An all-star cast has assembled for an online reading of William Wycherley’s 1671 comedy Love in a Wood, presented by Jermyn Street Theatre, conceived and directed by Hermione Gulliford, and performed in aid of Equity Charitable Trust.
Word spreads fast in Restoration England. When romantic idealist Valentine makes a secret return from exile in France, he hears whispers that his lover Christina has been untrue. The thing is, Valentine is only jealous because his friend Vincent said that the hapless rogue Ranger had taken a liking to Christina. So, while Vincent and Ranger run amok, Valentine takes it upon himself to discover the truth. But can he see the wood from the trees…? Continue reading “News: Jermyn Street Theatre reveals all-star cast for Restoration comedy reading”
A fabulous cast make this rehearsed reading of Steven Carl McCasland’s play Little Wars an interesting choice to stream
“What happens next?”
Raising money in aid of Women For Refugee Women, Ginger Quiff Media in collaboration with the Union Theatre have brought together a stellar cast of some of our finest actors for a rehearsed reading of Steven Carl McCasland’s play Little Wars. It is a weighty and wordy play but streaming passes last for 24 hours so you can always give yourself the interval(s) you need.
The drama imagines a dinner party between six women of considerable note. Its the early 1940s and Gertrude Stein and her girlfriend Alice Toklas are hosting an intimate soirée at their salon in the French Alps. Writers Lillian Hellman and Agatha Christie are expected but when the bell rings, it is anti-fascist freedom fighter Muriel Gardiner at the door. Continue reading “Review: Little Wars”
Linda Bassett, Juliet Stevenson and Sophie Thompson are among the cast for a digital revival of Little Wars
The marvellous Juliet Stevenson leads an all-star female cast in the online revival of US creative Steven Carl McCasland’s dinner party drama, Little Wars. Joining Stevenson will be Linda Bassett (Call The Midwife; East is East), Debbie Chazen (The Smoking Room; The Girls, West End), Natasha Karp (Rags, Park Theatre; The Kite Runner, West End), Catherine Russell (Holby City; What The Butler Saw, Curve Theatre), Sarah Solemani(Him & Her; Bad Education), and Sophie Thompson (Feel Good; Present Laughter, Old Vic). Continue reading “News: top casting for Little Wars revival”
Snuck into this early on in its preview period and it was clearly still a work-in-progress, running way too long for comfort. Lots to muse over and a top-notch cast will undoubtedly hone this down to something more effective.
After over 178 productions and over 28,000 audience members through the door since moving to the Bedford in 2015, Theatre N16 is looking for a new home from December 2017. Whilst they search, you can support the folks there by donating here.
Theatre N16 was set up in 2015 to be a stomping ground for new companies and a place to try out new work, offering affordable deals on rehearsal and performance space. It has offered a ground-breaking, risk-free deal to all companies, which 95% of our guests have taken, guaranteeing that creatives do not leave our space owing the venue money. This is all under the auspices of an Equity Fringe Agreement, with Theatre N16 one of the few London venues to have signed up to the deal to guarantee pay to all creatives working for the venue.
“I’m walking down the street and there’s a door in the fence open and inside there are three women I’ve seen before”
There’s something delicious about seeing the Caryl Churchill’sEscaped Alonereturn to the Royal Court before heading out to New York and then a UK tour. It’s also testament to James MacDonald’s production that the quartet of actors who originated their parts have all returned – Linda Bassett, Deborah Findlay, Kika Markham and June Watson, marvels every one.
I ranked the play as the fourth best thing that I saw last year and though I don’t always like to go back to things I enjoyed (in case it sullies the memory), I wanted to treat myself to this again. And I’m glad I did, for the layered complexity of Churchill’s writing allows for re-appreciation and indeed re-interpretation. My original review holds true but given the way the world has lurched closer to apocalypse (literally so, apparently), the play’s contrast between Doomsday and the domestic feels ever more poignant and pertinent.