With lockdown back in full swing, Lambert Jackson are bringing back their hit series Leave a Light On with a wide range of musical theatre stars performing online concerts. Performers announced today are Lauren Byrne, Lauren Drew, Chelsea Halfpenny, David Hunter, Rachel John, Lucie Jones, Rob Madge, Tim Mahendran, Nicholas McLean and Billy Nevers.
Eliza Jackson and Jamie Lambert of Lambert Jackson said, “This series is designed to provide entertainment for people who are currently going through their third UK wide lockdown and are missing the magic of West End performances. We are super excited to be bringing Leave a Light On back, although we didn’t expect we would ever need to, and we would like to thank all of the performers involved for jumping on board so quickly.” Continue reading “News: Leave A Light On returns”
Lockdown may have returned but theatres are boldly looking ahead – the David Tennant-starring Good and Six the Musical are moving theatres, Haydn Gwynne is back and The Last Five Years extends at the Southwark Playhouse
CP Taylor’s Good, starring David Tennant, Fenella Woolgar and Elliot Levey and directed by Dominic Cooke, which was due to open this October, has announced new dates for 2021 and a new run at the Harold Pinter Theatre.
Produced by Fictionhouse and Playful Productions, Goodwas originally scheduled to begin performances at the Playhouse Theatre on Tuesday 6th October. Due to the current global situation, the production was postponed and will now preview at the Harold Pinter Theatre from Wednesday 21st April to Saturday 17st July 2021.
Current ticket holders will be given priority for the new dates and do not need to do anything. The point of purchase will be in touch with ticket holders to reschedule or refund their booking. Extra tickets for the new dates for Good at The Harold Pinter Theatrego on sale at 10am, Monday 12 October 2020.Continue reading “News: September theatre news gathers apace”
The schedule has been announced for week 3 of Leave A Light On, a series of live-streamed concerts.
The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.
A belated report on a family trip to the Lowry to see the touring version of the ever-exciting Six the Musical
“It’s the end of the show of the historemix We switched up the flow and we changed the prefix”
It’s not too often that I get to go to the theatre with my whole family, so a festive trip to the Lowry to see Six the Musical was a definite treat over Christmas. And to see it from the front row too…quite the experience. I’ve seen the show oneand a bit times before so I knew what to expect, but the thrill of being that close really did make a difference (even if I was convinced that Katherine Howard was going to kick me in the face at some point or other!).
And it was great to see all 10 of us really enjoy ourselves, grandparents to grandkids (and me the middle child, what else?!). Toby Marlow and Lucy Moss’ anarchic history – sorry, herstory! – lesson has lost none of its effervescence or energy in this touring version. It helps of course that it is a relatively lo-tech show to run but it has clearly settled well in Salford for this Christmas sojourn as it was packed out and an extra week has been added to the schedule too. Continue reading “Review: Six the Musical, Lowry”
Jamie Lloyd’s reinvention of Evita at Regent’s Park Open Air Theatre proves a storming success
“I could find job satisfaction in Paraguay”
If this was the production of Evita that was forever touring the UK, then we could all be a hell of a lot more enthused about the future of UK theatre. Bill Kenwright might have the business side locked down with dull predictability but at the Open Air Theatre, Jamie Lloyd is unleashing a torrent of creative genius which proves inordinately exciting to witness.
He offers up a complete reimagining of the Andrew Lloyd Webber and Tim Rice musical and one which feels sparkingly fresh in every single aspect. The open bleachers of Soutra Gilmore’s design which turns our focus to the human relationships here, the striking physicality of Fabian Aloise’s choreography with its haunting screaming faces and way-cool domino effect points to societal trauma and most crucially, Lloyd allows the shadow of populist politics to loom large. Continue reading “Review: Evita, Open Air Theatre”