Nominations for the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Nominations for the 2018 Drama Desk Awards”

Nominations for 2017-2018 Outer Critics Circle Awards

John Gassner Playwriting Award
Kate Benson, [PORTO]
Jocelyn Bioh, School Girls; Or, the African Mean Girls Play
Lindsey Ferrentino, Army and the Orphans
Meghan Kennedy, Napoli, Brooklyn
Dominique Morisseau, Pipeline

Outstanding Actor in a Musical
Harry Hadden-Paton, My Fair Lady
Joshua Henry, Carousel
David M. Lutken, Woody Sez
Conor Ryan, Desperate Measures
Ethan Slater, SpongeBob SquarePants
Continue reading “Nominations for 2017-2018 Outer Critics Circle Awards”

Review: Whisper House, The Other Palace

“That doesn’t look good, 
it doesn’t bode well, kid”

The reinvention of the St James Theatre into The Other Palace continues, but with the curious choice of another US musical, this time the European premiere of Whisper House, written by Duncan Sheik and Kyle Jarrow. Curious because it is an oddity of a show that rarely makes the case for its place in this new home for developing musical theatre, heaven knows there’s British musicals aplenty that would have benefited from this slot in the programme.

For Adam Lenson’s production certainly tries its creative best with the material. Andrew Riley’s circular design is an arresting and inventive use of the space, projections are thrown onto the back wall to transport us to Maine in the midst of the Second World War, illusions attempt to conjure the supernatural. But the problem lies in a story that is far too slight and a pop-rock score that is jauntily loud for something trying to be a ghost story. Continue reading “Review: Whisper House, The Other Palace”

Nominations for 2016 Lucille Lortel Awards

Outstanding Play
The Christians Produced by Playwrights Horizons and Center Theatre Group. Written by Lucas Hnath
Eclipsed Produced by The Public Theater. Written by Danai Gurira
Gloria Produced by Vineyard Theatre. Written by Branden Jacobs-Jenkins
Guards at the Taj Produced by Atlantic Theater Company. Written by Rajiv Joseph
John Produced by Signature Theatre. Written by Annie Baker

Outstanding Musical
FUTURITY Produced by Soho Rep. and Ars Nova in association with Carole Shorenstein Hays. Music by César Alvarez with The Lisps, Lyrics and Book by César Alvarez
Iowa Produced by Playwrights Horizons. Written by Jenny Schwartz, Music by Todd Almond, Lyrics by Todd Almond and Jenny Schwartz
Southern Comfort Produced by The Public Theater. Book and Lyrics by Dan Collins, Music by Julianne Wick Davis, Based on the Film by Kate Davis, Conceived for the Stage by Robert DuSold and Thomas Caruso
Tappin’ Thru Life Produced by Leonard Soloway, Bud Martin, Riki Kane Larimer, Jeff Wolk, Phyllis and Buddy Aerenson, Darren P. DeVerna/Jeremiah J. Harris and the Shubert Organization. Written by Maurice Hines
The Wildness: Sky-Pony’s Rock Fairy Tale. Produced by Ars Nova in collaboration with The Play Company. Text by Kyle Jarrow & Lauren Worsham, Songs by Kyle Jarrow Continue reading “Nominations for 2016 Lucille Lortel Awards”