News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November

Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).  

The star-studded single is led by ten-year-old Charlie Kristensen from Wokingham, whose experience of being bullied started the viral #CheerUpCharlie campaign. Charlie is joined on the song by numerous stage and screen stars including Wendi Peters, Layton Williams and Michael Xavier, with Iain Armitage, Michael Ball, Rufus Hound, and Faye Tozer amongst many famous faces reading their supportive messages on the song’s video. The single is available to pre-save now on iTunes, Deezer, Spotify and Tidal at https://ditto.fm/you-will-be-found. Continue reading “News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November”

News: Michelle Collins fundraises #ForTheLoveOfArts

A new series of monologues, curated and produced by Michelle Collins alongside the Equity Benevolent Fund, has been released online for charity. Entitled “#FortheLoveofArts”, the scheme sees acting talent come together to raise funds for beleaguered artists and individuals during the ongoing pandemic.

Appearing in the series are Lesley Manville, Ian McKellen, Adjoa Andoh, Miriam-Teak Lee, Derek Jacobi, Layton Williams, Sue Johnston, Jason Watkins, Sanjeev Bhaskar, Pearl Mackie and more. Some of the monologues are brand new works penned especially for the series.

The monologues can be viewed on the Equity Benevolent Fund’s YouTube channel.

The Curtain Up Show Album of the Year 2018 nominees

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

2018 Laurence Olivier Awards nominations

An interesting set of nominations have been announced for the 2018 Laurence Olivier Awards. Perhaps predictably, the headline grabbers are Hamilton with their record 13 nominations, and The Ferryman which received 8. I’m pleased to see Follies and Angels in America represent a strong showing for the National with 10 and 6 respectively, and also lovely to see Everybody’s Talking About Jamie close behind with 5. Beyond delighted for The Revlon Girl too, my play of the year.

Naturally, not everything can get nominated and for me, it was most disappointing to see Barber Shop Chronicles miss out on any recognition. And with Hamilton crowding out the musicals categories, there was sadly no room for The Grinning Man, Romantics Anonymous and The Secret Diary of Adrian Mole (although I’m unsure of the Menier’s eligibility with regards to SOLT). And I think Victoria Hamilton (Albion). Philip Quast (Follies) and Louis Maskell and Julian Bleach (The Grinning Man)  are entitled to be a bit miffed.

How do you feel about these nominations? And what do you think should have been nominated instead?

Continue reading “2018 Laurence Olivier Awards nominations”

Review: Young Frankenstein, Garrick

If gay jokes and boob jokes and dick jokes are your thing, then Young Frankenstein is for you. Not for me though, not at all. 

“Though your genitalia
Has been known to fail ya
You can bet your ass on the brain”

It’s alive…barely. Mel Brooks’ Young Frankenstein staggers into the West End after some more time on the operating table since its 2007 Broadway opening (2 new songs are among the changes made) and a short run in Newcastle to tighten the bolts. But for a piece of new musical theatre, it is so desperately old-fashioned that you half expect Russ Abbot and Bella Emberg to pop up and do a turn.

Given that Brooks is now over 90 and that the film on which it is based dates from 1974, it is perhaps little surprise that it feels dated. But also given director/choreographer Susan Stroman’s close collaborative relationship with him, the opportunity to be necessarily brutal about what works and what doesn’t feels to have been lost, lightning really hasn’t struck twice for the creators of The ProducersContinue reading “Review: Young Frankenstein, Garrick”