“Sometimes we have to take care of things we’re frightened of”
After winning London Theatre of the Year in The Stage’s awards and the considerable success of The Kitchen Sink before Christmas, expectations are certainly riding high at the Bush Theatre as Josie Rourke’s final season as Artistic Director continues. Our New Girl is a play by Nancy Harris, who’s also playing at the Gate with her Kreutzer Sonata, which on first glance bears similarities to Tom Wells’ play as it is set largely in a kitchen, though we soon come to see we’re in a whole other universe (with better plumbing).
Hazel has given up her high-flying career as a top lawyer to run an olive oil importing business from home to allow her to spend more time at home with son Daniel and an imminent new arrival; her plastic surgeon husband Richard is away in Haiti on a charitable mission and has engaged Annie, an Irish nanny to help out around the house. But the picture-perfect suburban lifestyle is showing severe cracks: no-one is buying olive oil, Daniel is something of a problem child to say the least and Richard neglected to tell Hazel about the fact that he was getting professional help for her. That the nanny is seemingly perfect at her job only raises Hazel’s hackles further and as things begin to take a more sinister turn, it seems her suspicions may not be entirely baseless. Continue reading “Review: Our New Girl, Bush Theatre”