“I said hip, hop, Santa’s gonna stop”
Has ever a movie franchise fallen from grace quite so sadly as Debbie Isitt’s Nativity films? It was made worse for me as I watched them all for the first time this year and so the decline has been compressed into a couple of weeks. The first film utterly enchanted me, the second somewhat disappointed by the third – Nativity 3: Dude, Where’s My Donkey – thoroughly junked everything that worked about the original.
Once again, a new teacher is introduced to St Bernadette’s (this time, Martin Clunes’ Mr Shepherd) and once again, inimitable (and irritating) teaching assistant Mr Poppy (Marc Wootton) is on hand to cause mayhem with his unruly antics leading his class astray. But where the first film was rooted in the universal appeal of school nativities, this sequel opts for the bandwagon-jumping of focusing on flashmobs, which meant it was probably out-of-date as it arrived in cinemas last winter, never mind now in 2015. Continue reading “DVD review: Nativity 3 – Dude, Where’s My Donkey”
“You can be our Justin Bieber”
After being pleasantly surprised by how much fun Nativity was, it seemed only natural to watch the sequel Nativity 2 – Danger in the Manger when it appeared in the festive TV schedule too. Sad to say it didn’t live up to its predecessor, its attempts to replicate the formula losing much of the charm that made the first movie something of a real treasure. Writer and director Debbie Isitt returned to the improvised style that saw her company of kids and adults work without a script or advance knowledge of how the plot would unfold, but the problem lies in that uninspired narrative.
We’re still at St Bernadette’s, but Martin Freeman’s Mr Maddens has been replaced by David Tennant’s Mr Peterson, the school nativity has been replaced by a national ‘Song for Christmas’ competition and Marc Wootton’s irrepressible teaching assistant Mr Poppy remains very much in situ. And it is the nonsense that his actions provokes that proves the tipping point here – from purloined babies and donkeys to reckless child endangerment and the very fact that he’s teaching a class alone, Poppy’s character is a huge ask even when not taking it too seriously and for me, he was too grating too often. Continue reading “DVD Review: Nativity 2 – Danger in the Manger”
“What would you do differently next time Badger?”
The first thing that strikes you as you enter the Royal Court’s upstairs space for God Bless The Child is the complete immersiveness of Chloe Lamford’s set design. It may sound clichéd but it really does feel like you’re stepping into a primary school classroom and the level of detail is so pitch-perfect, it isn’t long before you utterly forget where you are and get swept up in reading the various school projects on the wall and admiring the crayon-colouring of the flags of the world. It’s a great start to what emerges as a slyly subversive play that shows you’re never too young to be a revolutionary.
As with Vivienne Franzmann and Mogadishu, Molly Davies brings a wealth of teaching experience to her playwriting after many years in the job and in shows in the little details of its characters. The enthusiasm with which Ony Uhiara’s youthful Ms Newsome seizes on new teaching initiative Badger Do Best, the cautious eye on finances that Nikki Amuka-Bird’s head Ms Evitt maintains, the seen-it-all pragmatism of old-school teaching assistant Mrs Bradley, perfectly cast in Julie Hesmondhalgh. And as government-appointed educational Svengali, Amanda Abbington’s Sali Rayner has a chilling evangelical zeal.
Continue reading “Review: God Bless The Child, Royal Court”