With its fourth and final season fast approaching, I return to Series 1 of Killing Eve for a rewatch
“Your killer is a small-breasted psycho apparently”
Based on the Villanelle novel series by Luke Jennings, Killing Eve hits TV screens in 2018 to a rightfully considerable amount of fanfare, showrunner and head writer Phoebe Waller Bridge riding her Fleabag high to further acclaim. And looking back at this first season, it’s not hard to see why.
As it depicts an almighty game of cat-and-mouse between formidable international assassin Villanelle and British intelligence agent Eve Polastri, it shatters preconceptions about spy dramas with its punkish energy, feminist bona fides and a distinctive slightly off-kilter tone which makes it feel oh so fresh. Continue reading “TV Review: Killing Eve Series 1”
This 2015 RSC production of Othello soars with its lead pairing of Hugh Quarshie and Lucian Msamati, I really should have gone to see this one
“We then have done you bold and saucy wrongs”
In all honesty, it’s hard to get myself roused for a lot of Shakespeare productions now, the same old plays coming round and round again not appealing like it once did. So it takes something special, or some canning casting choices, to make me sit up and pay attention and Iqbal Khan’s 2015 production of Othello for the RSC certainly has both in spades.
The first production in Stratford to cast a black in Iago in the wonderful Lucian Msamati against Hugh Quarshie’s Othello, the central relationship of the play is blisteringly recast and remixed. The racial dynamic naturally becomes something totally new but entirely fitting, and compelling, you might not quite sympathise with this Iago but you see much more of his point of view. Continue reading “#AdventwithClowns Day 14 – Othello, RSC (Britbox)”
Anna Maxwell Martin AND Rachael Stiring in the same show? As sisters? Hollington Drive sure knows how to tempt me in but can it deliver…
“I never thought this would happen”
One of the newest glossy ITV thrillers is Hollington Drive, precision-tooled to my interests as it has cast Anna Maxwell Martin and Rachael Stirling as sisters Theresa and Helen. And as is par for the course, it is full of wild improbabilities (like those sisters living next door to each other in suburban luxury) and unchallengeable truths (someone has an affair with other neighbour Jonas Armstrong because, well, you would).
The actual story follows the impact on their families of a local boy going missing. Both Theresa and Helen have children who are classmates of 10 year old Alex and on the afternoon he goes missing, Ben and Eva go out to play for a suspiciously long time. When the sisters clock this disturbing detail, they go into overdrive trying to work out if that sickening feeling in their stomachs is justified, forcing them to consider how far they’ll go to preserve the sanctity of their family units. Continue reading “TV Review: Hollington Drive”
Full casting has been announced for the brand new stage adaptation of British comedy The Good Life which tours the UK this Autumn. The acclaimed cast will include actress and presenter Preeya Kalidas as ‘Margo Leadbetter’, Dominic Rowan as ‘Jerry Leadbetter’, and Sally Tatum as ‘Barbara Good’, joining the previously announced actor and comedian Rufus Hound as ‘Tom Good’. Also featured will be Nigel Betts and Tessa Churchard.
The new comedy by Jeremy Sams, is based on the classic television series by John Esmonde and Bob Larbey which entertained countless millions in the 1970s and which I have never seen an episode of. Directed by Jeremy Sams, this world premiere production will be the first time that the iconic characters of suburban neighbours the Goods and the Leadbetters will be seen on stage. The Good Life will open at Theatre Royal Bath on 7 October 2021, before dates at Cheltenham Everyman, Salford Lowry, Oxford Playhouse, Cambridge Arts Theatre, Malvern Theatres, Richmond Theatre and Chichester Festival Theatre. Continue reading “Early September theatre news”
The Mono Box is delighted to announce RESET THE STAGE, a collection of 7 filmed monologues written by 7 emerging, ethnically diverse writers performed by established actors on the empty stages of 7 London theatres in lockdown will stream live online on Thursday 17th June at 7.30pm.
This series of short films featuring actors Sharon Duncan-Brewster (Star Wars: Rogue One, Sex Education), Ken Nwosu (Killing Eve, Sticks & Stones) and Danny Kirrane (Don’t Forget the Driver, Peterloo) The evening will be introduced by Patrons of The Mono Box, Sir Derek Jacobi, Youssef Kerkour, Susan Wokoma and James Norton. All ticket sales will raise money for the continual work of the company nurturing and providing opportunities to emerging theatre talent. Continue reading “News: the Mono Box presents Reset the Stage”
The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
Robert Zemeckis takes on Roald Dahl’s The Witches for a new spin but loses his purpose pretty quickly. And Anne Hathaway is no Anjelica Huston as the Grand High Witch
“That’s how you wanna play, we’ll play”
I swear I went into watching this ‘reimagining’ of The Witches with as open a mind as I could muster but the truth, Nicolas Roeg’s iconic 1990 film looms incredibly large in the mind as I first saw it then as an impressionable 11 year old. The fabulousness of Anjelica Huston’s performance, and Jane Horrocks’ menacing work too, etched themselves on my mind, leaving Robert Zemeckis with lots to do here.
And I’m not sure he really does it. His screenplay, written with Guillermo Del Toro and Kenya Barris, shifts the action to Alabama in the late 1960s but does little with that, aside from casting the excellent Octavia Spencer as Grandma alongside Jahzir Bruno’s Charlie. And in simply retreading familiar ground, there’s little that really gives any sort of compelling reason for this new adaptation to exist. Continue reading “Film review: The Witches (2020)”
“The son is today what the father was yesterday”
I don’t have anything more to say about Three Sisters that I didn’t cover in my original review, apart from to tell you that I went back. And I enjoyed it even more.
Running time: 3 hours 20 minutes (with interval)
Photos: The Other Richard
Three Sisters is booking at the National Theatre until 19th February
Flashes of excellence can be found in the midst of any production so this list celebrates some of those breath-taking and/or memorable moments that really made theatregoing enjoyably fun this year
For reference, here’s my 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Crying with laughter at the VAULT
I don’t think I have laughed so much and so helplessly for a long time as I did with improv group Sorry.
Jessica Hung Han Yun’s extraordinary lighting in Equus
Ned Bennett’s production of Equus had so much to commend but it was Jessica Hung Han Yun’s lighting work that really stood out for me Continue reading “10 of my top moments in a theatre in 2019”