Crazy Coqs, Soho’s unique live entertainment venue within the Brasserie Zédel complex, announces a new limited August programme and a full September programme, offering both live shows and live-streamed shows.
Janie Dee, Maria Friedman, Lauren Samuels, Sophie Evans, Cedric Neal, Nerina Pallot and Jay Rayner all feature in the new season.
The live shows will be performed to a reduced capacity with a socially distanced seating plan, where the front row is at least 2.5m from the stage, and all table groupings are at least 1m apart. There will be a maximum of three performers on stage to maintain social distancing. Customers will be invited to purchase tables, rather than individual tickets, to comply with the ‘reduced social bubble’ government advice.
For more information on what Health and Safety measures Crazy Coqs are implementing to make your visit as safe as possible, please visit the Brasserie Zedel website.
Several live shows will also be live streamed in partnership with Fane Online, giving audiences the chance to watch broadcast quality Crazy Coqs shows from the comfort of their own home.
A host of West End stars have been enlisted to perform the shortlist of 15 compositions in the running for the 2020 Stiles + Drewe Best New Song Prize in a virtual concert to be streamed today (5th July 2020).
The schedule has been announced for week 4 of Leave A Light On, a series of live-streamed concerts.
The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.
This trio of musical theatre album reviews features Sleeping Beauty the Musical, 9 to 5 the Musical – West End Cast Recording and Girlfriends (London Musical Theatre Orchestra)
“When life seems uphill, remember you’re still ascending”
A bit of googling about Joel Harper-Jackson (what, you don’t do it too…?) came up with this studio cast recording of Sleeping Beauty the Musical. A musical adaptation of the fairytale with book and lyrics by Ian Curran and music by Simon Hanson and Peter Vint, it is a rather amiable treatment of the story and a perfectly serviceable set of tunes. Truth be told, this isn’t a score to really set the world alight but then not everything has to, especially when allied to as classic a tale as this. Harper-Jackson and Maria Coyne both impress as the central couple of Prince Perrault and Princess Aurora whose growing relationship is the cornerstone of the show and ultimately quite affecting here. Continue reading “Album Reviews: Sleeping Beauty the Musical / 9 to 5 the Musical / Girlfriends”
I’m a big fan of chocolate and an even bigger fan of Romantics Anonymous so naturally I had to head back to the Sam Wanamaker Playhouse for second helpings (and with somewhat less calories than your usual festive chocolate offerings!). Not too much more to add to my original review and I’d recommend booking in before it closes next week but there’s not a ticket to be had! Returns queue…?
Running time: 2 hours 20 minutes (with interval) Booking until 6th January
Like the squares of chocolates handed out for us to magically access automatic translation, there’s a bittersweet note to much of Romantics Anonymous. And it is perhaps predictably that Emma Rice scores one of her biggest hits on Bankside with a musical that couldn’t be more Emma Rice if it tried. As it is, it fits perfectly into the Sam Wanamaker Playhouse, shaking up the established order once again as she brings amplification and neon lights along with the huge generosity of spirit of this show, uncompromising to the end in her relationship with the Globe.
Romantics Anonymous was adapted by Rice from the French-Belgian film Les Émotifs Anonymes, and takes a wonderfully Gallic spin on your typical romantic comedy. Jean-René has inherited a chocolate factory, Angélique is a chocolatier par excellence in need of a job, they seem perfectly suited for each other but both are chronically, painfully shy. She faints if she has to speak to people, he has precisely zero confidence and even in the act of finally striking up a relationship together, both working and personal, their awkwardness is a constant threat to their happiness.
Noel Sullivan will forever be a member of Hear’say first and foremost to me, the product of one of first of this generation of Saturday night music talent show – Popstars – but since then, a career in musical theatre has beckoned and it is on that, rather than his pop star life, that his debut album Here I Go Again concentrates. At a swift 9 tracks, he runs the gamut of his theatrical CV (What A Feeling, Grease, Rock of Ages, Flashdance, Priscilla…) but also throws in a couple of singer-songwriter moments lest we forget his versatility.
It’s nice to see Sullivan maintain strong links with his cast-mates from various shows as he’s a generous duet partner who really shines when sparking off someone else. A funky scratched-up take on ‘You’re The One That I Want’ with Lauren Samuels is sultry indeed, a powerful rendition of ‘Here And Now’ features the glorious Victoria Hamilton-Barritt in fine form, and Cyndi Lauper’s evergreen ‘True Colors’ twinkle once more with the added participation here of Richard Grieve and Graham Weaver. Continue reading “Album Review: Noel Sullivan – Here I Go Again (2014)”