Lockdown treat: an American Idiot ‘Green Day Medley’

American Idiot West End and UK Tour Casts sing a Green Day Medley for the Barn Theatre and The Ben Kinsella Trust

Donations can be made to the Barn Theatre at http://www.barntheatre.org/sob, calling 01285 648255 or texting SAVEOURBARN 10 to donate £10 to 70085, texts cost the donation value plus one standard rate message.

Donations to The Ben Kinsella Trust can be made at http://www.benkinsella.org.uk/support

 

Heart vector created by starline – www.freepik.com 

Review: Footloose, Peacock

“Been working so hard
I’m punching my card
Two hours for what?”

Jeez Louise, it gives me no pleasure to report this production of Footloose is among the worst things I’ve seen this year. Jukebox musicals are fine in their place, movie adaptations likewise are ever increasingly the norm but they need love and inspiration to elevate them, rather than the workaday effort and dead-eyed calculation they get here.

Perhaps its the result of coming at the tail end of over a year’s touring, perhaps it was a crowd not quite as enthused as the audience of a feel-good show need to be to give it that lift, perhaps it’s just not very good. There’s a real sense of mechanical action about the production, everything moves in the correct way but there’s zero spontaneity here, little sense of the precious ‘liveness’ of great theatre. Continue reading “Review: Footloose, Peacock”

Album Review: Cool Rider (Original Studio Recording 2015)

“Don’t get sore when you lose tonight”

Cult status is a funny thing, depending on which side of the coin you fall, it can either rescue diamonds in the rough or just further expose them. For me, Cool Rider comes down heavily on the latter though it must be said, there’s plenty who would argue the former, not least those who contributed over £12 grand to the Kickstarter to get this recording made. Hey, it’s their money right?!

Cool Rider is perhaps better known as the stage adaptation of ill-fated film sequel Grease 2. Staged in a concert version in 2014, the popularity of which saw it return for a week of performances at the Duchess Theatre, the fans are clearly there but quite for what, I couldn’t really say. The plot is little more than an retread of the original but with the roles reversed but the main problem lies in an inconsistent and uninspired score. Continue reading “Album Review: Cool Rider (Original Studio Recording 2015)”

The Curtain Up Show Album of the Year 2015 nominees

Best Cast Recording
Bend It Like Beckham (Original London Cast Recording)
Cool Rider (Original Studio Recording)
Gypsy (2015 London Cast Recording)
Made in Dagenham (Original London Cast Recording)
Memphis the Musical (Original London Cast Recording)

Best Solo Album
Cynthia Erivo and Oliver Tompsett Sing Scott Alan
Hugh Maynard – Something Inside So Strong
John Owen-Jones – Rise
Tim Prottey-Jones – To Do. To Be.

Review: Dogfight, Southwark Playhouse

“Lock your door and hide your daughter”

After the extraordinary success that was In The Heights, the Southwark Playhouse have gone for another American musical theatre import in the shape of 2012’s Dogfight. But whilst expectations were high – something heightened by the auditorium being in the same configuration as for that previous show, the reality fell far short. Peter Duchan’s book, based on the 1991 film of the same name, follows a group of boisterous marines in San Francisco on the night before they’re due to fly out to Vietnam as they look to maintain the (dis)honourable tradition of holding a dogfight.

As we come to realise, their version of a dogfight is distinctly unpleasant, a cruel game played on unsuspecting women and though he is a part of this world of pent-up testosterone and hints of sexual violence, the young Eddie Birdlace soon comes to regret his choice of victim – a sweet waitress called Rose – and tries to make amends, though whether this is because he has fallen instantly in love with her or he has spotted an easy way to get laid on his last night is anyone’s guess. So what is trying to be a sweet love story is overlaid with this troubling sour note throughout. Continue reading “Review: Dogfight, Southwark Playhouse”