The only real pleasure in this TV version of Four Weddings and a Funeral is hearing Alex Jennings say “Yes, I suppose you were somewhat of a basic bitch” with a straight face
“You’re insane and watch too much TV”
This lockdown has seen me sign up to too many free trials on various online TV services and so I’ve been ripping through some of the shows newly on offer to me. Over on STARZPLAY, first up for me was the TV adaptation of Four Weddings and a Funeral which I’m not sure if I ever knew actually existed until now.
Created by Mindy Kaling and Matt Warburton and airing in the US in the summer of 2019, the show is an inexplicable riff on Richard Curtis’ 1994 film. Ultimately it is nothing like the film, which is probably for the best, emerging instead as a ridonkulous Jilly Cooper-esque rom-com in a fantastical version of London (and beyond). Continue reading “TV Review: Four Weddings and a Funeral”
Improv group SORRY team up with Andrew Hunter Murray for a fricking hilarious night at the VAULT Festival
“There isn’t any wrong or right, just blow or strum”
The angels smiled on me when improv supremos SORRY announced another gig to follow their previous sold-out shows at the VAULTs this year. And not only that, their special guest for this one was none other than Andrew Hunter Murray, he of Austentatious and recent Sunday Times-best selling list fame.
I possibly didn’t laugh as hard anywhere else than at their show here last year and this time round was no disappointment either. Their format works extremely well – 15 minutes chat with their guest at the top of the show and then the rest of the time spent riffing on the subjects raised, in some brilliantly off-the-cuff and off-the-wall improv from Liz Kingsman, Alison Thea-Skot, Naomi Petersen, Sophia Broido and Lola-Rose Maxwell. Continue reading “Review: SORRY, VAULT Festival”
Insofar as it is humanly possible for any one person to know everything that is happening at the VAULT Festival this year, I present a handful of my recommendations for 2020.
In all honesty though, I think the best thing to do is just pick a night, go down there and see what tickles your fancy – the level of quality here really is something to admire and means it’ll be very hard to end up disappointed. Take a look at their website here.
Body Talk – 29 Jan — 02 Feb
Full Disclosure Theatre take on male body image from the gay perspective, looking at the damage that can be imposed by obsessing over it.
how we love 18 — 23 Feb
Regi and Babs are getting married. She’s a lesbian and he’s gay but they need the cover to deal with the dangers posed by the prevailing attitudes towards homosexuality in Nigeria.
Notch 19 — 23 Feb
After the devilish fun of Ladykiller, the Thelmas return with this dark meditation on migration, homelessness and obsession from Danaja Wass.
V&V 03 — 08 Mar
Exploring communication then and now, V&V contrasts love stories past and present from Virginia Woolf and Vita Sackville-West’s love letters, to Mia and Lottie’s online missives.
Too Pretty To Punch 03 — 08 Mar
A comedy spoken word show from Edalia Day about gender and featuring original songs and video work about trans life in 21st century Britain. Continue reading “2020 VAULT Festival – 20 shows to see”
Flashes of excellence can be found in the midst of any production so this list celebrates some of those breath-taking and/or memorable moments that really made theatregoing enjoyably fun this year
For reference, here’s my 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Crying with laughter at the VAULT
I don’t think I have laughed so much and so helplessly for a long time as I did with improv group Sorry.
Jessica Hung Han Yun’s extraordinary lighting in Equus
Ned Bennett’s production of Equus had so much to commend but it was Jessica Hung Han Yun’s lighting work that really stood out for me Continue reading “10 of my top moments in a theatre in 2019”
The joy in improv is being right there in the room and with the comedians of Sorry, there’s such joy, catch them at the VAULT Festival in March
“Sorry I’m late, there were fishermen wanking on the Northern Line”
Improv done well is one of the greatest pleasures I know, and Sorry’s take on the form, which is inexplicably only playing at the VAULT Festival for a couple of dates, has to be some of the best I’ve seen. Over the hour of inspired improvised insanity, the audience was crying with laughter, half the company were helpless too and as ever, you had to be there to even begin to comprehend how funny it was.
To provide the inspiration for their improv, Sorry’s shows begin with a chat with a special guest (tonight saw them invite Dust playwright Milly Thomas) which throws up all sorts of ideas which are then incorporated into the comedy routine that follows. Thomas proved extremely game, revealing a hatred for salmon and a love for giant freaky dolls among other things, which set us off for great things. Continue reading “Review: Sorry, VAULT Festival”