“The problem with Hannes is…”
One can always rely on the Arcola to bring interesting writing to light and in the form of the VOLTA International Festival, Artistic Director Andrea Ferran has managed that four times over, bringing together new work by four celebrated international writers, translated into English for the first time – Christopher Chen, Jonas Hassen Khemiri, Ewald Palmetshofer and Roland Schimmelpfennig. With four directors, James Perkins designing and an ensemble covering all the shows, it proved to be a fascinating festival and one which deserves more attention than it received.
Caught by San Francisco-based Christopher Chen twists wonderfully around notions of truth and fiction as three separate but interlinked scenes toy with how art plays with and changes under our perceptions. Cressida Brown’s direction cleverly plays up how we all find our own truth in everything, no matter how the subject is approached, preconceived notions shaping us even as they’re deconstructed and always, always making us think about what we’ve just seen. Chen takes no prisoners in the complexity of some of his thinking but it’s fascinating stuff indeed. Continue reading “Review: VOLTA Festival 2015, Arcola Theatre”