Regions across the UK were hoping to win the lottery but with the news of Tier 2 (for now) for London, here’s some Christmas theatre news
The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.
This hour-long concert of musical numbers, sketches and seasonal poetry will be directed by Simon Evans (Staged, The Resistible Rise of Arturo Ui) with musical direction by Nigel Lilley (Piaf, Caroline, or Change) and production design by Grace Smart (My Beautiful Laundrette, One Night in Miami). Continue reading “News update for Christmas theatre in London”
“Although we’re armed with many prickles
They’re no match for large vehicles”
The Wind in the Willows took quite the critical battering when it opened at the Palladium last month and whilst it may not be the greatest show in the world, it does feel to have been a rather harsh treatment (I quite liked it for what it was). I’m not entirely sure what critics thought they were going to get from this revival of Kenneth Grahame’s classic story but it was clearly a darn shot edgier than anything Julian Fellowes and composing duo Stiles and Drewe were ever going to create.
Listening to the Original London Cast Recording which has now been released, you very much get a sense of the gently bucolic charm that they were aiming for and which, by and large, they achieve. Their strengths lie in the grand musicality of the ensemble numbers that pepper the score at its key moments. The cumulative choral power of ‘Spring’, the irrepressible energy of ‘We’re Taking Over The Hall’, the thrill of the fun-loving finale – this what they do so well. Continue reading “Album Review: The Wind in the Willows (2017 Original London Cast Recording)”
Arriving at the London Palladium just in time for the summer holidays, new family musical The Wind in the Willows (seen on tour late last year) is a respectfully traditional treatment of the Kenneth Grahame classic with which so many are familiar. And with kings of musical theatre nostalgia Stiles & Drewe on composing duties, Rachel Kavanaugh’s production is clearly the kind of show that wants you to wistfully remember childhoods past.
Julian Fellowes’ book undulates gently rather than creating any particularly dramatic waves – Rat and Mole’s growing friendship is quietly but effectively done, Toad is characterised as a Boris Johnson-like would-be-lovable-rogue, and the biggest ripples of the first half come in the introduction of various creatures of the forest – like an Andrews Sisters-esque trio of sonorous swallows and an enormously cute family of hedgehogs. Continue reading “Review: The Wind in the Willows, London Palladium”