Arrows & Traps return to live performance in customary ambitious style with Holst – The Music In The Spheres at the Brockley Jack
“Noise is all relative”
It should come as little surprise that Arrows & Traps Theatre’s return to live performance takes the form of an ambitious and inventive repertory season. Written and directed by Ross McGregor, The Dyer’s Hand presents two interlinking plays aiming to once again do what the company does so well, in excavating fascinating stories from the unsung corners of our history books.
First up is Holst – The Music In The Spheres which looks at the life of Gustav (von) Holst, the English composer best known for the orchestral suite The Planets and one of the most timeless, if repurposed, melodies in Jupiter. From a strict Victorian childhood blighted by illness through his travails as a jobbing musician and teacher, McGregor illuminates Holst’s struggle to pursue his almighty artistic vision. Continue reading “Review: Holst – The Music In The Spheres, Jack Studio Theatre”
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
GAYATRI The Royal Queen Consort of the Majapahit Kingdom / 7evenotes Production / Alexander Triyono & mhyajo / Available via https://res.cthearts.com/event/34:3465/34:59436/
The Black Cat / Threedumb Theatre / The Space / Unfortunately this show is no longer available.
Trestle / OVO Productions / Maltings Theatre / View until 10 April at https://maltingstheatre.co.uk/whats-on/trestle
A Brief List of Everyone Who Died / Patch of Blue / Finborough / View at https://www.youtube.com/user/finboroughtheatre
Talking Gods (series of 5 plays) / Arrows & Traps / View at https://www.arrowsandtraps.com/talkinggods
Tomatoes Tried to Kill Me But Banjos Saved My Life / Keith Alessi / View at https://online.thespaceuk.com/show/tomatoes-tried-to-kill-me-but-banjos-saved-my-life
Touchy / 20 Stories High / View via https://www.20storieshigh.org.uk/show/touchy/ Continue reading “The finalists of The ONCOMMs 2022”
As distinct from my favourite shows of the year, this list celebrates the fact that sometimes the good and the not-so-good co-exist right next to each – some of my favourite moments.
For reference, here’s my 2020 list, 2019 list, 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Helen McCrory, in memoriam
I still don’t really have the words to talk about how sad the passing of Helen McCrory is, such a favourite actor of mine for so long. But what was joyful was hearing the absolute esteem in which seemingly every one of her colleagues held her, a testament to the person as well as the performer.
Being scared, by women
After having declared that scary theatre just didn’t work for me, the Terrifying Women made me eat my words in quite some style with their Halloween special. Continue reading “10 top theatrical moments of 2021”
The Music In The Spheres and The Stars Are Fire make up Arrows & Traps new repertory season: The Dyer’s Hand. Able to be seen individually as two independent stories, or taken as a single epic narrative experience, The Dyer’s Hand Season presents two interlinking plays, told on alternating nights by a single cast, and produced by the award-winning and critically-acclaimed Arrows & Traps Theatre.
The cast features Cornelia Baumann, Lucy Ioannou, Laurel Marks, Edward Spence, Alex Stevens and Toby Wynn-Davies. And the creative team is writer and director Ross McGregor, visual design by So It Goes Theatre, lighting design by Robbie Butler, movement direction from Will Pinchin, Chris Tester acting as producer for Arrows & Traps Theatre. Continue reading “News: Arrows & Traps present The Dyer’s Hand Season”
Talking Gods sees Arrows & Traps move online with a creative hybrid of theatre and film hoiking Ancient Greek mythology into the modern age
“Do you know what comes up first when you type Zeus into Google?”
The world of Greek mythology has long proved fruitful fodder for playwrights and it is to here that Ross McGregor has turned for his season of modern Greek myths – Talking Gods. And whilst the titles of these five digital plays might resonate – Persephone, Orpheus, Pygmalion, Aphrodite and Icarus – the approach that McGregor’s writing takes means that these characters are refracted in sometimes significantly different ways. It’s a wise move, which proves something of a commentary on the act of myth-making as well, an acknowledgement that to remain relevant one needs must adapt whether celestial or commonplace.
So the art that bewitches Pygmalion so becomes an online avatar in the video game he is creating (a superb performance from Edward Spence), Ares may be the god of war but not even he can outrun PTSD here (edgy brilliance from Buck Braithwaite), Icarus is worried less about wings than the family secrets that are pouring out following the death of his father. Recasting the stories this way also allows a more direct way for the plays to speak to contemporary issues – family atomisation, climate change, identity struggles and isolation in so many different forms. Continue reading “Review: Talking Gods, Arrows & Traps online”
This spring, Arrows & Traps presents Talking Gods, a digital season of five reimagined Greek myths. These moving reworkings of classic Greek tales present snapshots of the modern world filled with pathos and comedy, music and love and tragedy and loss. During the week-long digital festival, one play will premiere every night, and each play will be followed by a live Q&A on Zoom and then remain online for free.
The Greek myths have been a cornerstone of Western culture for millennia, telling stories of gods and monsters but conveying deep wisdom about the human condition. Writer Ross McGregor uses them to examine vital contemporary issues, some of which have become heightened during the pandemic, in his five new plays. Continue reading “News: Arrows & Traps presents Talking Gods”
I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
Arrows & Traps’ queer noir take on The Strange Case of Jekyll & Hyde is a contemporary adaptation that speaks to the ages at the Brockley Jack Theatre
“It’s verging on the apocalyptic”
Well if you’re going to do the classics, you might as well do them like this! Ross McGregor’s adaptation of Robert Louis Stevenson’s novella updates The Strange Case of Jekyll & Hyde to the 2020 US presidential election but it also infuses the story with an undeniable air of menace and queerness that at once feels contemporary and entirely respectful of the source.
McGregor has taken clear inspiration from ‘Mayor Pete’ for his version of Henry Jekyll, an energetic young senator from Indiana who, in light of Trump’s impeachment, dares to dream of rescuing the Oval Office. Against a backdrop of seemingly never-ending school shootings, his platform is a vociferously anti-gun one but as investigative journalist Gabrielle joins his team, she discovers there’s more than just a skeleton in the closet…
Continue reading “Review: The Strange Case of Jekyll & Hyde, Brockley Jack”
Arrows & Traps’ TARO is a beautiful tribute to a historical figure we have sorely neglected, playing now at the Brockley Jack Theatre
“In the lens it looks different”
If TARO is to be Arrows & Traps’ final production, then it’s a hell of a high note to go out on. Bringing together so much of what has made them an enjoyable and enlightening company to follow, it’s a swansong to be proud of as the #FemaleFirsts season turns its attentions to Gerda Taro, a pioneering photojournalist whose distinction as the first female war photographer killed in action proves to be far from the most interesting thing about her.
Born Gerda Pohorylle in Stuttgart 1910, the rise of Nazism splintered her Jewish family as she, her brother and her parents were forcibly ejected to different countries. Finding herself in Paris, a chance encounter with fellow refugee Endre Freidmann sparked an interest in photography which they then parlayed into careers in war photography that revolutionised the genre. Their work covering the Spanish Civil War was the fateful making of them. Continue reading “Review: TARO, Brockley Jack”