Rachael Stirling and Anna Maxwell Martin are fantastic in Series 1 of The Bletchley Circle, which I’ve finally gotten round to watching
“You really think that just by listening to the wireless, you can tell the police where to look for a murder victim”
I don’t really know how I have left it this late to finally watch The Bletchley Circle, just nine years since series 1 first aired in the UK. It is tailor-made for my interests too: Rachael Stirling, Anna Maxwell Martin, women in wartime(ish), oh and Rachael Stirling 😍 and with the show being on one of my streaming services, I finally took the plunge. This miniseries was written by Guy Burt and directed by Andy De Emmony, with Julie Graham and Sophie Rundle rounding out the lead cast.
And but of course, I loved it. An all-too-brief three episodes take us through the crime-solving exploits of four women who worked as codebreakers at Bletchley Park but now, in 1952, find their talents ignored by a resumption of traditional societal values. As a serial killer murders young women across London and the police fail to take their warnings sufficiently seriously, the foursome start to delve into the investigation themselves despite the intense danger that emerges. Continue reading “TV Review: The Bletchley Circle Series 1”
Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
The 50th birthday year of work begins with three major commissions:
- The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
3 & 4 October, 4pm, Main House, free
Series 2 of Liar shifts the focus from rape to murder but does little to raise this from bog-standard thriller territory
“Sometimes bad things happen and we just have to deal with them”
Was the world calling out for a second season of Liar? When the first apparently did such great numbers for ITV, it seems the decision was inevitable but it has taken more than two years for it to arrive and I’m not sure that it carries the same level of impetus with it – I don’t imagine ratings will have held up to anywhere near the same degree.
That first series did show much promise, complicating a rape story by presenting a he said/she said narrative that asked some big questions. But midway through, Liar tipped its hand and ended up as a bog-standard thriller and it is in that same spirit that it continues here. A bit of story-telling trickery allows for Ioan Gruffudd’s Andrew to return alongside Joanne Froggatt as Laura but I have to say I really wasn’t gripped. Continue reading “TV Review: Liar Series 2”
Now this is more like it, Series 2 of Spooks settles into the classic feel that works so well
“This ridiculous James Bondery…do we need it?”
With this second season, Spooks really gets into its stride I think, recognising that it is an ensemble show at heart (and a rolling ensemble at that, although it’s a shame new recruit Sam doesn’t get more to do) and nailing the variation in tone and style of episodes which largely remain self-contained. Also, Nicola Walker finally arrives as Ruth, which is good news for the audience, Harry and the nation.
Topics-wise, we touch on hacker kids, Irish republicanism, Islamic radicalisation and Anglo-American relations among others. But it is ‘I Spy Apocalypse’, written by Howard Brenton and brilliantly directed by Justin Chadwick with a smothering sense of claustrophobia that really gets the pulse racing as a fire drill for a terrorist incident gets very dark very quickly – it’s possibly one of the best ever episodes of Spooks.
Praise the Lord – analyst Ruth Evershed finally arrives in Episode 2 in all her long cardigans and flowing skirts and though initially viewed with suspicion coming from GCHQ as she does, she soon wins over the team with her knowledge of Greek mythology, Russian crucifixion practices and much more besides. Continue reading “Lockdown TV Review: Spooks Series 2”
A strong opening concept makes the first half of series one of Liar a must-see, until convention creeps in to mar the second.
“I feel like I’m in Dawson’s Creek“
From the very beginnings of Liar, it is tough to like central character Laura Nielson. She’s the type of person who goes canoeing in the morning before going to work, she’s the kind of secondary school teacher who happily flips the bird to unruly students, heck she even sings to Sam Smith in the shower. But before you can get too annoyed with her for being someone who doesn’t prebook her taxi before going on a date, the hammer blow of date rape lands heavily to reshape our preconceptions.
The cleverness of Harry and Jack Williams’ series, at least for its first few episodes, is how it toys with those expectations. As Laura reels from the aftermath of her dinner with handsome surgeon Andrew Earlham, the shattered narrative structure flits repeatedly from present to past as it also switches perspective. It’s a neatly disorientating device that constantly calls into question the ‘truth’ of what we’re hearing or seeing, really ramping up the ‘he said she said’ format as consequences unravel dramatically for the both of them. Continue reading “TV Review: Liar (Series 1)”
Episodes, in order of preference
World Enough and Time
The Doctor Falls
The Eaters of Light
Empress of Mars
The Pyramid at the End of the World
The Lie of the Land
Top 5 guest spots
1 David Suchet’s Landlord was as perfectly written a character as befits one of our more superior actors
2 Regular readers will know I’m a big fan of Kieran Bew and his astronaut in Oxygen was no exception
3 Nicholas Burns‘ malevolent Sutcliffe was a delightfully Dickensian villain
4 Another theatrical delight of mine is Anthony Calf, impressive as the pseudo-Victorian Godsacre
5 Rebecca Benson’s young Pict impressively led The Eaters of Light from the front, a perfect vessel for Rona Munro’s vision
Michelle Gomez’s Missy has been a brilliant breath of fresh air and whilst her decision to follow Moffat and Capaldi out the door is understandable, it isn’t any less disappointing. And perhaps the timey-wimeyness of the circumstances around her passing mean that maybe this isn’t the last we see of her…
Most wasted guest actor
I don’t what I expected from the reliably excellent Samantha Spiro in Doctor Who but I didn’t get it from her part in The Doctor Falls.
Gay agenda rating
With Bill onboard, A+!
“Do you know any sci-fi?”
So here we are, the moment that the epic rewatch has been building up to – the start of Doctor Who’s tenth series, notable for being the final one for both Peter Capaldi’s Twelfth Doctor and showrunner Steven Moffat. And perhaps predictably, Episode One – The Pilot is a cracking piece of TV, a real return to form that hopefully will last across the entire series (I’m not holding my breath…) or at least the majority of it (that I feel more confident about).
Key to this is the arrival of Pearl Mackie’s new companion Bill, a welcome breath of real fresh air into the standard trope but more importantly, a distinct separation from what came just before. No offence to Jenna Coleman’s Clara but the character’s knowingness made it hard to ever warm to her and though on paper, the idea of her being more of an equal to the Doctor has legs, in reality it just became rather self-satisfyingly wearying. Continue reading “TV Review: Doctor Who Series 10 Episode 1 – The Pilot”
Despite no lack of ambition (and a reputed £17 million budget), Beowulf: Return to the Shieldlands proves a sore disappointment
“I was beginning to think you wouldn’t come”
Looking back at my review of Episode 1 of Beowulf: Return to the Shieldlands, there really was a naive hope on my part that this would be something of a success, as ITV lunged for a slice of the epic fantasy TV market. But lawksamercy it hasn’t been good.
Cleaving so closely to the Game of Thrones template (seriously, those opening credits…) does the show no favours at all, as they can’t hope to compete with the meticulousness of the years of George RR Martin’s world-building or the heft of HBO’s cinematic-sized budget. Continue reading “TV Review: Beowulf: Return to the Shieldlands”
“People of accomplishment rarely sat back and let things happen to them, they went out and happened to things”
I came to Da Vinci’s Demons late but I really enjoyed working my way through Series 1 and Series 2 of this historical fantasy in order to get up to speed for the arrival of the third series. This turned out to be a bit of a bittersweet exercise as the show was then cancelled and the decision made to release the final series in its entirety online. I reviewed the first two episodes here but it has taken me a while to get to watching the rest though sadly, it wasn’t quite the swansong I’d hoped for.
Now thoroughly uprooted from Florence, the multitudinous locations of the many-stranded narrative leave Da Vinci’s Demons flailing aimlessly a little too often, with a sense of confusion about where and when (and indeed why) things are happening and not enough of a grand design emerging, drawing the pieces together with increasing clarity. The most frustrating part of this is the prominence of the programme’s internal mythology, pitching the Sons of Mithras (now bad) against the Labyrinth (possibly good, I think). Continue reading “DVD Review: Da Vinci’s Demons Series 3”
“Some people say that heroes are born and some that they’re made”
As Da Vinci’s Demons draws to a close and Game of Thrones fans have to wait until the end of April for Season 6 to start, ITV step into the big-budget historical fantasy genre with their 12-part serialisation of Beowulf: Return to the Shieldlands. Created by James Dormer, Tim Haines and Katie Newman, Beowulf is based on the epic Old English poem set in the Dark Ages in Northumbria but spins its own fantasy world out of the source material, something that looks promising on the evidence of this first episode.
With any new series, there’s a certain amount of setting up to be done in the first episode and Dormer’s writing does well to weave plenty of exposition into the story without weighing it down too much. After seeing his father killed by a fearsome beast which he then slaughters, the young Beowulf is adopted by the local thane Hrothgar. This is shown in a brief prologue as as the show starts proper, we’ve skipped a couple of decades ahead where Beowulf, long estranged from his family, returns to the frontier town of Herot to mourn Hrothgar’s passing. Continue reading “TV Review: Beowulf: Return to the Shieldlands Episode 1”