With a ‘roadmap’ in place, the West End is starting to make plans for a summer that might look something close to normal
The Prince of Egypt will return to the Dominion Theatre from 1st July, operating under socially distanced restrictions until 4th September, after when they intend to return to ‘normal’! The show has also extended its run until Saturday 8th January 2022.
The production has confirmed that the entire cast and orchestra of almost 60 artists, will be presented in its original form at all performances. The cast of 43 is led by: Luke Brady (Moses), Liam Tamne (Ramses), Christine Allado (Tzipporah), Alexia Khadime (Miriam), Joe Dixon (Seti), Debbie Kurup (Tuya), Mercedesz Csampai (Yocheved), Adam Pearce (Hotep), Tanisha Spring (Nefertari) and Silas Wyatt-Barke (Aaron). Further casting is to be revealed. Continue reading “News: the West End starts to make plans…”
“When we must cross over Who knows what we’ll find”
A 90s musical of an 80s film – nostalgia has a lot to answer for but it was to Maltby Jr and Shires’ 1996 adaptation of the Tom Hanks-starring film that producers turned for their big Christmas musical at Bord Gais Energy Theatre in Dublin. Morgan Young’s production also had a short run at the Theatre Royal Plymouth and with the creation of this UK cast recording, you wonder whether further plans were in the pipeline for the show.
I’m not holding my breath though, as it doesn’t really sound like that much of a winner. Shire’s score is painfully dated, Maltby’s lyrics provide little spark and as a whole, Big the Musical just sounds a bit twee, a bit inconsequential. There’s little sense at all of the songs driving the narrative, they’re more an inoffensive, intermittent distraction, taking way too long to inch over to even just to ‘pleasant’ on the scale. Continue reading “Album Review: Big the Musical (2016 Original UK Cast Recording)”
I don’t remember reading my big sister’s copies of Jackie, nor could I say I’ve ever knowingly listened to a David Cassidy or a David Essex song. So I’m perhaps not directly in the target audience forJackie the Musical, a 70s jukebox show that takes inspiration from the pages of that weekly magazine for teenage girls. That’s not to say that there isn’t plenty to be enjoyed by all but rather that this is a very particular kind of nostalgia.
Janet Dibley’s Jackie is picking through the pieces of her life – in her 50s, about to be divorced, teenage dropout son – when she comes across a stash of paraphernalia from her girlhood in the attic. Old schoolbooks are soon discarded though when she finds some old copies of Jackie (the magazine) and as this is Jackie (the musical), a younger version of Jackie (the woman) manifests itself in her mind, to act as a kind of spirit guide through this time of emotional turbulence as she dips a toe into the world of online dating, aided by sparky best friend Jill, an excellent Lori Haley Fox. Continue reading “Review: Jackie the Musical, Churchill Bromley”