“What would you have, you curs that like nor peace nor war?”
Ralph Fiennes and Vanessa Redgrave will be starring together in the Almeida’s Richard III later this year but it’s not their first time doing Shakespeare together – Redgrave played an excellent Volumnia to Fiennes’ Coriolanus in this 2011 film adaptation which was directed by Fiennes himself. Scripted by John Logan in a trimmed and taut two hours, it’s a fiercely contemporary retelling that draws heavily on modern conflicts such as the Balkans and the Arab Spring.
The brutal sense of savage civil war is apparent from the shocking outset, there’s a real sense of the nervy tension on the streets of this version of Rome as warrior Caius Martius defends it from the invading Volscian army, simultaneously barely holding off a riot from within as the public rise up against an out-of-touch ruling class. But persuaded to run for office and unable to conceal his contempt for the mob, he is exiled and Rome’s biggest hero becomes its most unpredictable enemy. Continue reading “DVD Review: Coriolanus (2011)”
“I’m stupefied by the suffering I’ve seen”
I started the year with the best of intentions to try and cut down on the number of shows I’m seeing and specifically to stop going to things I know I won’t like (mainly because of the cast). In this respect Bingo at the Young Vic was a double whammy as it had some of the worst word-of-mouth I’ve ever heard from fellow theatre-goers and I don’t even particularly like Patrick Stewart. But I allowed myself to be suckered into getting £10 tickets for a Wednesday matinee (by someone who then bailed at the last minute!) and safe to say, it was not a good experience.
Edward Bond’s play looks at the final years of Shakespeare’s life as the playwright returns to Stratford-upon-Avon having given up on writing, given up on his daughter and wife whom he loathes and generally given up on life. In the midst of his depressed funk is the enactment of the Enclosures Act which enabled the landed gentry to evict many of the poor and in which Shakespeare is complicit as he allows himself to turn a blind eye – though he is not completely without conscience as he sees the wider impact of these actions on a runaway girl who is brutalised by society. But even this makes it seem more interesting than it actually was as the first half was just criminally dull. I found it extremely hard to stay awake and there were a ton of walkouts. Continue reading “Review: Bingo – scenes of money and death, Young Vic”
“I am your lady…”
Bringing the Orange Tree Theatre’s Spring season to a close in their annual Director’s Showcase, a double bill directed by two young hopefuls from their Trainee Director scheme and an opportunity for aspiring directors to get that valuable first step on the ladder. This they do with the two shows Then The Snow Came and Winter, both utilising some of the cast from the recently finished show Three Farces.
Then The Snow Came, both written and directed by Jimmy Grimes, is a devised piece incorporating verbatim dialogue, improvised sequences, a brief foray into puppetry and a recurring motif of Oscar Wilde’s The Happy Prince into this tale of two homeless men on the less salubrious side of the streets of Richmond. The collaborative nature of the whole show is evident in the grim richness of the sense of authenticity that emanates from all aspects thereof. Continue reading “Review: Directors Showcase, Orange Tree Theatre”
Directed by Michael Attenborough who is clearly looking to throw the light on lesser known playwrights here in the UK, Clifford Odets is regarded as a modern great and as important as Eugene O’Neill in the development of modern drama yet arguably remains relatively unknown here.
Awake and Sing is set in the Depression era and following the fortunes of a Jewish family living in the Bronx, it centres around the huge matriarchal figure of Bessie, played by no other than Rizzo herself, Stockard Channing. She keeps her family close around her but they are a motley crew: her husband is a depressed failure, her father is a revolutionary dreamer, her son is disillusioned with life and her daughter has got herself knocked up. In economically incredibly difficult times, Bessie has to make tough decisions to secure the future she desires for everyone, even if it means over-riding their own wishes and desires. Continue reading “Review: Awake and Sing!, Almeida Theatre”