Series 16 of Silent Witness benefits hugely from the introduction of David Caves and Liz Carr as Jack and Clarissa and the booming final scene
“The Lyell Centre will need to change or die”
Starting with the off-screen departure of Harry and ending quite literally with a bang that further shuffles the cast, Series 16 of Silent Witness finally bites the bullet of the significant change that it needed probably 2 or 3 seasons ago. The introduction of David Caves and Liz Carr as Jack and Clarissa allows for the incorporation of forensic science more explicitly in the Lyell’s work. And if nothing else, the addition of new blood just freshens up the whole place.
In reality, there isn’t a huge amount that is altered fundamentally in the show. The cases run the usual gamut of dodgy police, dodgy military and dodgy foreign countries (Afghanistan in this case) and the Lyell remains holier than thou in pursuit of the truth. It takes Jack just a couple of episodes to learn the ropes in that respect, opting to call Nikki with a vital update about a suspect rather than the police officer managing the active crime scene. Priorities eh?! Continue reading “TV Review: Silent Witness Series 16”
Best Supporting Actress in a Play
Ayesha Dharker, The Book of Dust
Ruth Wilson’s televisual take on Mrs Coulter is one of my favourite things in life so for Dharker to find an interpretation that complemented yet contrasted so effectively is quite something. Stunning costume work certainly helped but she located the perfect combination of compelling and chilling for me.
Honourable mention: Norah Lopez Holden, Hamlet
A fascinatingly different take on Ophelia that really worked by finding an affecting emotional truth to the character that I’ve rarely seen done before.
Liz Carr, The Normal Heart
Deborah Findlay, Romeo and Juliet
Anastasia Hille, Paradise
Gloria Obianyo, Paradise
Best Supporting Actress in a Musical
Carly Mercedes Dyer, Anything Goes
Against the star wattage of Sutton Foster, Dyer more than held her own as gangster’s moll Erma, full of vocal confidence and scene-stealing comic timing. And she impressed mightily in A Chorus Line too, a standout year for this most exciting of performers.
Honourable mention: Victoria Hamilton-Barritt & Rebecca Trehearn, Cinderella
As I said at the time, we’d all be winners if the musical was called The Stepmother and the Queen. Two larger-than-life scene-chewing turns that give the show so much of its life.
Emily Barnett-Salter, A Chorus Line
Kaisa Hammarlund, She Loves Me
Joanna Riding, Carousel
Heartbreaking but fiercely essential work. Larry Kramer’s The Normal Heart receives a masterful revival courtesy of Dominic Cooke at the National Theatre
“The only way we’ll have real pride is when we demand recognition of a culture that isn’t just sexual”
A flame lit in respectful silence, shirts whipped off to the pulsing synthline of ‘I Feel Love’, the opening moments of Dominic Cooke’s revival of Larry Kramer’s 1985 play The Normal Heart are full of Pride and perfectly encapsulate one of the key dilemmas haunting its characters. It is New York City in the early 1980s and writer and activist Ned Weeks is struggling to make the wider world understand what to him seems obvious, an unidentified disease is scything through the gay community in alarming numbers.
Plays about AIDS have tended to the operatic in scale – Angels in America and The Inheritance both sprawling over two lengthy parts. So by comparison, The Normal Heart is over in a flicker, coming in well under three hours. And my lord is that a good thing, as the second half in particular is punishingly, essentially, brutal. Prior to the interval, there’s a beautiful sense of world-building – Weeks and his pals bonding over their shared need to do something, battling over the best way to do it. And Weeks also falls in love for the first time, a scene of combative flirting is as entertaining as it is erotic.
Continue reading “Review: The Normal Heart, National Theatre”
The National Theatre has released rehearsal images by Helen Maybanks for Larry Kramer’s The Normal Heart a co-production with Fictionhouse, being performed in the Olivier Theatre in September 2021. Directed by Dominic Cooke, Kramer’s largely autobiographical play about the AIDS crisis in 1980 New York has not been performed professionally in London since its European premiere in 1986.
Ben Daniels will perform the role of Ned Weeks, the co-founder of an AIDS advocacy group fighting to change the world around him, with Robert Bowman, Richard Cant, Liz Carr, Jonathan Dryden Taylor, Dino Fetscher, Daniel Krikler, Daniel Monks, Elander Moore, Luke Norris, Henry Nott, Lucas Rush, Freddie Stabb, Samuel Thomas and Danny Lee Wynter completing the company.
Set design by Vicki Mortimer, costume design by Lisa Duncan, lighting design by Paule Constable, sound design by Carolyn Downing and fight direction by Bret Yount. The Normal Heart will be in the Olivier theatre from 23rd September until 6th November 2021. Continue reading “Rehearsal images for The Normal Heart released”
The National Theatre will return to performances with full capacity audiences from later this month. Additional seating will now be available for performances of After Life from 27 July alongside the previously-announced productions Rockets and Blue Lights in the Dorfman theatre and Paradise in the Olivier theatre, with extra tickets going on sale to the public from Monday 19 July.
Tickets for The Normal Heart, East is East, Manor and Hex on sale to the public from Friday 30 July. Continue reading “News: National Theatre On Sale, July 2021 – January 2022”
The National Theatre announces new programming and launches a major new campaign for its future, National Theatre Together
The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn. In the week the theatre reopened for audiences again, six new productions were announced, and five productions halted by the pandemic were confirmed to return to the South Bank.
It has also announced the public launch of National Theatre Together, a new campaign with people at its heart, highlighting the importance of creativity and collaboration with theatre-makers and communities, for young people and audiences. The campaign cements the NT’s commitment to the people of this country and will raise vital funds for the theatre’s ambitious recovery post-pandemic. Continue reading “News: The National Theatre announces 2021-22 programming and launches National Theatre Together”