Andrew Lloyd Webber’s hit new musical Cinderella is to hold a special gala performance to raise money for Malala Yousafzai’s work to empower women and girls around the world.
With the backdrop of a worsening global refugee crisis, which has interrupted the education of millions of young women, Malala Fund wants those who have lost everything to retain access to the opportunities they need to build a better future.
More than 130 million girls are out of school today and Malala Fund is working for a world where every girl can learn and lead through access to a free, safe and quality education. Continue reading “News: Andrew Lloyd Webber to host a special gala performance of Cinderella with Malala Yousafzai”
The Really Useful Group today announce that, after a period of enforced closure, the world premiere of Andrew Lloyd Webber’s Cinderella will be on Wednesday 25 August. With music by Andrew Lloyd Webber, written by Academy Award winning Emerald Fennell (Best Original Screenplay Oscar in April 2021) and with lyrics from David Zippel, the brand new musical will resume performances at the Gillian Lynne Theatre on Wednesday 18 August. Previews initially began on Friday 25 June 2021, before another period of closure due to Covid-19 isolation protocols. Continue reading “News: World Premiere of Andrew Lloyd Webber’s Cinderella set for 25 August 2021”
By hook or by crook, Andrew Lloyd Webber was going to get Cinderella to the ball and the show is now in previews, albeit with the social distancing that he had previously promised to get himself locked up over. Now the posturing is over, the attention can turn to the show, with a new score by the lord, plus lyrics by David Zippel and a script from Killing Eve’s Oscar-winner Emerald Fennell.
Carrie Hope Fletcher is the lead but it is Victoria Hamilton-Barritt and Rebecca Trehearn for whom I’m most excited. These tasters pics from Johan Persson give an idea of how the show looks at the Gillian Lynne Theatre, revealing some amazing costume work.
Continue reading “First look at Andrew Lloyd Webber’s Cinderella”
The Really Useful Group has announced the full cast for the forthcoming production of Andrew Lloyd Webber’s Cinderella, featuring music by Andrew Lloyd Webber, book by Academy Award winning Emerald Fennell (Best Original Screenplay Oscar at last Sunday’s ceremony) and lyrics from David Zippel. The brand new musical will open at the Gillian Lynne Theatre on Wednesday 14 July 2021, with previews from Friday 25 June 2021.
Joining the previously announced cast will be Rebecca Trehearn, who will play The Queen, Georgina Castle and Laura Baldwin as Cinderella’s stepsisters Marie and Adele and Gloria Onitiri, who will play The Godmother. They join Carrie Hope Fletcher, as title character Cinderella in the highly anticipated new production, as well as Ivano Turco as Prince Sebastian and Victoria Hamilton-Barritt playing The Stepmother. Continue reading “News: Cinderella reveals the full cast who will be going to the ball”
Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
The star-studded single is led by ten-year-old Charlie Kristensen from Wokingham, whose experience of being bullied started the viral #CheerUpCharlie campaign. Charlie is joined on the song by numerous stage and screen stars including Wendi Peters, Layton Williams and Michael Xavier, with Iain Armitage, Michael Ball, Rufus Hound, and Faye Tozer amongst many famous faces reading their supportive messages on the song’s video. The single is available to pre-save now on iTunes, Deezer, Spotify and Tidal at https://ditto.fm/you-will-be-found. Continue reading “News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November”
I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw in August.
Joseph and the Amazing Technicolor Dreamcoat, aka the Sheridan Smith show
Queen of the Mist, aka the surprisingly affecting one
Appropriate, aka all hail Monica Dolan
Waitress, aka ZZZZZZZOMGGGGG STUNT CASTING oh wait, Joe Suggs hasn’t started yet
The Doctor, aka all hail Juliet Stevenson
A Very Expensive Poison, aka it was a preview so I shouldn’t say anything
Blues in the Night, aka all hail Broadway-bound Sharon D Clarke (and Debbie Kurup, and Clive Rowe too)
The Night of the Iguana, aka justice for Skyler Continue reading “August theatre round-up”
Brass the Musical at the Union Theatre is a powerfully moving celebration of sacrifices made, of service offered, of music itself – beautifully done
“Just until our lads come back”
There’s a neat symmetry to the life of Brass the Musical thus far. Originally commissioned by the National Youth Music Theatre to commemorate the centenary of the outbreak of the First World War, its professional London premiere now marks the Armistice Centenary. Benjamin Till’s musical, with additional lyrics from Nathan Taylor and Sir Arnold Wesker, thus serves as a powerful tribute to those who served, both at home and on the frontline.
What is particularly gorgeous about Brass is how it is suffused with the joy of music. Its power to bring people together (as in the characterful ‘Forming a Band’), its potential to lift spirits (the marvelous storytelling of ‘Whistle Billy’), its ability to express something deeper beyond just words (the haunting vocalese at the trenches). And as an expression of the musical theatre form, it works beautifully in deepening an already profoundly moving piece of history. Continue reading “Review: Brass the Musical, Union Theatre”
“Scrumptious as the breeze across the day”
Who knew that Leeds would be a musical theatre hotspot this December but between The Girls and this Music & Lyrics and West Yorkshire Playhouse production of Chitty Chitty Bang Bang, it’s been the place to be for big, warm-hearted musical fun. This is the first new version of Chitty Chitty… since its original 2002 West End production and its many regional tours but in James Brining’s clever and wondrous adaptation, it’s thoroughly revitalised and as lovely as any cherry peach parfait.
Ian Fleming’s novel was adapted by Jeremy Sams, via Roald Dahl and Ken Hughes’ own reshaping of the story for the cinema, and with a glorious score from the Sherman Brothers (as if they could do any other kind) beefed up with new songs by them as well, it captures much of the Disney noir feel of the film whilst bringing its own depths too. I’d forgotten how much sadness there was in the tale and that’s something Brining never lets us forget, even whilst delighting us with flying cars and fun. Continue reading “Review: Chitty Chitty Bang Bang, West Yorkshire Playhouse”