This trio of album reviews covers Here for You: Ballads for Broadway Impact, My Lifelong Love and Infinite Joy: The Songs of William Finn
“People are swell but I’d rather be sailing”
Released in 2013 in support of Broadway Impact, an organisation of theatre artists and fans mobilised in support of marriage equality, Here for You: Ballads for Broadway Impact is a powerful collection of songs from Jonathan Reid Gealt. It is no secret that I love a ballad and having the likes of Kelli O’Hara, Adrienne Warren and Jeremy Jordan crooning and belting like this is just heaven. Jordan’s elegiac ‘Here For You’ with its gentle guitar is superb, as is the passion of Warren on ‘Home Away From Home’ but the standout track for me is O’Hara’s powerfully moving ‘Breathe’. Continue reading “Album Reviews: Here for You: Ballads for Broadway Impact / My Lifelong Love / Infinite Joy: The Songs of William Finn”
This trio of album reviews covers Over the Moon: The Broadway Lullaby Project, Mamma Mia! The Movie Soundtrack and Il Divo – A Musical Affair
“You know I’ve got
So much that I wanna do”
Over the Moon: The Broadway Lullaby Project has an amazing list of performers, composers, and musicians behind it, all coming together to create a 2-CD set and 48-page children’s book to benefit breast cancer research, support and education. And rather wonderfully, it is an utterly gorgeous record. Brilliant jazz musicians accompany writers like Michael John LaChiusa, Adam Gwon and Kristen Anderson-Lopez & Robert Lopez in indulging their gentler side to create the prettiest tunes. And then a cast of dreams sing them – just listen to Raúl Esparza’s aching tenderness on ‘This Little World’, or Donna Murphy’s crystal clear ‘Lucky’ (by Stephen Schwartz) – we should all be so lucky to be lulled to sleep this way. Continue reading “Album Reviews: Over the Moon: The Broadway Lullaby Project / Mamma Mia / Il Divo – A Musical Affair”
Manhattan Concert Productions (MCP) is pleased to announce the following creative team for Broadway Classics in Concert, on Tuesday, February 20, 8:00 p.m., in Stern Auditorium / Perelman Stage at Carnegie Hall.
Don Stephenson, Stage Director
Kevin Stites, Music Director/Conductor
Christopher Ash, Projection & Video
Jason Lyons, Lighting
Dave Horowitz, Sound
Gary Mickelson, Stage Manager
Telsey + Company / Craig Burns, CSA, Casting
MCP also welcomes Nikki Renée Daniels who will be joining the outstanding alumni cast for Broadway Classics in Concert.
The full alumni cast includes Michael Arden (Ragtime, Hunchback of Notre Dame), Sierra Boggess (The Secret Garden), Carolee Carmello (Broadway Classics 2013), Allan Corduner(Titanic), Nikki Renée Daniels (The Secret Garden), Quentin Earl Darrington (The Secret Garden), Ramin Karimloo (Parade, The Secret Garden), Norm Lewis (Ragtime), Laura Osnes(Crazy For You), Lea Salonga (Ragtime), Ryan Silverman (Titanic) and Tony Yazbeck (Crazy For You). Continue reading “News: Creatives and company for Broadway Classics in Concert”
This trio of album reviews spans the decades with Jonathan Reid Gealt – Whatever I Want It To Be, This Ordinary Thursday and Among Friends – The Words and Music of Richard Kates
“Nothing worth doing will ever come easy”
There’s something irrepressibly catchy about the music of Jonathan Reid Gealt as evidenced on this album Whatever I Want It To Be. From the cracking one-two of the driving pop of the title track sung with exciting energy by Jane Monheit and Alysha Umphress and the swinging delights of Loren Allred, Natalie Weiss and Luke Edgemon on the adorable ‘Boy Crazy’ to the more restrained but no less deeply felt emotion of Joshua Henry on ‘Let Me Try’ or Laura Osnes on the shimmeringly lovely ‘Lullaby’, this is some top-notch songwriting. Continue reading “Album Reviews: Jonathan Reid Gealt – Whatever I Want It To Be / This Ordinary Thursday / Among Friends – The Words and Music of Richard Kates”
The trio of album reviews takes in Bonnie Langford – Jazz at the Theatre, Laura Osnes – If I Tell You (The Songs of Maury Yeston) and Renée & Bryn: Under the Stars
“Who would think it astounds us
Simply naming their names?”
Who doesn’t love a bit of Bonnie Langford? Her 2003 album Jazz at the Theatre does exactly what it says on the tin, mixing the worlds of musical theatre and jazz to great effect. So bossa nova rhythms drive Cy Coleman’s ‘Use What You Got’ from The Life, pacey bass-driven romp through ‘If I Were A Bell’ from Guys and Dolls, and there’s a delicate skip through Fiddler’s ‘Sunrise, Sunset’.
Sondheim and Lloyd Webber get their name checked with tender takes on ‘Sooner or Later’ and ‘Unexpected Song’ and I loved the straight rendition of Me and My Girl’s ‘Once You Lose Your Heart’. Throughout are sprinkled standards like ‘Old Devil Moon’ and ‘My Funny Valentine’ which also work well but the less said about this version of ‘God Bless the Child’ the better though… Continue reading “Album Reviews: Bonnie Langford – Jazz at the Theatre / Laura Osnes – If I Tell You / Renée & Bryn: Under the Stars”
Part of The Other Palace’s rebranding has been to establish it as an incubator for new musical theatre pieces and so it has been opening its doors for work-in-progress performances of shows like Heathers and Joybubbles.
And in a couple of weeks we get Bonnie and Clyde – music by Frank Wildhorn, lyrics by Don Black and a book by Ivan Menchell – which flopped on Broadway despite the best attempts of stars Laura Osnes and Jeremy Jordan. And rather excitingly, for this production, we get the talents of Evelyn Hoskins and Jamie Muscato in the leading roles. Continue reading “Cast announced for Bonnie and Clyde”
If I Forget, by Steven Levenson, Roundabout Theatre Company
Indecent, by Paula Vogel, Vineyard Theatre
A Life, by Adam Bock, Playwrights Horizons
Oslo, by J. T. Rogers, Lincoln Center Theater
Sweat, by Lynn Nottage, The Public Theater
The Band’s Visit, Atlantic Theater Company
Come From Away
Hadestown, New York Theatre Workshop
The Lightning Thief: The Percy Jackson Musical
Continue reading “Nominations for the 2017 Drama Desk Awards”
“It not a love story, not a coming of age
It’s not the kind of thing you put into a play.”
Good song-writing is good song-writing but it certainly helps if you have stellar interpreters of songs on hand to deliver what you’ve composed. And so it is on Our First Mistake – The Songs of Kait Kerrigan and Brian Lowdermilk which finds the likes of Kelli O’Hara mourning the death of a relationship on the pragmatic ‘Not a Love Story’ and Natalie Weiss on the equally bruised ‘How To Return Home’, both performers fully inhabit their characters within these songs and you’re instantly given to a sense of excitement at what a Kerrigan/Lowdermilk musical might sound like.
They’re a US musical theatre writing team who, like so many others, are patiently waiting for their big break. Shows such as Henry & Mudge and The Unauthorized Biography of Samantha Brown have raised their profile and in the latter case, show real promise from the tracks included here in their relaxed pop sensibility that Waitress is currently working so well. Vienna Teng’s delicate piano balled ‘Say The Word’ is a gorgeous opener to the collection and the way its tentative romantic inclinations are met with Michael Arden’s ‘Run Away With Me’, its quiet emotion slowly building in confidence, whets the appetite beautifully.
Continue reading “CD Review: Our First Mistake – The Songs of Kait Kerrigan and Brian Lowdermilk (2010)”
“Not quite ready to grieve”
I looked at Scott Alan’s live album last week and this week it is the turn of 2010’s What I Wanna Be When I Grow Up. His third album, it follows the similar path of collating songs around a common theme but still showcasing a wide range of musical influences from Alan, and showing off the extent of his address book in calling in some of Broadway’s brightest lights to help him out. It’s a nice collection but one which never really kicks fully into gear for me.
The relaxed radio-friendly emotion of Laura Osnes’ ‘Easy’ and ‘Warm’ by Zak Resnick & Morgan James and the chirpy, almost girl-group pop of Nikki Renee Daniels’ ‘Love, Love, Love’ show Alan’s undoubted skill with a well-honed melody and capturing contemporary pop sensibilities. His favoured style of writing is clearly stonking empowerment anthems of which there are plenty here – ‘Watch Me Soar’ by Willemijn Verkaik and ‘I Wish’ by Diana DeGarmo probably rank as the two strongest. Continue reading “Album Review: Scott Alan – What I Wanna Be When I Grow Up”
“And there it is…”
For a composer who hasn’t had a major show on over here, Scott Alan inspires an amazing amount of evangelical joy from his fans. This has come from a series of albums and concerts in which his songwriting has been showcased by a wide-ranging collection of Broadway and West End stars, culminating in a rapturously received residency at the St James Theatre a couple of months ago. I like his work, having previously reviewed a couple of his albums, but I haven’t been as ecstatic as some about it so I thought I’d go back to the ones I hadn’t listened to.
His double album Live offers reworkings of many of his songs and mixes things up further by retaining many of his frequent collaborators but letting them loose on different songs, even switching up genders on some of them. It’s a great move – Natalie Weiss smashes the joyful ‘I’m A Star’, Laura Osnes wraps her delicate voice beautifully around ‘Now’ and Jeremy Jordan is charming as ever on ‘Please Don’t Let Me Go’ and that’s all in the opening five songs. The slightly indulgent length of the album means we don’t always maintain such intense quality over both discs plus bonus tracks.
Continue reading “Album Review: Scott Alan Live”