With powerful performances from Michael Xavier, Josefina Gabrielle and more, plus a sneak peek at the forthcoming Carousel, Episode Seven of The Theatre Channel is a marvellous showcase for Rodgers and Hammerstein
“Bachelor dandies, drinkers of brandies What do I know of those”
Episode Seven of The Theatre Channel is presented in a co-production with Regent’s Park Open Air Theatre, as it focus on the songs of Rodgers and Hammerstein allows us get a taster of their forthcoming production of Carousel. And not only that, there’s illustrative contributions throughout from Ted Chapin, former president of The Rodgers and Hammerstein Society, lending a real weight to an already entertaining episode.
For the most part, stagings are fairly straight-forward, taking advantage of the lush greenery of Regent’s Park. And when the songs are this good, there’s not much need to that much more. Josefina Gabrielle oozes class as she sashays through Allegro’s ‘The Gentleman is a Dope’ and new graduates Tavio Wright and Ethlinn Rose put the bandstand to good use in a gorgeous ‘Sixteen Going On Seventeen’, complete with ecstatic dance break. Continue reading “Review: The Theatre Channel – Episode Seven Rodgers and Hammerstein”
Adam Blanshay Productions’ renowned The Theatre Channel is back with a jam-packed Rodgers and Hammerstein special. Embracing the return of live theatre, the episode is a co-production with Regent’s Park Open AirTheatre ahead of their unique take on the classic Carousel this summer.
As a comedian, impressionist, game show host, reality TV star, soap, screen and stage actor, Les Dennis returns to the West End in the multi-award-winning smash hit musical Hairspray the Musical as Wilbur Turnblad having previously performed the role on tour. He stars alongside Michael Ball, who returns to his legendary, Olivier Award–winning role of Edna Turnblad. Lizzie Bea will star in the iconic role of Tracy Turnblad. Acclaimed West End star Marisha Wallace will take the role of Motormouth. Rita Simons (Eastenders’ Roxy Mitchell) and Jonny Amies (Granchester on ITV; Sex Education on Netflix/Eleven Film) will also join the cast as Velma Von Tussle and Link Larkin respectively.
The full company includes Georgia Anderson, Kimani Arthur, Dermot Canavan, Lori Haley Fox, Mari McGinlay, Ashley Samuels, Michael Vinsen and Imogen Bailey, Pearce Barron, Jordan Benjamin, Joel Cooper, Luke George, Christopher Gopaul, Bradley Judge, Winny Herbert, Lily Laight, Madeleine Lawton, Holly Liburd, Will Luckett, Mireia Mambo, Kody Mortimer, Robyn Rose, Tinovimbanashe Sibanda, Amy West and Natalie Woods. Continue reading “News: 4 West End shows announce their casts”
With a ‘roadmap’ in place, the West End is starting to make plans for a summer that might look something close to normal
The Prince of Egypt will return to the Dominion Theatre from 1st July, operating under socially distanced restrictions until 4th September, after when they intend to return to ‘normal’! The show has also extended its run until Saturday 8th January 2022.
The production has confirmed that the entire cast and orchestra of almost 60 artists, will be presented in its original form at all performances. The cast of 43 is led by: Luke Brady (Moses), Liam Tamne (Ramses), Christine Allado (Tzipporah), Alexia Khadime (Miriam), Joe Dixon (Seti), Debbie Kurup (Tuya), Mercedesz Csampai (Yocheved), Adam Pearce (Hotep), Tanisha Spring (Nefertari) and Silas Wyatt-Barke (Aaron). Further casting is to be revealed. Continue reading “News: the West End starts to make plans…”
Director Paul Foster (no relation, honest!) takes on the 10for10 challenge
Paul Foster has two major projects in the near future – diving into The Deep Blue Sea with the glorious Nancy Caroll and opening a UK tour of Curtains with Jason Manford. And it is surely in no small part to his revelatory work on A Little Night Music (featuring a career-best Josefina Gabrielle) at the Watermill in 2017 that his star is rising so.
I asked him to recall a little of that time:
“A testament to truly brilliant creative colleagues and a matchless cast that we pulled it off in four weeks!. The quality of that material is so apparent and to get to know Sondheim a little as we prepared for it was incredible. I’d got his autograph when I worked the cloakroom at the National but left it on the 91 bus, so the emails and calls squared the circle!”