Something of an undersung talent in this country (all his top gigs have taken place in Paris, or Kilworth), Dan Burton is nevertheless leading man material, and his debut album Broadway Melodies is proof thereof. Short and sweet at ten concise tracks, Burton swoons and slides effortlessly through the Great American Songbook.
Highlights include the happiest of ‘Singin’ in the Rain’s, a most elegant sway through Camelot’s ‘If Ever I Would Leave You’, and a chirpy duet on ‘Well, Did You Evah?’ with Lee Mead, a palpable warmth of friendship apparent throughout. Also good is The Pajama Game‘s ‘Hey There’, perfectly crooned and symptomatic of the good feeling suffused through this record. Continue reading “Album Reviews: Dan Burton – Broadway Melodies / Patti LuPone – Don’t Monkey With Broadway / Kyle Riabko – Richard Rodgers Reimagined”
“Don’t make me over…”
Close To You: Bacharach Reimagined brought to my heart. Having opted not to bother with the production at the pricey Menier, the subsequent West End transfer to the Criterion brought more opportunities to see it and as I sat my sceptical posterior down on the seat, I was little prepared for the musical revelation that was to follow and now very happy that it has been preserved in this Original London Cast Recording.
My low expectations have initially had something to do with it but there’s something undeniable about the way in which Kyle Riabko and David Lane Seltzer have devised the show, reinterpreting a vast array of Burt Bacharach’s catalogue into a near-continuous mix which interpolates key themes and melodies throughout its tracklisting, melding its own structure out of its defiantly non-traditional approach. And its one that survives well without the visual poetry that director Steven Hoggett brought to the show. Continue reading “Album Review: Close To You – Bacharach Reimagined (2016 Original London Cast Recording)”
“With a dream in your heart you’re never alone”
From the moment you enter the Criterion Theatre to see the amazing patchworked carpet effect of Christine Jones and Brett Banakis’ set design with its onstage sofas – some even suspended in mid-air – it’s clear to see that there’s something special about Close To You Bacharach Reimagined. Transferred from a successful summer run at the Menier Chocolate Factory (where it had the slightly different title of What’s It All About?), the show now offers its shimmering warmth and endless charm to get us through the darkening autumn nights.
And that patchwork effect is one that mirrors the nature of the show itself. Conceived by Kyle Riabko and David Lane Seltzer, Close To You offers up fresh reinterpretations of Burt Bacharach’s considerable songbook but rather than a straight set of song after song, the material is woven into a rich tapestry of medleys, repeated refrains, lyrical connections and snatches of melodies – an audacious reimagining but one that is hugely effective as it acts as a reminder of the extraordinary body of work Bacharach has composed with lyricist Hal David among others. Continue reading “Re-review: Close To You: Bacharach Reimagined, Criterion Theatre”
“Just take me inside your arms and hold me tight”
Now that The 39 Steps has finally come to an end after nearly a decade of successful performances, the Criterion Theatre is up for grabs again and the first show to go in there is the Menier Chocolate Factory’s summer hit, the newly retitled Close To You: Bacharach Reimagined. To say I was blown away is no understatement and I couldn’t recommend the show more (even with its peskily introduced interval) – my 4.5* review for Offical Theatre can be read here.
Running time: 1 hour 50 minutes (with interval)
Booking until 10th January
John Gassner Playwriting Award
Scott Z. Burns, The Library
Eric Dufault, Year of the Rooster
Madeleine George, The (Curious Case of the) Watson Intelligence
Steven Levenson, The Unavoidable Disappearance of Tom Durnin
Lauren Yee, The Hatmaker’s Wife
Outstanding Actor in a Musical
Michael Cerveris, Fun Home
Neil Patrick Harris, Hedwig and the Angry Inch
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love Murder
Bryce Pinkham, A Gentleman’s Guide to Love & Murder Continue reading “Nominations for 2013-2014 Outer Critics Circle Awards”
Bad Jews, Produced by Roundabout Theatre Company, Written by Joshua Harmon
Domesticated, Produced by Lincoln Center Theater, Written by Bruce Norris
The Night Alive, Produced by Atlantic Theater Company, Originally Produced by the Donmar Warehouse, Written by Conor McPherson
The Open House, Produced by Signature Theatre, Written by Will Eno
Fun Home, Produced by The Public Theater, Music by Jeanine Tesori, Book and Lyrics by Lisa Kron Based on the Alison Bechdel book
Here Lies Love, Produced by The Public Theater Concept and Lyrics by David Byrne, Music by David Byrne and Fatboy Slim, Additional Music by Tom Gandy and J Pardo
Natasha, Pierre & The Great Comet of 1812, Produced by Howard & Janet Kagan, Paula Marie Black, John Logan, Lisa Matlin, Daveed Frazier, Tom Smedes, Vertical Ent./Roman Gambourg/Lev Gelfer Written by Dave Malloy
What’s It All About? Bacharach Reimagined, Produced by New York Theatre Workshop, Music by Burt Bacharach, Lyrics by Hal David and Others Conceived by Kyle Riabko and David Lane Seltzer Continue reading “Nominations for 2014 Lucille Lortel Awards”