On Monday 14 June, SMC Productions brings West End Live Lounge to the stage at the Lyric Theatre, Shaftesbury Avenue. What started off as a one-off concert in 2017, has fast become one of the staple events in the theatrical calendar. This series of concerts showcases an array of talent from the world of theatre, all performing some of the most iconic songs from the world of popular music and beyond.
The past year has been a difficult time for the arts, and now is the time to come back and show just exactly what we do best. ‘The Greats’ will play host to a stellar line up of talent from shows including; Six, Come From Away, Hamilton, & Juliet, Wicked, Bat Out Of Hell and lots more, all celebrating songs from some of the most iconic and recognisable artists from the world of music. Performing alongside the Live Lounge band, under the musical direction of Sam Coates, this is set to be a night not to miss! Continue reading “News: West End Live Lounge – The Greats”
The Barn Theatre goes choose-your-own-adventure with The Secret Society of Leading Ladies with mixed results
“Leave them wanting more”
There’s no faulting the ambition of the Barn Theatre as they continue to lead the vanguard of theatres exploring how far they can push the digital realm. The Secret Society of Leading Ladies sees them adopt something of a choose-your-own-adventure model for this concert, which means there’s over 150 different ways in which it can be experienced. Continue reading “Review: The Secret Society of Leading Ladies, Barn Theatre”
The Barn Theatre have announced an upcoming digital musical theatre event entitled The Secret Society of Leading Ladies, which provides a new innovative format that allows the viewer to make decisions and control the set list.
The Secret Society of Leading Ladies, which will run from 22nd February – 7th March, takes audiences into a world where Musical Theatre characters can co-exist in the same space regardless of era or genre. The concept was created to reward die-hard musical theatre fans, whilst being mould-breaking enough to invite a new audience to discover the world of musical theatre. Continue reading “News: the Barn Theatre announces The Secret Society of Leading Ladies”
Chichester Festival Theatre has announced their Autumn plans and it looks to be a good’un. It includes:
– Sarah Kane’s Crave, directed by Tinuke Craig and starring Erin Doherty and Alfred Enoch, staged in a socially distanced Festival Theatre for 10 performances and live streamed to digital audiences
– for Christmas, a series of festive concerts (including one with Rebeccas Caine and Trehearn), followed by Chichester Festival Youth Theatre in a new version of Pinocchio by Anna Ledwich, directed by Dale Rooks
– Michael Ball, Sheila Hancock and Patricia Routledge in conversation with Edward Seckerson
– cabaret and comedy including Frisky & Mannish, The Black Cat Cabaret, Barely Methodical Troupe, Rich Hall, Suzi Ruffell, Russell Kane and Rosie Jones
– music ranging from a celebration of Sondheim with West End stars, to a song recital by Kate Royal, a new concert from Joe Stilgoe and a portrait of Rachmaninoff with Henry Goodman and Lucy Parham Continue reading “September theatre news, the UK version”
I wasn’t going to write up Turn Up London but in the end, it was just too darn good to leave unremarked. I’m just going to whip through my highlights though, and urge you to stay tuned for any future for this excellent and essential project. Continue reading “Review: thoughts on Turn Up London”
The Limit is a hugely impressive new musical from Freya Smith and Jack Williams at the VAULT Festival
“One spark is all you need”
Ooh, a real treat this. The world of new musical theatre can be a little unforgiving but on the evidence of The Limit, Freya Smith and Jack Williams’ Bottle Cap Theatre are marking themselves as ones to watch out for. Their musical celebrates the unsung life and unheralded achievements of French mathematician Sophie Germain and it does so with real spirit and success.
The DNA of shows like Hamilton and Six are certainly palpable here, in a refreshingly contemporary approach to its historical subject and to be frank, these are fantastic influences to be drawing from. It instantly imbues the relationships and happenings with a relatability that speaks just as much truth (if not more) than any rendition of ‘historical accuracy’ could hope for. Continue reading “Review: The Limit, VAULT Festival”