are a gift of a role and Tate rises to the challenge superbly, capturing perfectly the clipped Mid-Atlantic voice, often dripping with condescension. We start at the home of newshound Hedda Hopper who has secured an interview with the two women who were taking a huge risk by taking on such a daring project whilst both in something of a career dip. When Hopper can’t get the dirt she is looking for as the bitter relationship between the two was no secret, she takes more furtive means to get the story. Continue reading “Review: Bette and Joan and Baby Jane”
“It’s as if we’re waiting to be driven by their plot”
I’ve been something of a reluctant convert to radio drama, for every production I’ve enjoyed, there’s been one that has disappointed me, but if there is another that is as good as this version of Possession, then I will be a happy boy. Over the past three weekends, I have listened to the omnibus editions of this Radio 4 adaptation of AS Byatt’s novel by Timberlake Wertenbaker and have been utterly seduced by it. It was simply gorgeous, stunningly beautiful to listen to and deeply moving. I shall be investigating whether one can buy it as it really was that good.
Wertenbaker’s adaptation sees research assistant Roland Michell and literary scholar Maud Bailey recounting their quest to discover the secrets uncovered by two letters between Victorian poet Randolph Henry Ash and a woman named Christabel Lamotte which threaten to upturn literary history with their revelations. They are pursued by other more nefarious sorts who also want the correspondence and so the race is on to be the first to discover the truth. This story is enhanced by the reciting of letters between Ash and Lamotte as we follow their story of an illicit yet all-consumingly passionate affair which is revealed at the same time. Continue reading “Radio Review: Possession, Radio 4”