It’s a no for me for The Miniaturist
“Cornelia will fetch you a herring”
I haven’t read Jessie Burton’s 2014 novel The Miniaturist so I came into watching it with zero expectations. But even then, I wasn’t expecting that…!
To steal from the Guardian, the plot was “an everyday tale of girl marries man, moves from the sticks to old Amsterdam, discovers he’s gay, husband’s boyfriend stabs the dog, girl gets spooky doll’s house in which the miniature replicas begin changing to reflect real life, hubby is thrown into the sea while lashed to a stone wheel after suicidal courtroom speech denouncing Hanseatic cant, girl sells loaf/cones of sugar, and almost all, um, live happily ever after”.
But much as I love a story from Amsterdam, I found this a real challenge. The 90 minute episodes didn’t help, nor the heavy-handed shifts in tone which were a constant jolt. Maybe I should read the book instead…
“When I die I want to be able to say this, ‘I never did anything violent’”
Paired with Around the World in 80 Days as part of the free theatre season at The Scoop at More London, Brecht’s The Mother is a little performed play from 1932 telling of a woman living in a Russia on the cusp of revolution who is forced into a new world of political activism when she sees how her own activist son is treated by the authorities. As she meets with his friends and begins to engage with their agenda, she finds herself on a journey of personal growth, as she finally learns to read and as her political consciousness is awakened and becomes impassioned, she becomes a figurehead for the movement that her son is part of.
Though it is a story that is ultimately advocating Communism, the decision to keep the setting fairly loose and not tethered too tightly to its original time and location frees it up hugely and consequently scores a huge resonance in its examination of the issues around political dissidence and the right to demonstrate in public, particularly for young people. Ravenhill’s translation has a punchy directness and humanity that gives the political discussion a very relatable dimension through the figure of ‘The Mother’, played with tireless grace by Nicky Goldie, her concern for her son accompanied by a growing outrage at how she perceives society to be rotten and pushes for change. Continue reading “Review: The Mother, The Scoop at More London”
“Everybody dreams of a little adventure”
As part of the free theatre available at The Scoop at More London which is now in its 9th impressive year, Around the World in 80 Days is a streamlined version of Phil Willmott’s original production for the Battersea Arts Centre 10 years ago which truncates the action in 75 swift minutes, accompanied by a suite of catchy original songs by Annemarie Lewis Thomas. It is freely adapted from Jules Verne’s novel and so whilst the shape of Phileas Fogg’s journey, the result of a wager to traverse the globe in an unheard-of 80 days, remains the same, the action is enlivened with highly recognisable figures from Victorian England passing comment on his progress.
It is fast and furious and lots of good-natured fun. Eugene Washington’s stern Fogg is tempered by the lovable antics of Joseph Wicks’ Passepartout, his able assistant, and when they rescue the Princess Aouda – a personable turn from Suzanne Ahmet – from an Indian funeral pyre, even Fogg’s stony heart begins to melt as his eyes are opened to the vast cultural influences to which he is exposed as they journey through Asia – helped memorably by a grumpy elephant through the Indian jungle, mounted with great style – and then through the USA – with a great song set in Salt Lake City which predates The Book of Mormon by at least a decade! – before trying to make it back in time to England to settle the bet. Continue reading “Review: Around the World in 80 Days, The Scoop at More London”