Early September theatre news

Full casting has been announced for the brand new stage adaptation of British comedy The Good Life which tours the UK this Autumn. The acclaimed cast will include actress and presenter Preeya Kalidas as ‘Margo Leadbetter’, Dominic Rowan as ‘Jerry Leadbetter’, and Sally Tatum as ‘Barbara Good’, joining the previously announced actor and comedian Rufus Hound as ‘Tom Good’. Also featured will be Nigel Betts and Tessa Churchard.

The new comedy by Jeremy Sams, is based on the classic television series by John Esmonde and Bob Larbey which entertained countless millions in the 1970s and which I have never seen an episode of. Directed by Jeremy Sams, this world premiere production will be the first time that the iconic characters of suburban neighbours the Goods and the Leadbetters will be seen on stage. The Good Life will open at Theatre Royal Bath on 7 October 2021, before dates at Cheltenham Everyman, Salford Lowry, Oxford Playhouse, Cambridge Arts Theatre, Malvern Theatres, Richmond Theatre and Chichester Festival Theatre. Continue reading “Early September theatre news”

TV Review: The English Game (2020)

Not even a precious few shots of rippling abs and a cast full of talent can save the mad folly of The English Game, someone stop Julian Fellowes now please

“Lads, football is not complicated”

Who would have thought it? Julian Alexander Kitchener-Fellowes, Baron Fellowes of West Stafford has zero facility for writing Northern working class characters. (Or on this evidence, any characters at all.) Not having watched Downton Abbey in any meaningful way (though I did suffer through the film), I wasn’t prepared for just how cringeworthily bad it would be in his Netflix series The English Game.

I remembered Lucy Mangan’s excoriation of the show in the Guardian just as the first lockdown kicked in but it has taken me this long to get round to watching it myself, despite Netflix constantly flicking it onto my homepage. And there’s actually something quite magisterial in just how jawdroppingly awful the first episode is, even with the changing room scenes that have somehow been screenshotted here. Continue reading “TV Review: The English Game (2020)”

10 of my top moments of the decade

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)

© James Bellorini

Extraordinary Public Acts for a National Theatre

The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions.  A truly joyous and momentous occasion. 

Honourable mention: this year’s musical take on As You Like It proved just as heart-swellingly beautiful over at the Queen’s Theatre Hornchurch. Continue reading “10 of my top moments of the decade”

The Curtain Up Show Album of the Year 2019 nominees

You can now vote for the Best London Cast Recording, Best Broadway Cast Recording and Best Solo Album here. Then fill in your details and click Vote and one lucky voter will win £100 worth of Theatre Tokens!

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

Album Reviews: The Secret Diary of Adrian Mole Aged 13 ¾ / Heathers / Calendar Girls 

A trio of quick London cast recordings – The Secret Diary of Adrian Mole Aged 13 ¾, Heathers and Calendar Girls 

“For a greasy little nobody, you do have good bone structure”

I was delighted to see a belated West End transfer for this lovely new musical by Jake Brunger and Pippa Cleary. I’ve loved every step of its journey and The Secret Diary of Adrian Mole Aged 13 ¾ (Original London Cast Recording) proves the perfect accompaniment as it captures so much of the energy of this most British of tales and sparky performances from the likes of John Hopkins and the luminous Kelly Price.

I didn’t however make it to Heathers, it just not appealing to me at all. With Heathers (Original West End Cast Recording), the opportunity to listen to this high school musical is now ours but I have to say, its charms elude me. There’s a fatal mismatch between the darkness of the source material (it really is a brutal film) and the breeziness of Laurence O’Keefe and Kevin Murphy’s pop-rock score that not even the quality of Carrie Hope Fletcher, Jodie Steele, Sophie Isaacs and Jamie Muscato’s strong performances can overcome.

And I thought I’d pay another visit to Yorkshire for Calendar Girls (Original London Recording) to see whether it stands the test of time. It proved an amiable if short-lived presence in the West End and listening to it again, I’d argue that there’s a gentleness to it that doesn’t quite linger long enough. Gary Barlow’s tunes are undeniably pretty but ultimately, they don’t really call out to be listened to over and again.

Review: Dusty, Lowry / Aspects of Love, Hope Mill

2 quickies from a flying visit up north to Manchester to Dusty the Musical at the Lowry and Aspects of Love at the Hope Mill Theatre

“Left alone with just a memory”

Does the world really need another Dusty Springfield musical? I avoided the car crash at the Charing Cross a few years back, and wish I had avoided Son of a Preacher Man last year. But still they come and now we have Dusty the Musical which at least boasts a better pedigree than most, with Jonathan Harvey writing, Maria Friedman directing and Katherine Kingsley starring.

And with that level of quality, particularly from the mega-wattage of Kingsley’s titanic performance, it certainly emerges as the best of the bunch, relatively speaking. It is far from a great show though, its book weighed down with the tension between meticulously researched facts and figures and the greater freedom that comes from invented characters who allow story to flow. If it is to make it into the West End, more tinkering needed and Kingsley locked down. Continue reading “Review: Dusty, Lowry / Aspects of Love, Hope Mill”

fosterIAN awards 2017

 WinnerRunner-upOther nominees
Best Actress in a PlayHattie Morahan/
Kate O'Flynn/
Adelle Leonce,
Anatomy of a Suicide
Victoria Hamilton, Albion
Shirley Henderson, Girl From the North Country
Cherry Jones, The Glass Menagerie
Justine Mitchell, Beginning
Mimi Ndiweni, The Convert
Connie Walker, Trestle
Best Actor in a Play
Ken Nwosu, An OctoroonAndrew Scott, HamletAndrew Garfield, Angels in America
Gary Lilburn, Trestle
Ian McKellen, King Lear
Cyril Nri, Barber Shop Chronicles
Sam Troughton, Beginning
Best Supporting Actress in a PlayBríd Brennan, The FerrymanKate Kennedy, Twelfth Night (Royal Exchange)Sheila Atim, Girl From the North Country
Laura Carmichael, Apologia
Romola Garai, Queen Anne
Lashana Lynch, a profoundly affectionate, passionate devotion to someone (-noun)
Kate O'Flynn, The Glass Menagerie
Best Supporting Actor in a PlayFisayo Akinade,
Barber Shop Chronicles
Brian J Smith, The Glass MenageriePhilip Arditti, Oslo
Gershwn Eustache Jnr, a profoundly affectionate, passionate devotion to someone (-noun)
Fra Fee, The Ferryman
Patrice Naiambana, Barber Shop Chronicles
Nathan Stewart-Jarrett, Angels in America
Best Actress in a MusicalJanie Dee, Follies AND
Josefina Gabrielle, A Little Night Music
AND Josie Walker,
Everybody's Talking About Jamie
Amie Giselle-Ward, Little WomenSharon D Clarke, Caroline or Change
Kelly Price, The Secret Diary of Adrian Mole Aged 13 ¾
T'Shan Williams, The Life
Best Actor in a MusicalGiles Terera, HamiltonScott Hunter/Andy Coxon, Yank! A WWII Love StoryJohn McCrea, Everybody's Talking About Jamie
Philip Quast, Follies
Michael Rouse, Superhero
Jamael Westman, Hamilton
Best Supporting Actress in a Musical
Tracie Bennett,
Follies
Rachel John, HamiltonChristine Allado, Hamilton
Julie Atherton, The Grinning Man
Sharon D Clarke, The Life
Joanna Riding, Romantics Anonymous
Lucie Shorthouse, Everybody's Talking About Jamie
Best Supporting Actor in a MusicalJason
Pennycooke,
Hamilton
Mark Anderson, The Grinning ManFred Haig, Follies
Cornell S John, The Life
Chris Kiely, Yank! A WWII Love Story
Gareth Snook, Romantics Anonymous
Obioma Ugoala, Hamilton

2017 Best Actress in a Play + in a Musical

Best Actress in a Play

Hattie Morahan/Kate O’Flynn/Adelle Leonce, Anatomy of a Suicide

How to split these three? Why would you even want to. Their effortless grace, their ferociously detailed complexity, their heart-breaking connectivity, all three will live long in my mind.

Honourable mention: Victoria Hamilton, Albion

Not far behind in the fierceness stakes was this epic role of near-Chekhovian proportions, tailored by Mike Bartlett for one of his frequent collaborators. Quite why this hasn’t followed Ink into the West End I’m not sure. 

Shirley Henderson, Girl From the North Country
Cherry Jones, The Glass Menagerie
Justine Mitchell, Beginning
Mimi Ndiweni, The Convert
Connie Walker, Trestle

8-10
Laura Donnelly, The Ferryman; Imelda Staunton, Who’s Afraid Of Virginia Woolf; Rosie Wyatt, In Event of Moone Disaster 

Best Actress in a Musical

Janie Dee, Follies AND Josefina Gabrielle, A Little Night Music AND Josie Walker, Everybody’s Talking About Jamie

A second three-way tie? Hey, it’s my blog and my rules! From Dee thoroughly owning the Olivier through song and dance, to Gabrielle making me feel like I was hearing ‘Send in the Clowns’ for the first time, to the sheer beauty of Walker’s uncompromising love for her son, this was only way I could reward a banner year for leading female musical performances.

Honourable mention: Amie Giselle-Ward, Little Women

Sadly ineligible to win since her name doesn’t begin with J…, Giselle-Ward nevertheless blew me away at the heart of this gorgeous musical which, if there’s any justice, should continue the Hope Mill’s admirable record of London transfers. 

Sharon D Clarke, Caroline or Change
Kelly Price, The Secret Diary of Adrian Mole Aged 13 ¾
T’Shan Williams, The Life

8-10
Carly Bawden, Romantics Anonymous; Sandra Marvin, Committee; Marisha Wallace, Dreamgirls

 

Review: The Secret Diary of Adrian Mole Aged 13 ¾, Menier Chocolate Factory

“You may be 13 but you’re still an adolescent boy”

After premiering at the Curve Theatre in 2015, Pippa Cleary and Jake Brunger’s musical adaptation of Sue Townsend’s tale of Leicester’s most famous teenager has undergone its own version of puberty, re-emerging at the Menier Chocolate Factory for the summer. And those growing pains seem to have been worth it as The Secret Diary of Adrian Mole Aged 13 ¾ has matured beautifully, a powerful example of how musicals need to be allowed to develop, resulting in this case in a fantastic new British musical.

Luke Sheppard’s production certainly benefits from the intimacy of the South London venue but where it now excels is in its emotional intensity. The scenes between Adrian (played by Ilan Galkoff at this performance) and his mother Pauline, an achingly superb Kelly Price, are just heart-breaking, as he struggles to realise just how far her women’s lib-inspired independence will take her from him. I was reminded that reading this book was in fact was one of the main ways I learned about divorce and that scarce comprehension is captured perfectly here. Continue reading “Review: The Secret Diary of Adrian Mole Aged 13 ¾, Menier Chocolate Factory”

fosterIAN awards 2015

 WinnerRunner-upOther nominees
Best Actress in a PlayLia Williams, Oresteia Letitia Wright, EclipsedThusitha Jayasundera, My Eyes Went Dark
Marianne Jean-Baptiste, hang
Gugu Mbatha-Raw, Nell Gwynn
Lara Rossi, Octagon
Best Actor in a Play
John Heffernan, Oppenheimer David Morrissey, HangmenChiwetel Ejiofor, Everyman
Jamie Samuel, Plastic Figurines
Eelco Smits, Glazen Speelgoed
Angus Wright, Oresteia
Best Supporting Actress in a PlayDaisy Haggard, You For Me For You T’Nia Miller, EclipsedPriyanga Burford, The Effect
Estella Daniels, Octagon
Rosalind Eleazor, Plaques and Tangles
Sally Rogers, Hangmen
Best Supporting Actor in a PlayJohn Simm, The Homecoming David Moorst, Violence and SonHarm Duco Schut, Glazen Speelgoed
Johnny Flynn, Hangmen
James Garnon, As You Like It (Globe)
David Sturzaker, Nell Gwynn
Best Actress in a MusicalNatalie Dew, Bend It Like Beckham Katie Brayben, BeautifulTracie Bennett, Mrs Henderson Presents
Jennifer Harding, The Clockmaker's Daughter
Debbie Kurup, Anything Goes
Kelly Price, Little Shop of Horrors
Best Actor in a MusicalGiles Terera, Pure Imagination Matt Henry, Kinky BootsIan Bartholomew, Mrs Henderson Presents
Killian Donnelly, Kinky Boots
Scott Garnham, Grand Hotel
Alex Gaumond, Seven Brides for Seven Brothers
Best Supporting Actress in a MusicalEmma Williams, Mrs Henderson Presents Amy Lennox, Kinky BootsAnita Dobson, Follies
Anna Francolini, wonder.land
Lauren Samuels, Bend It Like Beckham
Lorna Want, Beautiful
Best Supporting Actor in a MusicalEmmanuel Kojo, Show Boat Ako Mitchell, Little Shop of HorrorsMatthew Malthouse, Mrs Henderson Presents
Ian McIntosh, Beautiful
Jamie Parker, High Society
George Rae, Grand Hotel