Lauren Stroud – There Ought To Be Clowns

October 28, 2021October 31, 2021

News: Andrew Lloyd Webber to host a special gala performance of Cinderella with Malala Yousafzai

Andrew Lloyd Webber’s hit new musical Cinderella is to hold a special gala performance to raise money for Malala Yousafzai’s work to empower women and girls around the world.

With the backdrop of a worsening global refugee crisis, which has interrupted the education of millions of young women, Malala Fund wants those who have lost everything to retain access to the opportunities they need to build a better future.

More than 130 million girls are out of school today and Malala Fund is working for a world where every girl can learn and lead through access to a free, safe and quality education. Continue reading “News: Andrew Lloyd Webber to host a special gala performance of Cinderella with Malala Yousafzai”

August 18, 2021May 19, 2022

Review: Cinderella, Gillian Lynne Theatre

**Andrew Lloyd Webber puts his name front and centre with this new version of Cinderella at the Gillian Lynne Theatre, if only it was worth it…**

“The only thing I’ve learnt from you is to be a completely heartless bitch”

If this were a show about Cinderella’s stepmother and the Queen of Belleville, then I think Andrew Lloyd Webber’s new show Andrew Lloyd Webber’s Cinderella might stand a fighting chance. Between them, Victoria Hamilton-Barritt and Rebecca Trehearn effortessly chew up the stage at the Gillian Lynne Theatre and steal pretty much every scene they’re in, climaxing in a brilliantly spiky and knowing duet.

Problem is, they’re trying to present a modernised version of the classic fairytale and not even an Academy Award-winning writer can really square this obstinate circle. Emerald Fennell’s take on Cinderella is to make her a goth in a picture-perfect, beauty-obsessed town and the first thing we see this Cinders do is graffiti a statue of Prince Charming (who is missing presumed dead and the brother of her best pal – apparently being a goth also means being a heartless bitch…). Continue reading “Review: Cinderella, Gillian Lynne Theatre”

July 23, 2021July 23, 2021

News: World Premiere of Andrew Lloyd Webber’s Cinderella set for 25 August 2021

The Really Useful Group today announce that, after a period of enforced closure, the world premiere of Andrew Lloyd Webber’s Cinderella will be on Wednesday 25 August. With music by Andrew Lloyd Webber, written by Academy Award winning Emerald Fennell (Best Original Screenplay Oscar in April 2021) and with lyrics from David Zippel, the brand new musical will resume performances at the Gillian Lynne Theatre on Wednesday 18 August. Previews initially began on Friday 25 June 2021, before another period of closure due to Covid-19 isolation protocols. Continue reading “News: World Premiere of Andrew Lloyd Webber’s Cinderella set for 25 August 2021”

July 1, 2021July 4, 2021

First look at Andrew Lloyd Webber’s Cinderella

By hook or by crook, Andrew Lloyd Webber was going to get Cinderella to the ball and the show is now in previews, albeit with the social distancing that he had previously promised to get himself locked up over. Now the posturing is over, the attention can turn to the show, with a new score by the lord, plus lyrics by David Zippel and a script from Killing Eve’s Oscar-winner Emerald Fennell.

Carrie Hope Fletcher is the lead but it is Victoria Hamilton-Barritt and Rebecca Trehearn for whom I’m most excited. These tasters pics from Johan Persson give an idea of how the show looks at the Gillian Lynne Theatre, revealing some amazing costume work.

Continue reading “First look at Andrew Lloyd Webber’s Cinderella”

April 29, 2021May 1, 2021

News: Cinderella reveals the full cast who will be going to the ball

The Really Useful Group has announced the full cast for the forthcoming production of Andrew Lloyd Webber’s Cinderella, featuring music by Andrew Lloyd Webber, book by Academy Award winning Emerald Fennell (Best Original Screenplay Oscar at last Sunday’s ceremony) and lyrics from David Zippel. The brand new musical will open at the Gillian Lynne Theatre on Wednesday 14 July 2021, with previews from Friday 25 June 2021.

Joining the previously announced cast will be Rebecca Trehearn, who will play The Queen, Georgina Castle and Laura Baldwin as Cinderella’s stepsisters Marie and Adele and Gloria Onitiri, who will play The Godmother. They join Carrie Hope Fletcher, as title character Cinderella in the highly anticipated new production, as well as Ivano Turco as Prince Sebastian and Victoria Hamilton-Barritt playing The Stepmother. Continue reading “News: Cinderella reveals the full cast who will be going to the ball”

April 24, 2018January 31, 2021

Review: Strictly Ballroom the Musical, Piccadilly

**Baz Luhrmann’s Strictly Ballroom the Musical may not be the strongest musical in the world, but it’s a stronger piece of musical theatre, thanks to Drew McOnie’s choreography**

“Pam Shortt’s broken both her legs, and I wanna dance with you”

It is fascinating to be able to follow the development of a show, particularly one that has morphed as much as Strictly Ballroom the Musical. I saw it at the West Yorkshire Playhouse the winter before last, where it didn’t quite set my world on fire, so I was intrigued to hear that its arrival in the West End at the Piccadilly would be accompanied by quite the overhaul, still directed and choreographed by Drew McOnie.

The major change to this adaptation of Baz Luhrmann’s 1992 cult hit movie comes with the introduction of bandleader Wally Strand, played by Will Young, an MC figure and human jukebox who takes on the vast majority of the evening’s singing. And as we skip from Grace Jones to Billy Idol, via Bowie, Whitney and Cyndi, it’s a real pleasure to hear him sing Marius De Vries’ brilliant new arrangements. Continue reading “Review: Strictly Ballroom the Musical, Piccadilly”

August 15, 2017November 26, 2018

Album Review: Chitty Chitty Bang Bang (2002 Original London Cast Recording)

“What a happy time we’ll spend”

I’m pretty sure that if you could distil the warmth of Emma Williams’ voice, it would be the basis for the cure to the world’s ills. There are few singers who have that kind of effect on people and it is a travesty that isn’t better known to the world at large. Part of that is a consequence to her admirable devotion to new musical theatre writing which means that her projects haven’t always quite broken through to the mainstream but to those in the know, she’s a real champion of British musical theatre.

Which is a long-winded but deserved introduction to the Original London Cast Recording of Chitty Chitty Bang Bang, the production in which she made her debut as an 18 year old in 2002. The Sherman Brothers’ film has long turned into an enduring classic and its score here, enhanced by new numbers for the stage, remains a thing of unalloyed joy. The delicacy of lullabies like ‘Hushabye Mountain’ and ‘Doll On A Music Box’ are just beautiful and in the hands of Williams and Michael Ball, they shimmer gorgeously. Continue reading “Album Review: Chitty Chitty Bang Bang (2002 Original London Cast Recording)”

December 7, 2016September 29, 2020

Review: Strictly Ballroom, West Yorkshire Playhouse

“I don’t know if you are illusion”

Hoping for a ten from Len and to avoid the dreaded dis-sah-ter from Craig, Baz Luhrmann’s Strictly Ballroom arrives for its UK premiere at the West Yorkshire Playhouse. Best known in its 1992 film version, it actually began life as a play in the mid-1980s when it became big in Czechoslovakia as well as Luhrmann’s native Australia and perhaps appropriately, it is now Drew McOnie who takes the directorial chair, the choreographer-director’s rising star an ideal fit for a musical all about dance.

And what dance it is. We’re in the world of competitive ballroom dancing and we’re treated to a wide range of routines from rehearsals to all-out performances and much inventive work in-between, especially where mirrors are involved. And in all this freedom of expression, there’s a crystal-clear distillation of the story’s message in the sheer joy of dancing for fun and the power of following an individual path. But the show isn’t just dance, it’s words and music as well and there, it is less sure-footed.

Continue reading “Review: Strictly Ballroom, West Yorkshire Playhouse”

July 28, 2016February 23, 2021