It’s like the Superbowl, but for fans of musical theatre. Book your tickets at the Turbine Theatre here.
Jet Set Go! (3rd-5th February)
This show about a transatlantic cabin crew has been bopping around since 2008 so its interesting to see how it gets refreshed more than a decade late. Appearing in it this time round will be Siubhan Harrison, Lizzy Connolly, Michael Mather, Tyrone Huntley and Simon Bailey.
Jet Set Go! is directed by & Juliet’s Luke Sheppard with music, book and lyrics by Adrian Mole’s Pippa Cleary and Jake Brunger. Continue reading “News: casting for MTFestUK 2020”
I make my own suggestions about interpretations of Andrew Lloyd Webber songs that could have been included on his new compilation album Unmasked
“They must have excitement, and so must I”
In a world of Spotify and iTunes and other online music services, compilation albums ought to have died a death. But the enduring success of the Now That’s What I Call Music series puts the lie to that, showing that while the idea of curating your own content is tempting, many of us prefer to let someone else do it for us.
So Andrew Lloyd Webber’s decision to release new anthology Unmasked is a canny one in that respect (read my review here), tapping into the desire to have a nicely pleasant set of musical theatre tunes to pop on in the car. And as with any compilation, it’s as much about what hasn’t been included as what has, that stands out. Continue reading “How to solve a problem like a compilation – my alternative Unmasked”
It’s the London Marathon on 23rd April but a week before, The Other Palace invites you to The Musical Marathon – a one-off charity concert bringing together a variety of West End stars in aid of male cancer charity Orchid. All Tickets are £26; £26 for 26 miles, 26 songs and an unmissable night of musical talent at 7pm on Sunday 16th April.
Organised by Paul Taylor-Mills, Artistic Director of The Other Palace and producer of shows including In The Heights and The Wild Party, the show will raise vital funds for Orchid, and their fight against male cancer. The evening will be hosted by Caroline Flack and will feature performances from Louise Dearman, Tyrone Huntley, Zizi Strallen, Oliver Savile, Liam Doyle, Nathan Amzi, Kim Criswell, Liam Tamne, Christina Modesto, Emma Kingston, Lockie Chapman, Shaun McCourt and Idriss Kargbo.
Orchid is the UK’s leading charity working on behalf of anyone affected by male cancer. Established in 1996 by testicular cancer patient, Colin Osborne MBE and the oncologist who saved his life, Professor Tim Oliver, Orchid exists to save men’s lives from male cancer through a range of support services, education and awareness campaigns and a pioneering research programme.
“Betcha they’re good
Why shouldn’t they be?”
I’ve never actually seen Annie on stage. I would have gone to the recent UK touring version but I was too annoyed by the cast of Craig Revel Horwood as Miss Hannigan to even contemplate booking. For me, taking away any of the few opportunities for older actresses without substantially making up for it elsewhere is unforgivable. Yes, you could point to his alternate being Lesley Joseph, or Jodie Prenger, which simply reinforces the pointlessness of the exercise, pushing it too close to stunt casting.
So I was interested to actually listen to Charles Strouse’s score for the first time since becoming a blogger and I opted for this 1995 studio cast recording as it had names like Ruthie Henshall, Kim Criswell and Clare Burt attached to it. I really wish hadn’t though as it is a dated, lethargic run through the music that lacks any kind of real energy at all. It is sung perfectly proficiently – Sarah French’s Annie, Criswell’s Miss Hannigan, Henshall’s Grace, Ron Raines as Daddy Warbucks – but this recording is as dusty as a relic and should be left on a shelf to collect more dust.
“Stop worrying where you’re going—move on”
Theatreland does like to make sure every anniversary gets marked somehow and so following on from the celebrations around Les Misérables’ 30th birthday earlier this month is a similar hoohah for Stephen Sondheim’s 85th year on this planet. As is de rigueur for these events, a gala concert has been put on for the occasion with the kind of rollcall you could only normally dream of and naturally, Hey, Old Friends! had the price tag to go along with it.
As with Les Mis (which donated to Save The Children’s Syria Children’s appeal), the show benefitted charitable purposes, specifically The Stephen Sondheim Society and telephone helpline service The Silver Line, harnessing the major fundraising potential of such events. That said, these tickets tend to be so expensive that there’s a nagging feeling that they’re serving a limited audience with few opportunities for regular theatregoers to be a part of them. Continue reading “Review: Hey, Old Friends, Theatre Royal Drury Lane”
“Where are they now, those women who stared from the mirror?”
I saw Kim Criswell for the first time onstage earlier this month in Carrie and whilst I may not have loved the show, her shimmering soprano and performance was a stand-out for me. It happened to be an evening with a Q&A afterwards too and she came across as an absolute hoot – pint in hand, regaling us all with tales from the past, I instantly wanted to know more about who she was. So where else to turn first but to her 1999 CD Back To Before.
A glimpse at the track-listing doesn’t immediately show a huge sense of adventurousness. Four Lloyd Webber tracks, Oliver! and Les Mis elsewhere, it’s not really the stuff to make you sit up and pay attention. That happens when Criswell opens her mouth – whether fabulously wrestling Evita’s ‘Rainbow High’ into submission or dealing out a bold and brassy ‘Don’t Rain On My Parade’, there’s something remarkable about the forceful control of her vocal. Continue reading “Album Review: Kim Criswell – Back To Before”
“You’re not like the other girls…”
Carrie managed that feat in the late 1980s, though for the wrong reasons, when the moderately-received RSC production transferred to Broadway and swiftly became a multi-million dollar flop, lasting for just 16 previews and 5 performances.
Finally taking Stone’s advice after a long period licking their wounds, book writer Lawrence D Cohen, composer Michael Gore and lyricist Dean Pitchford – undoubtedly boosted by the show’s growing cult reputation – substantially reworked Carrie in 2012 and it is that version that is now seeing the light of day with Gary Lloyd’s production at the Southwark Playhouse – its London debut no less. Was it worth the wait? Did it deserve to flop? Does she make things fly? Does she get covered in blood? Continue reading “Review: Carrie, Southwark Playhouse”
“It’s a bit like patting your head and rubbing your tummy at the same time”
I’ve had this film on my Lovefilm list for ages – I love Maggie Gyllenhaal so I knew I’d get round to it one day but I have to say it has never really grabbed me as a must-see. When a play about the invention of the vibrator was announced, it seemed as good a time as any to compare and contrast the two. A 2011 film directed by Tanya Wexler, Hysteria quickly loses points by teasing us with Anna Chancellor in its opening scene, only to never feature her again. That aside, it is actually quite the enjoyable watch as a good-natured and good-intentioned take on Victorian innovation.
Here, the vibrator is invented by Dr Mortimer Granville, a young forward-thinking doctor reduced to assisting a Dr Dalrymple in the treatment of female ‘hysteria’, basically inducing paroxysms in ladies’ private parts with his nimble fingers. His reputation for…hitting the spot, shall we say, soon means he is much in demand in society but as his arm grows overtired, his mind seeks for alternative ways of scratching the itch. Against this, is Granville’s interactions with Dalrymple’s daughters – the quietly permissive Emily and the one-woman suffragette movement Charlotte. Continue reading “DVD Review: Hysteria”
Aaron Lee Lambert (Royal Scottish Academy of Music & Drama)
Hara Yannas (LAMDA)
Cynthia Erivo (RADA)
Brett Lee Roberts (Birmingham School of Acting)
Lisa Lynch (Mountview Academy)
James Smoker (Honourable mention) (Royal Academy of Music)
Oliver McCarthy (University of Sheffield)
Francesca Leyland (Arts Educational)
Alyn Hawke (Arts Educational)
Amy Payne (Guildhall School)
Michael Peavoy (winner) (RADA)
Laura Harrison (Central School)
Host: Rosemary Ashe
Judges: Edward Seckerson (Chair), David Babani, Richard Balcombe, Kim Criswell, Stuart Piper