Despite some beautiful moments, the RSC’s filmed take on The Winter’s Tale has problems beyond being a problem play
“Shakespeare lived through a pandemic and it was during that time he wrote King Lear”
The pandemic brought about some really interesting responses from several of our major producing houses, the call to just ‘do it online’ proving much easier to yell from our lockdowned sofas than to actually put into practice. Some theatres that could, delved into their cupboards to dust off archive copies that were never meant to see the light of day, and the National gave us NT at Home watchalongs but also created something unique with their hybrid theatre/film version of Romeo and Juliet.
The RSC opted to mount a filmed version of their postponed production of The Winter’s Tale, rescued by the BBC’s Lights Up arts strand. But despite it being specifically created for screen, it doesn’t really make the most of this new medium. Erica Whyman’s production is full of some gorgeous moments – not least multiple breathtaking fabric drops (Hermione and the baby’s shroud? Simply stunning!) – but it feels like (perhaps not unreasonably) this is just the version that we would have seen onstage. Continue reading “#AdventwithClowns Day 9 – The Winter’s Tale (RSC via iPlayer)”
The Kenneth Branagh Theatre Company has announced that tickets are on sale for a brand new production of Terence Rattigan’s much loved play The Browning Version. The production will play for 3 weeks at Riverside Studios from 5 – 29 August with Branagh directing. Tickets are available now from branagh-theatre.com.
The cast is made up of all RADA graduates with Branagh playing Andrew Crocker-Harris. He will be joined by Kemi Awoderu (Taplow), Joseph Kloska (Frank Hunter), Lolita Chakrabarti (Millie Crocker-Harris), Wendy Kweh (Dr Frobisher), Victor Alli (Peter Gilbert) and Sarah Eve (Mrs Gilbert).
The production will be designed by Frankie Bradshaw, Lighting Design will be by Paul Pyant and Sound Design by Emma Laxton. Continue reading “London theatre update for June”
For the first time in its history, a Royal Shakespeare Company production – The Winter’s Tale, directed by Erica Whyman – gets its world premiere on BBC television.
- The film adaptation of The Winter’s Tale will be screened on BBC Four in April, coinciding with the month of Shakespeare’s birthday.
Continue reading “News: BBC lights up the culture world with Lights Up”
The Royal Shakespeare Company have announced Sonnets in Solitude, a selection of Shakespeare’s sonnets self-recorded by RSC actors while in lockdown.
Many of the actors were working with the RSC at the time of the theatre’s temporary closure on 17 March and have been unable to perform or rehearse since.
RSC Artistic Director Gregory Doran said,
“The sonnets are so intimate, confidential and direct, and watching them being performed in this way captures that immediately. Perhaps after 400 years, the form has finally found its ideal format”.
The RSC will release 90 of the 154 sonnets over the coming weeks which will be available to view via the RSC’s You Tube channel Miles Jupp, Alexandra Gilbreath, Antony Sher, Emma Fielding and Rosie Sheehy are just some of the actors involved in Sonnets in Solitude. Continue reading “News: The RSC launch Sonnets in Solitude”
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
I wanted to like Mike Leigh’s Peterloo, I really did…
“You must be famished coming all the way from Wigan”
I’ve been a big fan of Mike Leigh’s film work, since discovering it in the last decade or so, and loved his last film Mr Turner. So news of his return to period drama, albeit through his idiosyncratic process, in Peterloo was a plus for me. The reality though is an epic that proved a real slog for me, even boring by the end. Continue reading “Film Review: Peterloo (2018)”
In which Imperium II: Dictator continues a compelling look at (Roman) politics at the Gielgud Theatre but in which I also feel obliged to point out just how male-heavy Imperium skews
“We are at the mercy of the people of Rome”
Previously on Imperium:
- we enjoyed ourselves
- we struggled to differentiate between the many names beginning with C
- we puzzled at why people wore their togas with one bit draped impractically over a forearm
- we marvelled at how shiny everyone’s leather sandals seemed to be
- and we grieved at how woefully the wonderful Siobhán Redmond was underused, at how indeed the whole production treats women
The second part of this summer’s Roman epic – Imperium II: Dictator – continues much in the same vein as the first. Mike Poulton’s adaptation capturing much of the sweeping vistas of Robert Harris’ Cicero novels, and Richard McCabe excelling as that noble Cicero who increasingly reveals himself as all-too–hubristically-human.
But as we reach the seventh hour of drama in this testosterone-heavy world, you can’t help but feel that the women, both of the time and of this company, are relatively hard done by. Between the male gaze of Harris to Poulton to Doran to McCabe, the relentless focus on the political over the personal doesn’t give us much sense of Cicero the man versus Cicero the politician. Continue reading “Review: Imperium II – Dictator, Gielgud Theatre”
Imperium I: Conspirator is the entertaining first part of the seven hours of a proper Roman epic from the RSC (thankfully with air-con in the Gielgud Theatre)
“Stupid people tend to vote for stupid people”
With the weather as it is, there are worse ways to spend a day in London than in the blissfully air-conditioned Gielgud Theatre. There, you can partake in the near seven hours of the two-part theatrical extravaganza that is Imperium. First seen at the RSC last winter, Mike Poulton’s adaptation of Robert Harris’ Cicero novels have a suitably epic feel to them and, anchored by an excellent lead performance from Richard McCabe, also have a real thrill factor.
The first part – Imperium I: Conspirator – follows Roman consul Cicero’s valiant efforts to defend the republic and the rule of law against rebellion and rivalries. And in the hands of McCabe, his silky rhetoric is a joy to behold as he secures his primacy, relying on political manipulation where necessary. Whether defeating Joe Dixon’s Catiline, trying to outmanoeuvre Nicholas Armfield’s slippery Clodius or pin down the wildly ambitious young buck named Julius Caesar (a superb Peter de Jersey), his actions are gripping. Continue reading “Review: Imperium I – Conspirator, Gielgud Theatre”
A quick whip through Series 2 of The Crown
“History is not made by those who did nothing”
Do I still love The Crown? Yes. Do I still find it a little hard to muster enthusiasm about it until I’m watching it. Absolutely. It remains lavish prestige drama that carries little excitement about it and that’s perhaps inevitable as it trundles through the decades of the second half of the twentieth century, little dramatic surprise can really be sprung.
Instead, the thrills come from the script of Peter Morgan’s fantasia into the emotional life of our monarch, and a production that looks like the multi-millions of dollars that have been spent on it. Oh, and the cream of British acting talent popping in for a scene or two at an astonishingly high rate. Continue reading “TV Review: The Crown, Series 2”
The Royal Shakespeare Company has announced casting for the upcoming productions of Imperium parts one and two. Richard McCabe will take on the role of Cicero in Mike Poulton’s adaptations of Robert Harris’ novels alongside Siobhan Redmond as Terentia, Cicero’s wife. Joseph Kloska will play Cicero’s servant Tiro, who narrates their adventures. Continue reading “Full cast of the RSC’s Imperium announced”