News: musicals update for May 2021

In a co-production with The Old Vic, Emma Rice (Romantics AnonymousWise Children) and the Wise Children Company bring Percy and Eleonore Adlon’s iconic 1987 film Bagdad Cafe to The Old Vic stage with their signature playful, visual and emotional style. After a long year apart, we invite you to join us for a joyful celebration of togetherness, hope and friendship. 

The cast for Bagdad Cafe has now been revealed and includes Nandi BhebheLe Gateau ChocolatBettrys JonesPatrycja KujawskaNadine LeeSandra MarvinKandaka MooreRenell ShawGareth Snook and Ewan Wardrop. Watch at the theatre: 17 Jul–21 Aug 2021 or watch from home: 25–28 Aug 2021.

Continue reading “News: musicals update for May 2021”

News: Young Vic and Old Vic announce new programmes

Theatre returns at both end of The Cut – programmes announced for both the Old Vic and the Young

  • Queers Curated by Mark Gatiss, 2 Jun, 30 Jun
  • Home? Curated by Noma Dumezweni, 14-20 Jun
  • The Dumb Waiter by Harold Pinter, 7-10 Jul
    Directed by Jeremy Herrin and starring Daniel Mays and David Thewlis
  • Bagdad Cafe by Percy and Eleonore Adlon, adapted by Emma Rice, 19 Jul-21 Aug, streamed 25-28 Aug
    Starring Patrycja Kujawska, Le Gateau Chocolat and Sandra Marvin
  • Camp Siegfried by Bess Wohl, 7 Sep-30 Oct
    Directed by Katy Rudd and starring Patsy Ferran and Luke Thallon
  • A Christmas Carol by Charles Dickens, adapted by Jack Thorne, 13 Nov-8 Jan
    Directed by Matthew Warchus
  • A Number by Caryl Churchill, 24 Jan-19 Mar 
    Directed by Lyndsey Turner  and starring Lennie James and Paapa Essiedu
  • Into the Woods – Music & lyrics by Stephen Sondheim, book by James Lapine, 16 Apr-9 Jul
    Co-directed Terry Gilliam and Leah Hausman

  • Changing Destiny by Ben Okri, 9 Jul-21 Aug
    Directed by Kwame Kwei-Armah
  • Klippies by Jessica Siân, 4–13 Aug
    Directed by Diyan Zora
  • AI developed by Chinonyerem Odimba and Nina Segal, written alongside GPT-3 OpenAI technology, 23–25 Aug
    Created by Jennifer Tang and Company
  • Hamlet by William Shakespeare, 25 Sep-13 Nov
    Directed by Greg Hersov and starring Cush Jumbo
  • Best of Enemies by James Graham, 2 Dec-22 Jan
    Directed by Jeremy Herrin

Review: Royal Court’s Living Newspaper #5

Edition #5 of the Royal Court’s Living Newspaper takes a more reflective approach to great effect

“Most people do it. Not me, I have a conscience”

The Royal Court’s Living Newspaper continues with edition #5 which feels a little less reactive to the headlines and a little more reflective on the state of the world as we find it today. It looks back, probing into how our history has shaped us but it also identifies the precipice of the current moment and how, more than ever, so very much is at stake. 

The quiet fury of Dalia Taha’s A Warning takes aim at Israeli border policies through the medium of books, Kayla Meikle’s devastatingly contained performance a real stand out. And Zia Ahmed’s elegiac scene/unscene finds a brutal poetry in its takedown of the systemic racism in the theatrical establishment, skewering good liberal intentions perfectly. Continue reading “Review: Royal Court’s Living Newspaper #5”

News: writers and cast for Living Newspaper #5

Written by Zia Ahmed, Leo Butler, Guillermo Calderón, Nick Cassenbaum, E.V. Crowe, Maud Dromgoole, Nessah Muthy, Iman Qureshi, Marcelo Dos Santos, Nina Segal, Dalia Taha, Joel Tan and Maya Zbib.

Who has created our country’s past and who is shaping its future? Who gets to have their cake and eat it?

Edition 5 sets out to dismantle histories – be that personal or political – whilst finding allies in bookshop glances, questioning who is desperate for hygge comfort and looking to our comrades and weather reporters for the true future.

As we look back and forward, Edition 5 is a provocation to find joy in the cracks and the spaces left behind. Continue reading “News: writers and cast for Living Newspaper #5”

News: Crazy Coqs announces May reopening and new program

Crazy Coqs, Soho’s unique live entertainment venue within the Brasserie Zédel complex, announces the re-opening of the venue on 17 May 2021 – pending further government announcements – with a full programme from 17 May – 30 June 2021, offering both live shows and simultaneous live streams for audiences who cannot make it to the venue in-person. Live-streamed shows will be confirmed in April.

The annual Joe Stilgoe + Friends (including Hadley Fraser, The Puppini Sisters, Le Gateau Chocolat), Clare Teal & Jason Robello, Paul Potts, Marisha Wallace, Ria Jones, Grace Dent, Dillie Keane, Ian Shaw and Jay Rayner all feature in this new season. Continue reading “News: Crazy Coqs announces May reopening and new program”

News: Unicorn Theatre’s online offerings get some cracking casts

The Unicorn Theatre has announced a pair of great-looking online productions in Grimm’s Tales and The Twits. Adopting a storytelling perspective, a crack team of directors and actors will be putting their spin on these classic tales.

The Twits, directed by Ned Bennett, will star Martina Laird and Zubin Varla and is hosted on the Guardian’s website.

Grimm’s Tales will stream from 5th October to 21st February on the Unicorn’s YouTube channel.

Appearing in those productions will be:
Justin Audibert directs Nadia Albina reading Hansel and Gretel
Rachel Bagshaw with Le Gateau Chocolat reading Rumpelstiltskin
Polly Findlay directs Colin Morgan reading The Devil With the Three Golden Hairs
Tristan Fynn-Aiduenu directs Andy Umerah reading The Boy Who Left Home to Find Out About the Shivers
Ola Ince directs Susan Wokoma reading The Brave Little Tailor
Bijan Sheibani directs Cecilia Noble reading Cinderella

The venue will also re-release its hit production of Anansi the Spider Re-Spun to mark Black History Month, with the hit show available from 1st-31st October on YouTube.

Review: Sweet Charity, Donmar Warehouse

Nowhere near enough charm in this Sweet Charity for my liking. Josie Rourke’s farewell to the Donmar Warehouse is grey rather than silver

“I’m always looking for an emotional experience”

When the light lands just right on Robert Jones’ set for Sweet Charity at the Donmar Warehouse, it sparkles like silver; the rest of the time, it is rather grey. Sadly, that’s pretty much rather true as a whole for Josie Rourke’s production here, her farewell as Artistic Director here.

Those bright spots are dazzling. Debbie Kurup and Lizzie Connolly are superb as Charity’s pals and co-workers Helene and Nickie, dreaming their dreams with real circumspection. Martin Marquez’s velvety smoothness is charm personified as movie star Vittorio Vidal. Continue reading “Review: Sweet Charity, Donmar Warehouse”

Review: Effigies of Wickedness, Gate Theatre

“The world’s gone nuts, so best of luck”

Only a quickie for this as I didn’t make it until the end of the run. Effigies of Wickedness is exactly how you’d picture a musical at the Gate Theatre going and all the better for it, we need spaces led by the daring of the likes of Ellen McDougall to cock a sideways glance at how British theatre is run and gently suggest the many ways in which it could be better.

Running time: 100 minutes (without interval)
Photos: Helen Murray
Effigies of Wickedness is booking at the Gate Theatre until 9th June

Review: Twelfth Night, Shakespeare’s Globe

“I would you were as I would have you be”

Emma Rice’s Summer of Love got off to a slightly sticky start at the Globe with a mystifying take on Romeo and Juliet from Daniel Kramer and as we move onto Twelfth Night, which she is directing herself, there’s a similarly uncompromising attitude in place. For the production reminded me nothing so much as a camp episode of Monarch of the Glen (sadly not Monarch of the Glum) and whilst it is often fun to watch, it’s not always the most effective treatment.

Rice’s iconoclastic approach is there from the get-go – a prologue set onboard the SS Unity before its shipwreck sees the company dancing merrily to Sister Sledge. And once in this decidedly Celtic Illyria, Orsino has a Lionel Richie mullet, Andrew Aguecheek is a would-be b-boy, serenades are played on cassette decks…why we’re in 1979, as good a time as any to explore cross-dressing hijinks of gender exploration.  Continue reading “Review: Twelfth Night, Shakespeare’s Globe”