The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
Series 1 of Philippa Gregory’s The Spanish Princess introduces Elliot Cowan and Harriet Walter to the mix with great success
“I won’t be passed around Europe like a colection plate”
Following on from The White Princess, The Spanish Princess is based on the Philippa Gregory novels The Constant Princess and The King’s Curse, and the first instalment of eight episodes tackles the arrival of Catherine of Aragon to England to meet the man she has been betrothed to since they were both children, Arthur, heir apparent to Henry VII.
The biggest problem, aside from the weather and the racism (members of her court had Moorish and descent), is that the epistolary courtship that had so wooed her teenage heart, was actually written by his younger brother Henry…plot twist. But when Arthur died young, it meant that the plan for peace between England and Spain could still be found in another marriage. Continue reading “TV Review: The Spanish Princess, Series 1”
The TV adaptation of Philippa Gregory’s historical novel restarts a little unsteadily with The White Princess
“The England we once knew has gone”
For whatever reason, it took four years for the Philippa Gregory TV adaptations to restart with The White Princess following on from The White Queen. And it is a series saved by the introduction of Michelle Fairley and Essie Davis as the feuding mothers of Henry VII and Elizabeth of York, intent on relitigating the Wars of the Roses even as the marriage of their children was meant to have ended it.
A pre-Killing Eve Jodie Comer and Jacob Collins-Levy take on the roles of the couple forced together in the name of their country. With years of enmity between their houses and any number of horrific, murderous actions committed by them or in their names, it does require a fair bit of remembering your history lessons (or the first series) as so much is carried over. It does make you wonder a little why only one cast member (Caroline Goodall) was carried over from The White Queen. Continue reading “TV Review: The White Princess”
Marking the month in which he would have turned 90, the Guardian delves into the Harold Pinter chapter of Tristram Kenton’s photo archive:
Photos: Tristram Kenton
Directed by Agnieszka Holland, Mr Jones delves deep into a shocking, and underexplored, piece of modern history and asks how we can so easily decide to look the other way
“What’s being done now will transform mankind”
It is remarkable how even now, epochal moments in history in which millions died can remain so unknown in the West. To my shame, I’d never heard of the Holodomor, and I’d wager not many in the UK could tell you what it was – a man-made famine in the early 1930s, a genocide against the Ukrainian people perpetrated by the Soviet government.
Agnieszka Holland’s film Mr Jones tackles this Western-blindness by exploring the story of Gareth Jones, a Welsh journalist/political adviser (how the lines are ever-blurred…) who risked his life to uncover the story and reveal it to the world, only to find that geo-political realities meant that no-one is really listening (nothing ever really changes does it?!). Continue reading “Film Review: Mr Jones (2019)”
Keira Knightley is excellent in the all-too-relevant Official Secrets, a film full of theatrical talent
“Just because you’re the Prime Minister doesn’t mean you can make up your own facts”
I’m not quite sure how I managed to let Official Secrets pass me by late last year, given how thesp-heavy its cast is. Practically every scene is filled with familiar faces of much-loved actors, so getting to catch up with it now was a real pleasure. Based on the book The Spy Who Tried to Stop a War by Marcia & Thomas Mitchell, Gavin Hood’s docudrama is eminently watchable and a salutary reminder of how far governments are willing to (over)reach in the face of uncomfortable truths.
It is based on the true story of Katharine Gun, a low-level GCHQ employee who leaked a secret memo that exposed the lengths that the US and UK were willing to go to in order to secure backing for their invasion of Iraq in 2003, in the face of the lack of any tangible WMDs. She copies the memo for a media friend, a front-page scoop follows and thus the consequences of breaching the Official Secret Act are brought to bear. Continue reading “Film Review: Official Secrets (2019)”
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
“Why are you still talking to me?”
As a vehicle to launch the new producing venture, Elliott & Harper Productions, Heisenberg: The Uncertainty Principle is an odd thing. A new play by Simon Stephens and directed by Marianne Elliott, it’s a piece of writing that feels caught in the wrong moment as the outpouring of revelations around sexual harassment (and worse) threaten a tectonic shift in gender relationships and, hopefully, the way they are portrayed in our culture.
Thus it feels hard to accept a retread of the May-to-December trope, weighted in favour of the older man getting a younger woman natch, and the re-emergence of the manic pixie dream girl in lieu of the more nuanced character hinted at beneath the eccentric trappings. There’s no subversion of expectation as a rather predictable plot winds through its 90 minutes and the suggestion of quantum physics informing the play feels more like window-dressing compared to the structural ingenuity of say Copenhagen or the chaos theory-influenced Constellations. Continue reading “Review: Heisenberg – The Uncertainty Principle, Wyndham’s Theatre”
News, news everywhere – Joe Orton’s Loot has had its initial casting revealed in the shape of Calvin Demba and Sam Frenchum pictured up top, and the glorious Sinéad Matthews.
Continue reading “Round-up of news and treats and other interesting things”