News: West End musical castings confirmed

The thought of outdoors theatre was fine earlier this week, not so much right now! For the brave, Regent’s Park Open Air Theatre have confirmed full casting for Rodgers and Hammerstein’s Carousel, which plays 31 July – 25 September. Joining the already announced Carly Bawden (Julie Jordan), Declan Bennett (Billy Bigelow), John Pfumojena (Enoch Snow), Joanna Riding (Nettie Fowler) and Natasha May Thomas (Louise Bigelow) are Brendan Charleson (Mr Bascombe), Jo Eaton-Kent (Mrs Mullin), Sam Mackay (Jigger Craigin), Ediz Mahmut (Young Enoch) and Christina Modestou (Carrie Pipperidge).

The ensemble includes: Chanelle AnthonyCraig ArmstrongWilliam AtkinsonShay BarclaySarah BenbelaidMadeline CharlemagneFreya FieldSebastian GoffinAmie HibbertTim HodgesLukas Hunt, Tessa KadlerLindsay McAllisterMatthew McKennaJack MitchellCharlotte RibyLisa Ritchie and Daisy West. Continue reading “News: West End musical castings confirmed”

Lockdown treat: an American Idiot ‘Green Day Medley’

American Idiot West End and UK Tour Casts sing a Green Day Medley for the Barn Theatre and The Ben Kinsella Trust

Donations can be made to the Barn Theatre at http://www.barntheatre.org/sob, calling 01285 648255 or texting SAVEOURBARN 10 to donate £10 to 70085, texts cost the donation value plus one standard rate message.

Donations to The Ben Kinsella Trust can be made at http://www.benkinsella.org.uk/support

 

Heart vector created by starline – www.freepik.com 

Review: Pretty Woman – the Musical, Piccadilly Theatre

Aiimie Atkinson is good but deserves far better than Pretty Woman: the Musical, the blatant cash grab at the Piccadilly Theatre

“Somebody pinch me, this can’t be true”

The publicity for Pretty Woman – the Musical invites, nay begs, you to invoke one of the movie’s iconic catchphrases so let’s have it. Mounting a show in 2020 in which the only roles for women are prostitutes or bitches? Big mistake. Huge. Charging £175 to sit on your front row? Big mistake. Huge. Encouraging the use of a grand piano for anything besides playing? Big mistake. Huge.  

The 1990 film directed by Garry Marshall from J F Lawton’s screenplay scored massive success for a rom-com but much like Grease, it is hard to view the story with a contemporary lens. Determined to view itself as a fairytale (of sorts), it takes the worlds of asset stripping and sex work and whisks them together without taking anything seriously. And Marshall and Lawton’s book for this musical adaptation does the same except with added songs by Bryan Adams (yes, that one) and Jim Vallance. Continue reading “Review: Pretty Woman – the Musical, Piccadilly Theatre”

Review: Rent, St James Theatre

I’m not one to deny anyone their fandom and Lord know Rent has some of the most devoted of the lot. But for whatever reason, the show has left me cold every time I’ve seen it, increasingly so in its determination to defend artistic excess.

I was bought a ticket as a Christmas present so I was able to go and test my feelings once again but no change, no matter how good Layton Williams’ performance was. So for once, I’m just going to leave it here.

Running time: 2 hours 40 minutes (with interval)
Booking until 28th January, then touring as below

Album Review: Elf the Musical (2015 Original London Cast Recording)

“You gotta remember that December is the time for glitz”

I have to say I was sceptical about Elf the Musical, not least because it was Bonfire Night (5th November for you heathens) when I saw it but to my pleasant surprise, I was soon won over by its classic charms. If you’ve seen the film, then you’ll know that its soundtrack was a dip into the Christmas chapter of the Great American Songbook – Ella Fitzgerald’s ‘Sleigh Ride’, Ray Charles’ ‘Winter Wonderland’ etc – but the score for the musical is original yet pays great homage to those standards.

Matthew Sklar’s music and Chad Beguelin’s lyrics succeed by being entirely both warm-hearted and open-hearted and in this recording, is powered by the practically Duracell-bunny-like enthusiasm of Ben Forster’s Buddy, the kid who found his way into Santa’s bag of presents and ended up being raised at the North Pole. The heart of the story is his re-entry into the human world to find his birth father and in tracks like ‘World’s Greatest Dad’, you realise just how big and real his emotions are. Continue reading “Album Review: Elf the Musical (2015 Original London Cast Recording)”

Review: Elf the musical, Dominion Theatre

“I always get a special glow when the snow comes falling down”

There’s something a little perverse about a show as intrinsically Christmassy as Elf the Musical opening on Bonfire Night but with a limited run finishing sharply on 2nd January, the time to get festive starts now. Based on the 2003 film starring Will Ferrell and directed by Jon Favreau, the musical capitalises on the feel-good charm of the movie to create something deliciously old-school in feel but with a definite contemporary spin on things. My four star review for Cheap Theatre Tickets can be read here.

Running time: 2 hours 40 minutes (with interval)
Booking until 2nd January