Review: Joseph And The Amazing Technicolor Dreamcoat, Palladium

Now this is how you do stunt casting! Linzi Hateley returns in glorious style to Joseph And The Amazing Technicolor Dreamcoat after 30 years

“May I return
To the beginning”

In a show already suffused with nostalgia for so many, the return of Linzi Hateley to Joseph And The Amazing Technicolor Dreamcoat is a warm hug of perfect decision making. It is a production that has already indulged a little in bringing back Jason Donovan – who played Joseph 30 years ago lest we forget – in the role of Pharoah, but Hateley is returning as the Narrator, the part that she originated (and for which she was Olivier nominated) and immortalised in the cast recording, meaning that this is literally the sound of my childhood coming to life!

For all my misgivings with Lord Lloyd Webber’s voting record and inter-relationship with the theatre ecology as a whole, Joseph is a show for which I have a huge fondness. From family trips to see it way back when, to singing in primary school productions, accompanying secondary school productions on the piano, to adding percussion to local drama group productions, plus catching it when it has perenially re-emerged on stages, its familiarity is the kind of smile-inducing, toe-tapping comfort that has been biting my tongue not to sing along every time I go.  Continue reading “Review: Joseph And The Amazing Technicolor Dreamcoat, Palladium”

News: 4 West End shows announce their casts

As a comedian, impressionist, game show host, reality TV star, soap, screen and stage actor, Les Dennis returns to the West End in the multi-award-winning smash hit musical Hairspray the Musical as Wilbur Turnblad having previously performed the role on tour. He stars alongside Michael Ball, who returns to his legendary, Olivier Awardwinning role of Edna Turnblad. Lizzie Bea will star in the iconic role of Tracy Turnblad. Acclaimed West End star Marisha Wallace will take the role of Motormouth. Rita Simons (Eastenders’ Roxy Mitchell) and Jonny Amies (Granchester on ITV; Sex Education on Netflix/Eleven Film) will also join the cast as Velma Von Tussle and Link Larkin respectively.

The full company includes Georgia Anderson, Kimani Arthur, Dermot Canavan, Lori Haley Fox, Mari McGinlay, Ashley Samuels, Michael Vinsen and Imogen Bailey, Pearce Barron, Jordan Benjamin, Joel Cooper, Luke George, Christopher Gopaul, Bradley Judge, Winny Herbert, Lily Laight, Madeleine Lawton, Holly Liburd, Will Luckett, Mireia Mambo, Kody Mortimer, Robyn Rose, Tinovimbanashe Sibanda, Amy West and Natalie Woods. Continue reading “News: 4 West End shows announce their casts”

Film Review: Beauty and the Beast (2017)

“Tale as old as time”

It’s taken me a little time to get round to writing this review, which is rarely a good sign, as I was struggling for anything entirely constructive to say about this film. The 1991 animated Beauty and the Beast was Disney close to its best but these days, nothing is left alone if it has even the merest hint of cash cow about it. So it has previously hit the stage as a musical and following the success of Kenneth Branagh’s Cinderella, it now has a cinematic live-action remake.

Which is all fine and good but just because you can do something doesn’t mean you should. And at no point does Bill Condon’s film ever convince us that the world needed this version of Beauty and the Beast, there’s rarely any sense of it bringing something new and insightful to the story. Plus the contortions it (and star Emma Watson) has had to make to try and convince of its feminist credentials scarcely seem worth it in the final analysis. Continue reading “Film Review: Beauty and the Beast (2017)”

Review: Aladdin, Prince Edward Theatre

“A hundred thousand things to see”

Say Aladdin to most people across the world, and Disney would hope that the first thing that comes to mind is their 1992 animated film. In the UK though, the title is indelibly linked to pantomime and so it feels a little incongruous to have a major musical production of it opening in the middle of June. And whilst Casey Nicholaw’s production hasn’t stimped in any conceivable way when it comes to the look of the show (striking design from Bob Crowley), there’s still a faintly hollow ring to the whole proceeding.

A big hit on Broadway, Aladdin has been pretty much replicated and transplanted into the Prince Edward. Which is good in terms of the undeniable quality of the Disney brand – the family-friendly ethos, the slickness of the design, the unexpected self-referential dips into other Disney musicals. And in the knowing performance of American Trevor Dion Nicholas as the Genie, there’s a respectful homage to the character that Robin Williams brought to life so memorably on screen, which still carves its own identity too. Continue reading “Review: Aladdin, Prince Edward Theatre”

Review: West Side Story, New Wimbledon Theatre

“There’s a place for us”

For me, West Side Story occupies that most special of places in that I can’t remember life without it. It’s a film I’ve loved to watch and a score I’ve loved to listen to since I was kneehigh to the proverbial and it is a love that has remained undiminished. I saw the last international tour of the show twice at Sadler’s Wells and so had thought I’d give this one a miss as it was more or less the same production, but the casting news for the extensive UK tour that followed meant I couldn’t resist a cheeky trip to the New Wimbledon to see it on its way.

Joey McKneely’s excellent production is well-contained within Paul Gallis’ brooding set design which forms the perfect backdrop for showcasing Jerome Robbins’ inimitable choreography which feels as fresh as it has ever done, not least because of the sheer timelessness of the gorgeous songs. ‘Somewhere’, ‘Tonight’, ‘Maria’, ‘I Feel Pretty’, ‘America’…the list goes on and given the huge enthusiasm from the fresh young ensemble gathered here, one can see the magic continuing to go on for generations of potential musical-lovers to come.  Continue reading “Review: West Side Story, New Wimbledon Theatre”