News: Tristram Kenton’s stage archive – the before-they-were-famous edition

One of the joys of seeing so much theatre in London is that sense of seeing any number of actors at the beginning of their careers and Tristram Kenton has been doing that for years now. Here’s just some of those big names as whippersnappers on the British stage:
https://www.theguardian.com/stage/gallery/2020/nov/11/before-they-were-famous-stars-tristram-kenton-at-the-guardian-in-pictures

Photos: Tristram Kenton

Book review: Time To Act – Simon Annand

Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage

Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.

Continue reading “Book review: Time To Act – Simon Annand”

Happy 50th Birthday to the Young Vic

Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.

The 50th birthday year of work begins with three major commissions:

  • YV 50thProjection Project – a projection celebrating the people and productions from across five extraordinary decades, illuminating the front of the Young Vic building each evening, with video design by Duncan McLean – check out just some of those productions in the gallery above.

    From 11 Sept – 4 October, 7.30pm – 10.30pm daily except Sundays, free.

  • The Unforgotten an interactive outdoor art installation commemorating trailblazers Mary Seacole, Marsha P. Johnson and Ulric Cross. Furthering the conversation within the Black Lives Matter movement, the Young Vic community will be invited to contribute to the installation by submitting their own nominations in writing on the side of the building and online, asking us all to (re)consider who we celebrate as our heroes. Created by artists Sadeysa Greenaway-Bailey and Anna Fleischle.
    From 11 September, free.
  • The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
    3 & 4 October, 4pm, Main House, free

Lockdown film review: Tulip Fever (2017)

Despite a mostly good cast, Tulip Fever proves a punishingly dull film – not even self-isolation should drive you to this one

“Amsterdam was captivated by a flower”

The signs weren’t good. Tulip Fever was filmed in 2014 but was pushed and pulled around the schedules before it finally surfaced in 2017, notorious producer Harvey Weinstein clearly hoping that some post-production magic would win over reluctant test audiences. Safe to say though, such an amount of chopping and changing does no-one any favours as Justin Chadwick’s film remains punishingly dull. 

Based on Deborah Moggach’s book, with screenplay by Moggach and Tom Stoppard, the story (mainly) centres on Sophia, an orphan whisked out of convent life by a wealthy merchant who wants her essentially as a brood mare, But things ain’t clicking in the bedroom, so Sophia tumbles into an affair with the artist her husband has commissioned to do their portrait. And competing for screentime, tulip mania has hit the Netherlands. Continue reading “Lockdown film review: Tulip Fever (2017)”

Book review: The Half – Simon Annand

The Half – Photographs of Actors Preparing for the Stage by Simon Annand

Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.

And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”

Round-up of news and treats and other interesting things

 

 

Albany Launch Campaign to Provide a Free Theatre Ticket to Every Child in Lewisham
 
A Theatre Trip for Every Child, Lewisham is a new giving scheme to provide a free theatre ticket for every 5-year-old in the Borough of Lewisham. ‘Every Child’ enables businesses and individuals to give a local child the chance to experience the magic of theatre.
 
Jude Law has been revealed as patron for the campaign, funded by the Paul Hamlyn Foundation and Arts Council England, and with the support of founding sponsors, L&Q. A parallel project will launch simultaneously at ARC in Stockton-on-Tees. Continue reading “Round-up of news and treats and other interesting things”

Review: Obsession, Barbican

“There’s more to this magical life than the love of the ladies”

It has been impossible to ignore the reception of Ivo van Hove’s Obsession, the slight sense of glee (from some) at being able to dole out a critical drubbing to the feted director. And so I went into the Barbican with a slight sense of defensiveness – I’m only human after all – albeit with the knowledge that no-one is infallible. And whilst Obsession isn’t necessarily van Hove at his best (and lord know we’ve been spoiled there), it still makes for a fascinating piece of theatre.

Based on Luchino Visconti’s 1943 film, adapted by Jan Peter Gerrits and crucially, having its English version written by Simon Stephens, this is an altogether more abstract and expressionist affair than perhaps some were expecting. A tale of sex and murder, whose muscularity and moodiness sprawls over the vast stage with stylish languour, there’s a brooding beauty to the intensity here, captured excellently by two striking lead performances from Jude Law and Halina Reijn. Continue reading “Review: Obsession, Barbican”