Book review: Time To Act – Simon Annand

Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage

Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.

Continue reading “Book review: Time To Act – Simon Annand”

fosterIAN awards 2013

 WinnerRunner-upOther nominees
Best Actress in a PlayMarianne Jean-Baptiste, The Amen CornerMichelle Terry, A Midsummer Night's Dream (Globe)Lucy Ellinson, Grounded
Stella Gonet/Fenella Woolgar, Handbagged
Lesley Manville, Ghosts (Almeida)
Shuna Snow, Iron
Best Actor in a PlayPhilip Duguid-McQuillan & Jamie Samuel, Jumpers for GoalpostsAl Weaver, The PrideBrian Cox, The Weir
Hugo Koolschijn, Scenes from a Marriage (Toneelgroep Amsterdam)
Benedict Wong, Chimerica
Best Supporting Actress in a PlayLinda Bassett, RootsDeborah Findlay, CoriolanusAnna Calder-Marshall, The Herd
Isabella Laughland, The Same Deep Water As Me
Hadewych Minis, Scenes from a Marriage (Toneelgroep Amsterdam)
Cecilia Noble, The Amen Corner
Best Supporting Actor in a PlayPearce Quigley, A Midsummer Night's Dream (Globe)Roeland Fernhout, Scenes from a Marriage (Toneelgroep Amsterdam)Richard McCabe, The Audience
Jeff Rawle, Handbagged
Andy Rush, Jumpers for Goalposts
Alexander Vlahos, Macbeth (MIF)
Best Actress in a MusicalRosalie Craig, The Light PrincessCynthia Erivo, The Color PurpleZrinka Cvitešić, Once the musical
Anita Dobson, Carnival of the Animals
Scarlett Strallen, A Chorus Line
Charlotte Wakefield, The Sound of Music
Best Actor in a MusicalKyle Scatliff, Scottsboro Boys Declan Bennett, Once the musicalDavid Birrell, Sweeney Todd
Nick Hendrix, The Light Princess
Matt Smith, American Psycho
Michael Xavier, The Sound of Music
Best Supporting Actress in a MusicalLeigh Zimmerman, A Chorus LineNicola Hughes, The Color PurpleAmy Booth-Steel, The Light Princess
Katie Brayben, American Psycho
Cassidy Janson, Candide
Sophia Nomvete, The Color Purple
Best Supporting Actor in a MusicalKit Orton, The Hired ManMichael Matus, The Sound of MusicBen Aldridge, American Psycho
Christian Dante White, Scottsboro Boys
Kane Oliver Parry, The Light Princess
Gary Wood, A Chorus Line

2013 Best Supporting Actress in a Play + in a Musical

Best Supporting Actress in a Play

Linda Bassett, Roots
The Donmar proved a powerhouse for female performances this year and in Roots, it was Linda Bassett who took the honours as the rural mother, conveying decades of hardship, making do and a hard-won no-nonsense attitude almost entirely through the minutiae of managing the family home. A breath-taking performance of perfectly studied and understated detail. 

Honourable mention: Deborah Findlay, Coriolanus
Tom Hiddleston may have been the big name in the Donmar’s Coriolanus but for me, it was Deborah Findlay’s Volumnia that was the biggest performance, scorching the earth before her as the militaristic mother driving her son’s career and then breath-takingly chastened as the tragic consequences are reaped. 

Anna Calder-Marshall, The Herd
Isabella Laughland, The Same Deep Water As Me
Hadewych Minis, Scenes from a Marriage (Toneelgroep Amsterdam)
Cecilia Noble, The Amen Corner

7-10

Claudie Blakley, Chimerica; Kirsty Bushell, Edward II; Naomi Frederick, The Winslow Boy; Fenella Woolgar, Circle Mirror Transformation

 

Best Supporting Actress in a Musical

Leigh Zimmerman, A Chorus Line
She won the Olivier earlier this year and now she can add a fosterIAN to the list – her dry put-downs as the wise-cracking Sheila enlivened A Chorus Line no end, trying to shield herself a little from the reality of being one of the older members of the group and seeing her last shot at stardom slipping away. 

Honourable mention: Nicola Hughes, The Color Purple
In a musical full of strong black women, Hughes proved herself one of the strongest with an extraordinary performance in The Color Purple as singer Shug Avery, utterly self-possessed and ultimately self-obsessed and never less than unmissable when onstage. 

Amy Booth-Steel, The Light Princess
Katie Brayben, American Psycho
Cassidy Janson, Candide
Sophia Nomvete, The Color Purple

7-10

Lucyelle Cliffe, When Midnight Strikes; Kaisa Hammarlund, The Boys from Syracuse; Joanna Riding, Stephen Ward; Liz Singleton, Fiddler on the Roof

2014 What’s On Stage Award nominations

BEST ACTRESS IN A PLAY
Helen Mirren – The Audience at the Gielgud 
Anne-Marie Duff – Strange Interlude at the NT Lyttelton 
Hayley Atwell – The Pride at Trafalgar Studios
Suranne Jones – Beautiful Thing at the Arts 
Tanya Moodie – Fences at the Duchess 

BEST ACTOR IN A PLAY
Daniel Radcliffe – The Cripple of Inishmaan at the Noël Coward 
Ben Whishaw – Peter and Alice at the Noël Coward and Mojo at the Harold Pinter 
James McAvoy – Macbeth at Trafalgar Studios 
Lenny Henry – Fences at the Duchess 
Rory Kinnear – Othello at the NT Olivier  Continue reading “2014 What’s On Stage Award nominations”

Blogged: S&S Award

“Find the words”

Set up in honour of and named after his parents Sidney and Sylvia, The S&S Award was created by Warner Brown as a celebration of new and as yet unproduced British musical theatre writing and held its inaugural award presentation at the St James Theatre on Sunday 24th November 2013. Don Black presented the prize to this year’s winners – Scott Gilmour and Claire McKenzie – for their show Forest Boy, of which we saw an extended excerpt but the audience were also treated to snippets from other shows in the running for this new prize.

Recent graduates of the Royal Conservatoire of Scotland, Gilmour and McKenzie based Forest Boy on the true 2011 story of a boy who appeared in Berlin claiming to have spent the last five years living in the woods with his father. But rather than a straight retelling, they use song and dance – movement director Emily-Jane Boyce contributing some excellent work – to explore the psychological journey of the young man, the troubled relationship with his parents, and the power of the imagination to invent and/or protect, as the truthfulness of his fantastical tale is probed by officials. Continue reading “Blogged: S&S Award”

Review: A Chorus Line, London Palladium

“Step, kick, kick, leap, kick, touch…again!”

When I was learning to play the piano as a young’un, we had a book of tunes from the movies which included ‘One’ and ‘What I Did For Love’, both from A Chorus Line. I’d never seen the film (and still have not) but I loved both of those songs and so practiced hard to be able to play them well. But even when a new production of the show was announced earlier this year, the temptation to go and see it was never too strong. Part of that came from the venue – the Palladium is a most unforgiving of theatres if you don’t have a front centre stalls seat – but there was also a sense that its conglomeration of backstage stories might be a little dated in a world where the audition process has repeatedly been laid bare on our television screens.

I perhaps wasn’t alone in feeling this way as the production was forced into publishing early closing notices, meaning it shutters at the end of this week. But in forcing my hand and making me book via a bargainous deal that got us into the middle of Row C of the stalls, I belatedly came to realise that the show is much better than I thought it would be and perhaps deserves a longer life than it has had. Its set-up is simplicity itself – seventeen Broadway dancers audition for eight spots on the chorus line for a musical and as the director takes them through their paces, we get to hear the tales of these hopefuls, their dreams and aspirations, their fears and frailties, in some cases their most intimate stories about what dance and being a dancer means to them. Continue reading “Review: A Chorus Line, London Palladium”

2013 Laurence Olivier Awards winners

Best New Play 
The Curious Incident of the Dog in the Night-Time by Simon Stephens, adapted by Mark Haddon – National Theatre Cottesloe / Apollo
Constellations by Nick Payne – Duke of York’s Theatre
The Audience by Peter Morgan – Gielgud
This House by James Graham – National Theatre Cottesloe / Olivier

Best New Musical
Top Hat – Aldwych
Loserville – Garrick
Soul Sister – Savoy
The Bodyguard – Adelphi

Best Revival 
Long Day’s Journey into Night – Apollo
Macbeth – Trafalgar Studios
Old Times – Harold Pinter
Twelfth Night – Globe / Apollo Continue reading “2013 Laurence Olivier Awards winners”

2013 Laurence Olivier Awards nominations

Best New Play 
Constellations by Nick Payne – Duke of York’s Theatre
The Audience by Peter Morgan – Gielgud
The Curious Incident of the Dog in the Night-Time by Simon Stephens, adapted by Mark Haddon – National Theatre Cottesloe / Apollo
This House by James Graham – National Theatre Cottesloe / Olivier

Best New Musical
Loserville – Garrick
Soul Sister – Savoy
The Bodyguard – Adelphi
Top Hat – Aldwych

Best Revival 
Long Day’s Journey into Night – Apollo
Macbeth – Trafalgar Studios
Old Times – Harold Pinter
Twelfth Night – Globe / Apollo Continue reading “2013 Laurence Olivier Awards nominations”