With Kieran Bew with his top off and Barbara Flynn breaking every singe person’s heart, Series 14 of Silent Witness is mostly excellent. We just need to talk about Harry…
“If you’re deliberately trying to annoy me, you’re succeeding”
Series 14 of Silent Witness is the first one that contains episodes that I actually remember from first time around, two of them in fact. One – ‘Lost – can lay claim to being one of the best ever stories that the show has produced. The other indulges in a fakeout that had me hook line and sinker at the time though as I recall, not my dad!
It’s a season that start off tremendously, the serial killer vibes of ‘A Guilty Mind’ and the decades-spanning effects of ‘Lost’ offering up a different take on forensics for once. But towards the end of the run, it is clear that a decision has been made (who knows by whom) to give Harry more to do and that throws things off balance. Continue reading “TV Review: Silent Witness Series 14”
Guest stars such as Lesley Manville, Adam James and Elizabeth Berrington help elevate an interesting Series 3 of Silent Witness
“I’d’ve thought you’d learned by now, this is police work not yours”
Series 3 of Silent Witness brings a new recurring police team for us to get to know, a(nother) new handsome man from Sam’s past who is waiting to jump into bed with her, and a new set of cases for Sam to get overly invested in. It gets to beyond the point of mockery when almost every episode has a line like the above quote in it but you sense the writers acknowledging this, as the opportunity to work in a different capacity in London is presented at the end of the season.
Which is probably right as there can’t be many more police officers in Cambridge that Amanda Burton’s Sam Ryan hasn’t royally pissed off. And in a Midsomer Murders/Morse way, surely there’s a limit to the number of crimes that can take place in a single locale. The casting is on point in this series though – Adam James and Mark Umbers appearing as posh students and somone had clearly been watching Mike Leigh films as Lesley Manville, Heather Craney and Elizabeth Berrington all make appearances here.
Top guest appearences
- a baby Nicholas Hoult appears briefly as a grieving child
- a fresh-faced Adam James as an earnest undergrad who describes someone as “a bit of poof but he didn’t deserve to get beaten up” (1998 doesn’t feel that long ago…)
- there’s a performance of striking froideur from Lesley Manville in ‘Fallen Idol’
- Jimi Mistry makes up the numbers in the incident room for one scene in one of the cases early on, never to be seen again
- and no spoilers but Josette Simon is brilliant as the slick Drug Squad DCI at the heart of ‘Divided Loyalties’
The final chapter of Broadchurch proves to be a little bit underwhelming, despite excellently harrowing work from Julie Hesmondhalgh
“I think you should say sorry to Brian”
Folklore declares that Chris Chibnall always intended Broadchurch to be a trilogy but it kinda feels hard to believe that while watching Series 3. Series 2 had already lost a little of the magic that made Series 1 so essential, diluting the focus on the murder of Danny Latimer and as we move three years on for this new series, that case naturally recedes even further into the backdrop.
Which is all fine and good for a continuing drama but for something billed as the final chapter, it’s an odd choice as it means that the focus is now on a completely separate sexual assault case. And as so many of the supporting characters that helped to build the sterling community feel that marked Broadchurch out are now MIA – we’re in a ‘different’ part of town now – it just feels so separate. Continue reading “TV Review: Broadchurch Series 3”
Steve McQueen’s anthology flm series Small Axe is an absolute triumph as it depicts the West Indian experience in London but tells us all so much about the UK
“We mustn’t be victims, but protagonists of our stories. And what better way of representing ourselves than self-representing ourselves”
Not too much to say about Small Axe that hasn’t been said much more eloquently and appropriately by many others. But I just wanted to applaud some stirring acting work across all 5 films – in particular Shaun Parkes and Letitia Wright in Mangrove and John Boyega in Red White and Blue. And writer/director Steve McQueen, with co-writing work from Alastair Siddons and Courttia Newland, who plants racism, and racist activity, so undeniably in front of a Sunday night BBC1 audience in a way that has so rarely been done before.
Just wanted to spotlight this photo feature in the Guardian, looking at various Royal Shakespeare Company queens from across the ages. Costume, hair and design really do bring it when it comes to Cleopatra eh?!
Robert Zemeckis takes on Roald Dahl’s The Witches for a new spin but loses his purpose pretty quickly. And Anne Hathaway is no Anjelica Huston as the Grand High Witch
“That’s how you wanna play, we’ll play”
I swear I went into watching this ‘reimagining’ of The Witches with as open a mind as I could muster but the truth, Nicolas Roeg’s iconic 1990 film looms incredibly large in the mind as I first saw it then as an impressionable 11 year old. The fabulousness of Anjelica Huston’s performance, and Jane Horrocks’ menacing work too, etched themselves on my mind, leaving Robert Zemeckis with lots to do here.
And I’m not sure he really does it. His screenplay, written with Guillermo Del Toro and Kenya Barris, shifts the action to Alabama in the late 1960s but does little with that, aside from casting the excellent Octavia Spencer as Grandma alongside Jahzir Bruno’s Charlie. And in simply retreading familiar ground, there’s little that really gives any sort of compelling reason for this new adaptation to exist. Continue reading “Film review: The Witches (2020)”
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
New virtual exhibition of stars of stage and screen, including Andrew Scott, Dame Judi Dench, Cate Blanchett and Jake Gyllenhaal, backstage by legendary theatre photographer Simon Annand
The thrilling experience of seeing actors live on stage is under threat during the present Covid restrictions. Theatres have been closed and this new book – Time To Act – reminds us of what we are missing. Through the eyes of this legendary photographer we observe how the performers get ready to astonish their audience.
To celebrate the publication of Simon Annand’s Time To Act, a virtual exhibition will be launched on 5th October (TimeToActPhotos.com) showcasing selected images from the book; some of which will be available for sale. The virtual exhibition will be re-hung on a weekly basis until early November.
Continue reading “News: virtual exhibition of Simon Annand’s backstage photography to accompany new book Time To Act”
Spooks comes to an end with a shortened series 10 which, while not perfect, is effective in many ways
“Wait Harry, this can’t be the end”
And so after a decade, it comes to an end. Series 10 of Spooks, a shortened order of six episodes, sees the writers flip from the Lucas North show to the Harry Pearce show. This naturally makes more sense, with Harry being the head of Section D after all, but I’m not 100% sure that it completely works as it goes against the ensemble ethos of the show at its best.
The argument here is that Harry is the heart of the show and given the jib of his recent decision-making at this point, you have to wonder if this is all that wise. Given all that transpires, the final scene of the show hardly inspires confidence. That said, the memorial is a beautiful touch and Lara Pulver’s new chief Erin Watts proved a strong addition to Thames House.
A tough one this, Walker rises brilliantly to the challenge of essentially co-leading the series as a result of the Harry focus. But her treatment in the final moments of the series can’t help but feel a little unnecessary, essentially cheapened by her reduction to nothing but an adjunct to Harry. She only gets killed because of the personal connection rather than a heroic act of Queen and country she deserved (if she had to die at all). Continue reading “Lockdown TV Review: Spooks Series 10”
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”