Writers between the ages of 14 and 21 get their turn to take over the Royal Court’s Living Newspaper for its seventh and final edition
“Did you see what I done?”
The seventh (and final) part of the Royal Court’s Living Newspaper is actually something of a Brucie bonus, an additional edition
Naomi Lundie-Smith’s existential tube journey in summer friends? sees Jemima Mayala reflect poetically on the passing joys of that particular season. Ruby Stokes’ Paths; Unparalleled speaks of hard-won truths – appropriate to any age – about online dating, delivered with wryly resigned recognition by Frances Mayli McCann.
I also really enjoyed the intertwining narratives of Blessing Adetunji’s Beyond Touch (of a) Screen, enhanced by evocative movement work from Kemi Awoderu andTyrone Huntley. And one of the more reliably entertaining elements of the newspaper format doesn’t disappoint here, with the musical front page Lockdown FM striking in its punchy immediacy.
Photos: Isha Shah
Living Newspaper #7 is streaming via the Royal Court until 9th May
Written by Blessing Adetunji, Fatima Kazmi, Tyreke Leslie, Naomi Lundie-Smith, Sam Pickering, Taichi Shinokubo and Ruby Stokes.
What does it mean to count your life in years and lose one? What happens when you re-emerge into the ‘real’ world and find there are still fights to be won?
Edition 7 is written by a group of writers aged 14-21 who’ve been working together online since June 2020. This final edition of Living Newspaper explores the fear of 21 June, a world where the stars talk in Morse code, the difference between people online and IRL, the effects of class on love and what it means to say goodbye to those friends you only have for the summer. Continue reading “News: writers and cast for Living Newspaper #7”
Edition #5 of the Royal Court’s Living Newspaper takes a more reflective approach to great effect
“Most people do it. Not me, I have a conscience”
The Royal Court’s Living Newspaper continues with edition #5 which feels a little less reactive to the headlines and a little more reflective on the state of the world as we find it today. It looks back, probing into how our history has shaped us but it also identifies the precipice of the current moment and how, more than ever, so very much is at stake.
The quiet fury of Dalia Taha’s A Warning takes aim at Israeli border policies through the medium of books, Kayla Meikle’s devastatingly contained performance a real stand out. And Zia Ahmed’s elegiac scene/unscene finds a brutal poetry in its takedown of the systemic racism in the theatrical establishment, skewering good liberal intentions perfectly. Continue reading “Review: Royal Court’s Living Newspaper #5”
Written by Zia Ahmed, Leo Butler, Guillermo Calderón, Nick Cassenbaum, E.V. Crowe, Maud Dromgoole, Nessah Muthy, Iman Qureshi, Marcelo Dos Santos, Nina Segal, Dalia Taha, Joel Tan and Maya Zbib.
Who has created our country’s past and who is shaping its future? Who gets to have their cake and eat it?
Edition 5 sets out to dismantle histories – be that personal or political – whilst finding allies in bookshop glances, questioning who is desperate for hygge comfort and looking to our comrades and weather reporters for the true future.
As we look back and forward, Edition 5 is a provocation to find joy in the cracks and the spaces left behind. Continue reading “News: writers and cast for Living Newspaper #5”
Papatango Theatre Company has announced the ten winning monologues from their Isolated But Open – Voices From Across The Shutdown initiative. Filmed performances of the monologues are available now for free on Papatango’s website (https://papatango.co.uk/isolated-but-open/), alongside the publication of each monologue as a free online PDF by Nick Hern Books.
The winning monologues were chosen from 2,063 submissions.
They are: Continue reading “News: Papatango announce winning monologues for Isolated But Open – Voices From Across The Shutdown”
“You’re anyone who’s ever been a member of Sugababes”
Enrique Iglesias said that he could be your hero, Mariah Carey reckons there’s a hero inside of you, Bonnie Tyler’s just holding out but Sarah Page is more interested in asking questions about what makes a hero in this day and age and just how fallible they are. This she does in unexpected ways in The Sweethearts, a play first seen at the Finborough as part of their new writing festival Vibrant last year, and now receiving a full run directed by Daniel Burgess.
Set in the boiling heat of Camp Bastion in Helmand Province, Afghanistan, a tent that is usually used as an office has been converted into sleeping quarters in advance of the visit of girl group The Sweethearts, out doing their bit for the troops and naturally being filmed by a TV crew for the publicity. But when the base comes under heavy fire, the pop stars are trapped with the soldiers assigned to look after them and their differences make an already volatile situation that much more explosive. Continue reading “Review: The Sweethearts, Finborough Theatre”
“If only money were not an obstacle”
With fortuitous timing, given how much Trollope I’d read and watched at the tail end of 2012, came this radio adaptation, by noted author Rose Tremain, of The Eustace Diamonds. The manipulative Lizzie Eustace claims ownership of a marvellous diamond necklace, a family heirloom which she claims was given to her by her late husband Florian. As the Eustaces close rank in an attempt to reclaim what they believe should not have left the family, Lizzie looks to find another situation to keep her in the lifestyle she has become accustomed to but finds that the case of these precious stones follows her and blights all her attempts to form new attachments.
We’re 2 episodes in, with one left, and I am really enjoying it this far. Whether the novel is simpler in terms of its dramatis personae or if Tremain has simplified the plot in her adaptation (I’ve not read the novel myself…), it feels like the easiest of Trollope’s stories to follow of the three I have encountered recently, yet it doesn’t suffer for it. Pippa Nixon’s Lizzie is a wonderfully ambiguous figure, an inveterate fibber and yet one doesn’t want to quite dismiss her as a complete liar and as she works her way through the smitten men in her life – Joseph Kloska’s Frank and Jamie Glover’s Lord Fawn, and later Adrian Scarborough’s cheeky Lord George – one can imagine exactly why they fall for her charms. Continue reading “Radio Review: The Eustace Diamonds, Radio 4”
“If you run out of words, just burst into song”
The Finborough Theatre in West London has had an excellent record in reviving British musicals as part of their “Celebrating British Music Theatre” series and marking the 60th anniversary of the death of composer Ivor Novello is Perchance to Dream, sliding into the Sunday/Monday slot there for the month of September. It is the first professional London production for 25 years of this show devised, written and composed by Novello himself, the only show for which he wrote the lyrics.
It is an unashamedly romantic musical, centring on the country pile Huntersmoon and the tangled love affairs of its residents as we glide from the Regency era, through Victorian times and to WWII as the ghosts of the past continue to haunt future generations. But it is the glorious music that commands the attention as Novello’s score incorporate such classics as ‘Love Is My Reason’, ‘A Woman’s Heart’ and ‘We’ll Gather Lilacs’: classic songwriting close to its best. Continue reading “Review: Perchance to Dream, Finborough Theatre”