A strong lead performance from Bart Lambert impresses in this streaming Oscar Wilde adaptation, but Dorian A Rock Musical lacks a real sense of identity
“Music is what I want now”
In a development that may well have made Oscar Wilde chuckle, daptations of The Picture of Dorian Gray are never too far from our stages and screens. We’ve had a streamed reinterpretation already this year but as its name might suggest, Dorian A Rock Musical also modernises the text but puts a musical spin onto the tale.
In some ways, Dorian A Rock Musical is a bit of a misnomer, Joe Evans’ score draws its influences from a much wider musical palette than solely rock and that’s probably to its advantage. Although undoubtedly gothic to its very soul, there’s an appealing openness to much of the music here with its plentiful harmonies, which marries well with lyrics that wittily incorporate the occasional Wildean bon mot. Continue reading “Review: Dorian A Rock Musical, stream.theatre”
“I’m too old to lie to myself”
Louis Armstrong used to sing ‘it don’t mean a thing if it ain’t got that swing’ and unfortunately, Ruby in the Dust’s Gatsby hits the floor rather flat-flooted and singularly lacking in any discernible rhythm. The Roaring Twenties that characterise F Scott Fitzgerald’s iconic novel The Great Gatsby were all about the freedom of jazz, the liberating release of the Charleston, the fizziness of gin rickeys but so little of that spirit is in evidence here, in a production intended to mark 10 years since this company opened their first show here at the Union.
Bookwriter Linnie Reedman and composer and lyricist Joe Evans first adapted Gatsby a few years back and have retooled the show for this new venue but this new version struggles on a number of counts. The decision to make Jay Gatsby’s compadre Wolfshiem the focal narrating figure as opposed to the novel’s Nick Carraway could have worked if implemented more thoroughly but where as the latter is present at many of the key moments (and thus able to tell us about them), the former isn’t and so neither actor is able to make their character find a satisfactory role in the unfolding of this version of the tale. Continue reading “Review: Gatsby, Union Theatre”