Join the likes of Matt Smith, Noma Dumezweni, Indira Varma, and Tobias Menzies on the Almeida Theatre’s new podcast
There’s all sorts of virtual theatre-related content rocking around while the physical doors of theatres remain locked and one of the more fascinating ones, for me at least, is the Almeida’s podcast. Led by Artistic Director Rupert Goold, the theatre’s illustrious alumni means that it can call on the likes of Matt Smith, Noma Dumezweni, Indira Varma, and Tobias Menzies about their careers, the impact of the coronavirus lockdown and what they miss most about theatre.
The series has already begun with two interesting instalments. The first with BAFTA and Emmy Award-nominated actor Matt Smith who discusses his fear in doing his first ever musical, American Psycho, at the Almeida and his work on screen in The Crown and Doctor Who. Continue reading “News: the Almeida introduce the podcast in lockdown”
With the loss of its original core cast and the destabilising presence of Martine McCutcheon, Series 4 of Spooks struggles to find its feet
“You’re up against the British state…who do you think is going to win that particular battle?”
This season of Spooks struggles quite badly amidst all the upheaval of Series 3 in which in the entire original team departed Thames House. Tom’s identikit replacement Adam does well enough but somehow, something goes terribly wrong with the introduction of his wife and fellow spy Fiona (Olga Sosnovska). They sadly lack chemistry and their domestic drama just doesn’t translate well into the business of saving the country on a weekly basis.
The tone is set by the randomly chaotic energy of Martine McCutcheon’s guest spot in the opener two-parter and from then on, as we cover people smuggling, the rise of far right political movements, cultists and the ethics of releasing terrorist suspects, the series jerks along rather, Raza Jaffrey’s Danny-a-like isn’t given anywhere near enough to do and the snaffling of Miranda Raison’s Jo off the street is as bizarre an advert for recruitment as any.
It’s a pretty low-key series for Ruth – hints of her passion for Harry come through whether in romantic feeling or rebelling against him a bit. She comes into her own in the final episode with the revelation of a step-brother who killed himself but has never been mentioned before putting her in the line of fire but all in all she deserves better. Continue reading “Lockdown TV Review: Spooks Series 4”
Who wants a play about Trump? Not me. Shipwreck proves a crashing bore at the Almeida
“From across the room I saw the President, torchlight playing across his visage.
And the violins began, and the low rumble of the timpani.
I screamed. I ran.”
My fault really. On a day when the people were descending on London to march, my attempt to escape people talking/moaning about politics was kyboshed by picking a play which featured little else but people talking/moaning about politics. Anne Washburn’s Shipwreck just wasn’t the one for me, though it is cool she has two shows in town (even if it is the wrong one that got the transfer).
Running time: 3 hours (with interval)
Photo: Marc Brenner
Shipwreck is booking at the Almeida until 30th March